Humanism, Existentialism and Art

Song of the Wind
Peters, T. 2024. Song of the Wind.

Listening Louder with Clay: Conversation as a Clay Tool
Peters, T., Twomey, C. and Brown, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA 58th Annual Conference: Coalescence. Greater Richmond Convention Center, Richmond, Virginia, USA 20 - 23 Mar 2024

Leaving a mark: gesture and performance in clay
Peters, T. 2024. Leaving a mark: gesture and performance in clay. The Performing Object: Ceramics and Performance . Department of Drama, Theatre & Dance, Royal Holloway, University of London. 24 Apr 2024

Listening Louder with Clay: Conversation as a Clay Tool
Peters, T., Brown, C., Cummings, P. and Twomey, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA Journal. 44, pp. 122-125.

From Shore to Dinner Table: Finding and eating seaweed in Ireland and the British Isles
Peters, T. 2023. From Shore to Dinner Table: Finding and eating seaweed in Ireland and the British Isles. in: Pung-Mi: Exquisite Taste of Seaweed Recipes for Collaborative Artists South Korea Project 7 1/2. pp. 93-113

Challenging the Rules of the Game
Peters, T. 2023. Challenging the Rules of the Game. Stadtmuseum Siegburg.

Reframing the Past
Peters, T. 2023. Reframing the Past. in: Meekyoung Shin, Time/Material: Performing Museology Seoul, South Korea Coreana Museum of Art, Seoul, South Korea. pp. 202 - 205

Look Who's Talking
Peters, T. 2022. Look Who's Talking.

Valuable Space: Nicole Polonsky Profile
Peters, T. 2021. Valuable Space: Nicole Polonsky Profile. Printmaking Today. 30 (120), pp. 10-13.

White Gold
Peters, T. 2021. White Gold. in: Oh, Sunyoung (ed.) Critical Reading: Functional Dissonance Korea Project 7 1/2. pp. 47-54

Tacit Knowledge and Creative Possibility
Peters, T. 2020. Tacit Knowledge and Creative Possibility. in: Cho Jang-hyun: Bak-Go-Ji-Geum, Southward-bound Buncheong Bandung, Indonesia Institut Teknologi Bandung.

Cultural Icons: Remaking a Popular Pottery Tradition
Peters, T. 2019. Cultural Icons: Remaking a Popular Pottery Tradition. The Potteries Museum & Art Gallery, Stoke-on-Trent 21 - 22 Sep 2019

Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017
Peters, T. 2019. Review of The Ceramics Reader, Andrew Livingstone and Kevin Petrie (eds). London & New York: Bloomsbury, 2017. Journal of Modern Craft. 12 (2), pp. 197-199. https://doi.org/10.1080/17496772.2019.1620444

The history and development of the Ceramic Research Centre-UK
Peters, T. 2018. The history and development of the Ceramic Research Centre-UK. Humanism - Poem of Earth for Human symposium. Clayarch Gimhae Museum 05 Apr 2018

Participatory Art: Ceramic and social praxis
Peters, T. 2017. Participatory Art: Ceramic and social praxis. Clay Matters: Thinking and exhibiting matter in recent art. Hasselt, Belgium 17 - 18 Nov 2017

Narrative Strategies, Christie Brown
Peters, T. 2017. Narrative Strategies, Christie Brown. New Ceramics: the European Ceramics Magazine. 1 (2017), pp. 8-13.

Text for Christie Brown: Rara Avis exhibition leaflet
Peters, T. 2016. Text for Christie Brown: Rara Avis exhibition leaflet.

Guest curator of Anthony Shaw Collection
Peters, T. 2016. Guest curator of Anthony Shaw Collection. York Art Gallery 18 Nov 2016 - 31 Oct 2017

Ceramic Art in Social Contexts
Peters, T. 2016. Ceramic Art in Social Contexts. in: Brown, C., Stair, J. and Twomey, C. (ed.) Contemporary Clay & Museum Culture London and New York Routledge. pp. 97-104

Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton
Peters, T. 2015. Book review: Seeing Things: Collected Writing on Art, Craft and Design, Alison Britton. Journal of Modern Craft. 8 (1), pp. 101-103. https://doi.org/10.2752/174967715X14213400210159

Laura Potter: Fictional Final Goal
Peters, T. 2015. Laura Potter: Fictional Final Goal. Marsden Woo Gallery, 23 Charlotte Road, London EC2A 3PB 14 Jan - 14 Feb 2015