Music Research Group

Boon, H. 2021. The Space Between The Stars - Parts 1, 2 and 3. London

Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities Focal Press.

Boon, H. 2021. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities London Focal Press. pp. 162-173

Boon, H. 2020. Skyline Melody - Modular Synthesiser Proof of Concept. London

Boon, H. 2020. Sonic Recursion - Sound Based Music. London

Boon, H. 2020. Music for a Non-Comported Reality Project. London

Boon, H. 2020. Symbolic Violence (Critical Theory). London

Boon, H. 2020. Modular Synth as Lab - Complexity and the Single Oscillator. London

Boon, H. 2020. Simulating A Complex Oscillator - Patching Techniques and Walkthrough - Proof of Concept. London

Boon, H. 2020. Improvisation Demonstration Number 1.

Boon, H. 2020. The Ways of Making, Dissemination and Reception Have Changed, So What Should We Do About It? Equality, Diversity and Inclusion in Music Higher Education. City University - Senate House 24 Jan 2020

Patel, S., Toulson, R. and Azuaje, L. 2020. The beginning of a beautiful relationship: A case study on an immersive filmmaking process. in: Batty, C., Berry, M., Dooley, K, Kerrigan, S. and Frankham, B. (ed.) The Palgrave Handbook of Screen Production Palgrave Macmillan.

Toulson, R. 2020. Changing Technologies of Music Distribution. in: Zagorski-Thomas, S. and Bourbon, A. (ed.) Bloomsbury Handbook on Music Production Bloomsbury.

Toulson, R. and Blake, K 2019. A Pocketful of Posies by Mediaeval Baebes.

Boon, H. 2019. Observations on the Utility of Square Waves and Their Applicability in Generative Melodic Applications. SEMPRE Autumn Conference. Bath Spa 08 - 08 Nov 2019

Boon, H. 2019. Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. InMusic19. University of West London 05 - 07 Dec 2019

Toulson, R. and Shakhovskoy, J 2019. Piano Ombre - Album App. Apple App Store Apple App Store.

Paterson, J., Toulson, R. and Hapworth-Sayer, R. 2019. User-Influenced/Machine-Controlled Playback: The variPlay Music App Format for Interactive Recorded Music. Arts. 8 (3) 112. https://doi.org/10.3390/arts8030112

Toulson, R. and Paterson, J. 2019. Ofenbach variPlay - Rock It. Apple App Store Apple App Store.

Toulson, R. and Sheppard, M. 2019. Evaluating white noise degradation on Sonic Quick Response Code (SQRC) decode efficacy. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. https://doi.org/10.17743/aesconv.2019.978-1-942220-26-8

Toulson, R. and Hardin, M. 2019. Quantitative analysis of streaming protocols for enabling Internet of Things (IoT) audio hardware. Loughran, R. and Angus-Whiteoak, J. (ed.) Audio Engineering Society 146th Convention. Dublin 20 - 23 Mar 2019 Audio Engineering Society. https://doi.org/10.17743/aesconv.2019.978-1-942220-26-8

Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) 2019. Innovation in Music: Performance, Production, Technology, and Business. New York Routledge.

Sheppard, M., Toulson, R. and Fachner, J. 2019. Acoustic transmission of metadata in audio files using Sonic Quick Response Codes (SQRC). in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business New York Routledge. pp. 399-410

Toulson, R. 2019. Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation in Music: Performance, Production, Technology, and Business New York Routledge. pp. 385-398

Toulson, R. and Blake, K 2018. Victoriana by Mediaeval Baebes.

Toulson, R. 2018. Chasing Infinity by Asympt Man.

Toulson, R. and Paterson, J 2018. Interactive Recorded Music: Past, Present and Future. Audio Engineering Society 145th Convention. New York 17 - 20 Oct 2018 Audio Engineering Society.

Toulson, R. and Paterson, J. 2018. Ximena Sariñana variPlay. Apple App Store Apple App Store.

Toulson, R. and Paterson, J. 2018. Plan - Defab1 & Vanessa Knight. Apple App Store Apple App Store.

Toulson, R. and Paterson, J. 2018. Asympt Man - Chasing Infinity. Apple App Store Apple App Store.

Toulson, R. and Hepworth-Sawyer, R. 2018. Connected Learning Journeys in Music Production Education . Journal of Music, Technology & Education. 11 (3), pp. 269-286. https://doi.org/10.1386/jmte.11.3.269_1

Exarchos, M. 2018. Hip-Hop pedagogy as production practice: Reverse-engineering the sample-based aesthetic . Journal of Popular Music Education. 2 (1-2), pp. 45-63. https://doi.org/10.1386/jpme.2.1-2.45_1

Toulson, R. and Foster, S. K. 2016. Waltzing by Daisy and The Dark.

Toulson, R. and Foster, S. K. 2016. Circus by Daisy and The Dark.

Exarchos, M. 2016. Sonic Necessity and Compositional Invention in #Blues-Hop: Composing the Blues for Sample-Based Hip-Hop. New Zealand Musicological Society Annual Conference. Hamilton, New Zealand 19 - 20 Nov 2016

Exarchos, M. 2016. Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap. 2nd Annual Synthposium. Melbourne, Australia 14 Nov 2016

Toulson, R., Blake, K. and Marsh, N. 2015. From The Deep by From The Deep.

Toulson, R. and Foster, S. K. 2015. Red Planet by Daisy and The Dark.

Toulson, R. and Ash, E. 2015. Face To Face by Ethan Ash.

Toulson, R. and Blake, K 2014. Of Kings and Angels by Mediaeval Baebes.