Centre for Research and Education in Arts and Media

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Tabrizian, M. 2015. 'Looking back' - on the young unemployed. Venice Biennial 09 May - 22 Nov 2015

Santos, M. and Da Fonseca Moreira Santos Maria 2015. (un)childhood: performing the voices and times of childhood through relational video-making. PhD thesis University of Westminster Faculty of Media, Arts and Design https://doi.org/10.34737/9984y

Twomey, C. 2018. 100 Medals For The Future. The National Memorial Arboretum 11 Dec 2018 - 31 Mar 2019

Marsh, J. 2020. 2021 Venice Architecture Biennale - Three British Mosques/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021

Stehlikova, T. Forthcoming. 4 Generations of Women.

Stehlikova, T. Forthcoming. 4 Generations of Women.

White, N. 2016. 9 Events - Royal College of Art. Dyson Gallery, Royal College of Arts, London 05 - 25 Mar 2016

Tsifouti, A., Triantaphillidou, S., Larabi, M.C., Bilissi, E. and Psarrou, A. 2015. A case study in identifying acceptable bitrates for human face recognition tasks. Signal Processing: Image Communication . 36, p. 14–28. https://doi.org/10.1016/j.image.2015.05.002

Hogg, C. 2020. A class act: an interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama. Critical Studies in Television: The International Journal of Television Studies. 15 (3), p. 302–311. https://doi.org/10.1177/1749602020934670

Clark, G., Kidner, D. and Richards, J. 2012. A Detour Around Infermental. UK Focal Point Gallery.

Pucill, S. 2021. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

Reynolds, L. 2014. A Feminist Chorus, Glasgow.

Machado, L. 2016. A palimpsest-image: place, space and film geographies. PhD thesis University of Westminster Centre for Research and Education in Arts and Media https://doi.org/10.34737/q15xz

Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134

Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018

Wright, A. 2012. A View From Inside. London White Card.

Wrigley, A. 2011. A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943). The Radio Journal: International Studies in Broadcast & Audio Media. 8 (2), pp. 81-103. https://doi.org/10.1386/rjao.8.2.81_1

Tsifouti, A., Triantaphillidou, S., Bilissi, E. and Larabi, M.C. 2013. Acceptable bit-rates for human face identification from CCTV imagery. in: Burns, P.D. and Triantaphillidou, S. (ed.) Image Quality and System Performance X SPIE.

Leeson, L. 2015. Active energy - London: capital / climate / culture. Deadline@Tate. Tate Modern 04 - 06 Dec 2015

Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013

Hogg, C. 2021. Adapting Television Drama: Theory & Industry. Palgrave Macmillan.

Jones, C.W. 2014. Advertising Tools and Techniques Appropriated to Construct the Global Brand Mr. Clean. 12th World Congress of the IASS/AIS. Sofia 16 - 20 Sep 2014 de Gruyter Mouton. https://doi.org/10.24308/iass-2014-062

Wrigley, A. 2005. Aeschylus' Agamemnon on BBC radio, 1946–1976. International Journal of the Classical Tradition. 12 (2), pp. 216-244. https://doi.org/10.1007/BF02968958

Koksal, O. 2016. Aesthetics of Displacement: Turkey and its Minorities on Screen. Bloomsbury Academic.

Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164

Maziere, M. 2016. AFTER CHANTAL: An International Conference. After Chantal: An International Conference. University of Westminster 04 - 06 Nov 2016

Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846

Kempadoo, R. 2023. Afterlives/Futurelives: Imagining Mermaids and Recalling Ghost Dancing. in: Tatiana Flores, Florencia San Martín and Charlene Villaseñor Black (ed.) The Routledge Companion to Decolonizing Art History New York Routledge. pp. 274-285

Maziere, M. 2016. Akerman_Maziere Rear Window - TV Interview . Broadcast

Pucill, S. 2017. Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016). Heart of Hawick, Scottish Borders 02 - 06 Mar 2017

Pucill, S. 2015. Alchemy Moving Image Art Festival, Official Selection. Haiwick, Scotland

Thomas, R. 2022. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bombay Cinema's Islamicate Histories London and Delhi Intellect Books and Orient Blackswan.

White, N. 2017. All that is Data Melts into Air.

Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017

Wyver, J. 2023. All's Well That Ends Well. United Kingdom

Maziere, M. Maziere, M. (ed.) 2017. AMBIKA P3 CATALOGUES VOLUME 1/2/3/4. London University of Westminster.

White, N. 2020. An Atlas of Chronographic Things - (Time Machines - Part 1) . Trondheim, Norway

Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017