Wilson, L. 2022. Forthcoming. Talking about Ann Quin: An Interview with Claire-Louise Bennett. Women: A Cultural Review.
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. The PhotoHistorian. 189 (Spring), pp. 5-8.
Dominici, S. 2021. The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities. History of Photography. 44 (2-3), pp. 111-127. https://doi.org/10.1080/03087298.2021.1907959
Dominici, S. 2021. The Tricycle and the Camera: New Technologies for Self-Determination. Journal of Victorian Culture Online.
Sara Dominici 2021. DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s. Photographies. 14 (2), pp. 265-286. https://doi.org/10.1080/17540763.2021.1877186
Wilson, L. 2021. Whose sister? ‘Convenient pigeonholes’, Peter Owen and the publishing of Anna Kavan. in: British Experimental Women's Fiction, 1945-75: 'Slipping Through the Labels' Basingstoke Palgrave. pp. 83-101
Beck, J. 2021. Landscape as Weapon: Cultures of Exhaustion and Refusal. London Reaktion Press.
Taylor, E. 2020. The Problem of Hope: Orwell’s Workers. in: Waddell, N. (ed.) The Cambridge Companion to Nineteen Eighty-Four Cambridge Cambridge University Press. pp. 155-167
Wilson, L., Colby, G. and Marczewska, K. (ed.) 2020. The Contemporary Small Press: Making Publishing Visible. Basingstoke Palgrave.
Wilson, L. 2020. Acts of Judgment and the Small Press: Learning from F.R. Leavis. in: Colby, G. and Marczewska, K. (ed.) The Contemporary Small Press: Making Publishing Visible Basingstoke Palgrave. pp. 219-236
Beck, J. and Bishop, R. 2020. Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde. Durham, North Carolina Duke University Press.
Dominici, S. 2020. From the Proliferation of the Photographic to the Nullification of Truth: Personal and Commercial Narratives of Travel in Britain, 1890s-1930s. Image [&] Narrative. 21 (2), pp. 26-43.
Beck, J. and Dorrian, M. 2020. The Time Capsule and the Cut Up: Negotiating Temporality, Anticipating Catastrophe. Theory, Culture & Society. 37 (7-8), pp. 95-114. https://doi.org/10.1177/0263276420958049
Wilson, L.G. 2020. Should We Believe? The Fictional, The Virtual and the Real in the Contemporary Novel. Textual Practice. 34 (2), pp. 215-233. https://doi.org/10.1080/0950236X.2018.1508063
Beck, J. and Cornford, M. 2019. The North West Art School Record Machine. Bury Art Museum 12 Oct 2019 - 25 Jan 2020
Wilson, L.G. 2019. Post-millennial Literature. in: Boxall, P. (ed.) The Cambridge Companion to British Fiction 1980-2018 Cambridge Cambridge University Press. pp. 47-66
Beck, J. and Cornford, M. 2018. The Art Schools of North West England. Bluecoat, Liverpool 17 Nov 2018 - 31 Mar 2019
Beck, J. and Bishop, R. 2018. The Return of the Art and Technology Lab. Cultural Politics. 14 (2), pp. 225-243. https://doi.org/10.1215/17432197-6609102
Charles, M. 2018. Secret Signals from Another World: Walter Benjamin’s Concept of Innervation. New German Critique. 45 (3(135)), pp. 39-72. https://doi.org/10.1215/0094033X-6977791
Taylor, E. 2018. The Popular Front Novel in Britain, 1934-1940. Leiden Brill.
Charles, M. 2018. Erziehung: the critical theory of education and counter-education. in: Best, B., Bonefeld, W. and O'Kane, C. (ed.) The Sage Handbook of Frankfurt School Critical Theory London Sage. pp. 988-1005
Charles, M. 2018. Teaching, In Spite of Excellence: Recovering a Practice of Teaching-led Research. Studies in Philosophy and Education. 37 (1), pp. 15-29. https://doi.org/10.1007/s11217-017-9568-1
Wilson, L.G. 2017. Anna Kavan's Ice and Alan Burns' Europe After the Rain: Repetition With A Difference. Women: A Cultural Review. 28 (4), pp. 327-342. https://doi.org/10.1080/09574042.2017.1388582
Marczewska, K. 2017. Copying. York, UK Information as Material.
Taylor, E. 2017. ‘The voice speaking, desired, awaited’: Jack Lindsay’s 1649, Textual Form and Communist Historiography. Twentieth Century Communism . 12, pp. 15-36.
Colby, G. 2016. Death and the Contemporary (Special double issue of New Formations journal). New Formations. 89/90, pp. 5-278. https://doi.org/10.3898/NEWF:89/90.INTRODUCTION.2016
Cunningham, D.I. and Beck, J. 2016. Photography and Abstraction [Special Issue of Photographies journal]. Photographies. 9 (2), pp. 129-228.
Marczewska, K. 2016. Reading Matter . Information as Material.
Marczewska, K. 2016. The Iterative Turn. PARSE. 3, pp. 13-28.
Cunningham, D.I. 2016. Renouncing the Single Image: Photography and the Realism of Abstraction. Photographies. 9 (2), pp. 147-165. https://doi.org/10.1080/17540763.2016.1194551
Wilson, L.G. 2015. Modernism and Magic: Experiments with Spiritualism, Philosophy and the Occult, paperback. Edinburgh Edinburgh University Press.
2015. The Contemporary Small Press.
Wilson, L.G. 2015. Small Press Book Fair. Fyvie Hall, Regent Street 20 Feb 2015
Wilson, L.G. 2015. Reality Effects: The Historical Novel and the Crisis of Fictionality in the First Decade of the Twenty-first Century. in: Bentley, N., Hubble, N. and Wilson, L.G. (ed.) The 2000s: a decade of contemporary British fiction London Bloomsbury. pp. 145-171
Bentley, N., Hubble, N. and Wilson, L.G. (ed.) 2015. The 2000s: a decade of contemporary British fiction. London Bloomsbury.
Hubble, N., Tew, P. and Wilson, L.G. (ed.) 2015. The 1990s: a decade of contemporary British fiction. London Bloomsbury.
Taylor, E. 2012. Review Essay: Recovering Thirties Fiction. Key Words: A Journal of Cultural Materialism . 10 (141), p. 150.