Centre for Research and Education in Arts and Media

Gortazar, P. 2024. Navigating Subjectivity in AI-Generated Photography: The Quest for Ethics and Creative Creative Agency. Philosophy of Photography. 15 (Issue Expanded Visualities).

Dominici, S. 2024. Photography and Early Motor Touring in Britain. History of Photography.

Kempadoo, R. 2024. My Daughter's Mind (1984/5) and Presence (1990) in Women in Revolt: Art and Activism in the UK 1970-1990). Tate Britain 08 Nov 2023 - 07 Apr 2024

Ingawanij, M.A. 2024. Flaherty Film Seminar 2024: To Commune. 2024

Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024

Kempadoo, R. 2023. Changing Spaces (1992) and Kissing Life Better (2023) in The World that Belongs to Us. Walsall, West Midlands 24 Nov 2023 - 09 Jun 2024

Wyver, J. 2023. Pauline Boty: Artist - Model - Actor - Blonde. London

Wyver, J. 2023. Blonde Noir. London

Groves, Andrew 2023. Various fanzines dedicated to the casual subculture. 25 Kent Ave, Brooklyn, NY 11249 20 - 23 Jul 2023

Wyver, J. 2023. All's Well That Ends Well. United Kingdom

Groves, Andrew and Duffy, Eilidh 2023. BOG - Decoding the Details with the Westminster Menswear Archive. London

Kempadoo, R. 2023. Afterlives/Futurelives: Imagining Mermaids and Recalling Ghost Dancing. in: Tatiana Flores, Florencia San Martín and Charlene Villaseñor Black (ed.) The Routledge Companion to Decolonizing Art History New York Routledge. pp. 274-285

Gortazar, P. 2023. Generative Photographic Spaces: A Pixel-perfect Thrill. How do Humans and Machines See the World. King's College, London, UK 06 Dec 2023

Gortazar, P. 2023. Look Me in The Eye!: Towards Full Ownership of Every AI-generated Photograph. Photography and Artificial Intelligence. Royal Photographic Society, Bristol, UK 09 - 10 Oct 2023

Wyver, J. 2023. RSC Live from Stratford-upon-Avon: Ten Things I Think I Know, or, Of Course We’re Making a Movie. in: Smith. E. (ed.) Shakespeare Survey 76: Digital and Virtual Shakespeare Cambridge Cambridge University Press. pp. 9-16

Ingawanij, M.A. 2023. To Live With: A Conversation Between May Adadol Ingawanij, Sorawit Songsataya, and Riar Rizaldi. Hocken Collections, University of Otago.

Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.

Kempadoo, R. 2023. Provoking Us to Change the World. NACLA Report on the Americas. 55 (3), pp. 327-331. https://doi.org/10.1080/10714839.2023.2247778

Groves, Andrew and Sprecher, Danielle 2023. Linen in Menswear 1800 - present. in: Camilleri, A. (ed.) Le Lin, fibre de civilisation(s) Paris, France Actes Sud.

Groves, Andrew and Sprecher, Danielle 2023. The Repositioning of the Football Jersey from the Pitch to the Runway. International Football History Conference . Hampden Park Stadium, Glasgow 30 Jun - 01 Jul 2023

Soutter, L. and Wooldridge, D. (ed.) 2023. Writer Conversations. London 1000 Words.

Dominici, S. 2023. Wish You Were Here? Source Magazine. Spring (110), pp. 14-17.

Soutter, L. 2023. Photography in Flux: The Global Contemporary. in: Niedermaier, A. (ed.) Discourses of the image: from the center and from the periphery Palermo, Argentina University of Palermo, Argentina.

Shinkle, E. 2023. On Boredom and Contemporary Fashion Photography. in: Filippello, R. and Parkins, I. (ed.) Fashion and Feeling: the Affective Politics of Dress Palgrave Macmillan. pp. 271-284

Moore, D. 2022. Lydia Carmichael, in her former classroom at Ashlyns school, Berkhamsted. The Foundling Museum, London.

Ingawanij, M.A. 2022. Legacies . Artspace Aotearoa 02 Sep - 22 Oct 2022

White, N. 2022. Perfect Nature: Amstelpark Test Site. Amsterdam 22 Apr - 19 Jun 2022

Groves, Andrew 2022. Painted sheepskin coat, A/W1999. Garden Museum 16 Mar - 19 Jun 2022

Hogg, C. 2022. Reflections on 'Television Adaptation Specifically', CST Online.

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Kempadoo, Roshini 2022. Like Gold Dust (2019) (selection) in the exhibition Intersectional Geographies. Bristol 27 Jan - 03 Apr 2022

Hogg, C. 2022. Time for Change: An Actor's Perspective - Christopher Hogg in Conversation with Mandip Gill. www.cream.ac.uk.

Gortazar, P. 2022. Plastic Borders: On the Photographic Frame and its Virtual Experience. International Conference of Photography and Theory: Expanded Visualities . Nocosia, Cyprus 17 - 18 Nov 2022

Gortazar, P. 2022. Remember Photography: Bidimensional Stillness and Desire in the Virtual Infinity. Photographies International Conference, Boundaries and Borders. Texas State University, San Antonio 23 - 24 Sep 2022

Dominici, S. 2022. Sonata by Aaron Schuman. Source Magazine. Autumn (109), p. 81.

Balsom, E., Clark, G., Kennedy, C., Thomas, E. and Yamashita, Y. 2022. Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Wiley-Blackwell. pp. 433-452

Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Groves, Andrew, Jenkinson, Jo and Earnshaw, John 2022. Through a Lens – A comparison of contested masculine identities as reflected in clothing, place, and portraiture. Futurescan 5: Conscious Communities . The University of Leeds 07 - 08 Sep 2022 Association of Fashion and Textiles Courses.

Dominici, S. 2022. Early Photographic Federations and the Pursuit of Collaborative Education. Early Popular Visual Culture. 20 (4), pp. 388-411. https://doi.org/10.1080/17460654.2022.2087710

Kempadoo, Roshini 2021. Itinerant Imaginaries: Seminar series published online. British Art Network.