Ceramic Research Centre

Cummings, P. 2022. A Matter of Life and Death. Thomas Dane Gallery, Naples 26 Mar - 28 May 2022

Peters, T., Twomey, C., Cummings, P. and Brown, C. 2024. Clay Conversations. Ceramics Research Group.

Lee, P. 2018. Cover Uncover. London Philip Lee.

Burgher, V. 2026. Crafting counterhegemony: A reflection. in: The scholarship of making: Craft as method, as knowing, as decolonisation, and connecting Taylor & Francis.

Cummings, P. 2018. Critical Mass. South Korea

Cummings, P. 2023. Cumulus (sculpture) Towards a flower (video). Lismore Castle Arts, Ireland 25 Mar - 17 May 2023

Cummings, P. 2023. Deepfake Eden.

Peters, T. 2023. From Shore to Dinner Table: Finding and eating seaweed in Ireland and the British Isles. in: Pung-Mi: Exquisite Taste of Seaweed Recipes for Collaborative Artists South Korea Project 7 1/2. pp. 93-113

Lee, P. 2018. Golden Philip. St Pancras Church Crypt, Euston Road, London 21 - 22 Jul 2018

Peters, T., Brown, C., Cummings, P. and Twomey, C. 2024. Listening Louder with Clay: Conversation as a Clay Tool. NCECA Journal. 44, pp. 122-125.

Peters, T. 2022. Look Who's Talking.

Cummings, P. 2018. Model for a Common Room. Victoria Gallery and museum - University of Liverpool 19 Jan - 23 Jun 2018

Peters, T. 2023. Reframing the Past. in: Meekyoung Shin, Time/Material: Performing Museology Seoul, South Korea Coreana Museum of Art, Seoul, South Korea. pp. 202 - 205

Peters, T. 2024. Song of the Wind.

Cummings, P. 2023. Studies (between heaven and earth). Norway

Twomey, C. 2024. The Invisible Vase. Crocker Art Museum Crocker Art Museum.

Peters, T. 2021. Valuable Space: Nicole Polonsky Profile. Printmaking Today. 30 (120), pp. 10-13.

Lee, P. 2018. White Gloves. St Pancras Church Crypt, Euston Road, London 21 - 22 Jul 2018

Peters, T. 2021. White Gold. in: Oh, Sunyoung (ed.) Critical Reading: Functional Dissonance Korea Project 7 1/2. pp. 47-54

Cummings, P. 2017. Woman's Hour Craft Prize.