Centre for Research and Education in Arts and Media

Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360

Cummings, P. 2019. An Ugly Aside. Warwickshire

Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.

Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Cummings, P. 2016. Antediluvean Swag. Roche Court , Salisbury

Wrigley, A. 2009. Antigone and the “Theban Maidens” in Aberdeen, 1919. Aberdeen University Review. 62 (2), pp. 118-121.

Craighead, A. 2018. Anytime Now. TENT Rotterdam, Holland 19 Apr - 10 Jun 2018

Wrigley, A. 2005. Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions). in: Macintosh, F., Michelakis, P., Hall, E. and Taplin, O. (ed.) Agamemnon in performance: 458 BC to AD 2004 Oxford University Press. pp. 359-435

Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.

White, N. 2017. Archive in Ashes.

Wrigley, A. 2013. Aristophanes at the BBC, 1940s-1960s. in: Douglas Olson, S. (ed.) Ancient comedy and reception: essays in honor of Jeffrey Henderson De Gruyter.

Hall, E. and Wrigley, A. (ed.) 2007. Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs. Oxford Legenda.

Wrigley, A. 2007. Aristophanes revitalized! Music and spectacle on the academic stage. in: Hall, E. and Wrigley, A. (ed.) Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs Oxford Legenda. pp. 136-154

Goddard, M. 2017. Arqueologia das mídias, 'anarqueologia' e ecologias das mídias. in: A(na)rqueologia das mídias Curitiba Appris Editora. pp. 13-34

Goddard, M. 2019. Art as Energy: Józef Robakowski from the Workshop of Film Form to Video Performance and Energy Recordings. Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe. 9. https://doi.org/10.17892/app.2019.0009.135

Craighead, A. and Thomson, J. 2015. Art in the age of asymmetrical ... warfare. Witte de With, Rotterdam, London 11 Sep 2015 - 03 Jan 2016

Bate, D. 2015. Art Photography. London Tate Publishing.

Leeson, L. and Duman, A. 2018. Art Practice and the Community. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press.

Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263

Wright, A. and Carnie, Andrew 2016. Art/Sci Nexus, 9 Evenings Revisited. 9 Evenings Revisited, in Theory as in Practice. KKW, Leipzig, Germany

Craighead, A. and Thomson, J. 2015. Artist Use of Open Data. Open Data Institute summit 2015. BFI Southbank 03 Nov 2015 Open Data Institute.

Marsh, J. 2018. Assembly Exhibition Catalogue. London Julie Marsh.

Marsh, J. 2018. Assembly: Performing the materiality of Muslim prayer spaces. Scene. 6 (2), pp. 133-151. https://doi.org/10.1386/scene_00014_1

Marsh, J. 2016. Assembly: performing the materiality of Muslim prayer spaces. University of Westminster.

Maziere, M. 2015. Au Revoir, Chantal. Moving Image Review & Art Journal. 4 (1&2), pp. 287-292. https://doi.org/10.1386/miraj.4.1-2.288_1

Maziere, M. 2017. Au Revoir, Chantal [French]. Monde Du Cinema. 1 (9), pp. 103-112.

Goddard, M. 2017. Audiovision and Gesamtkunstwerk: The Aesthetics of First and Second Generation Industrial Music Video. in: Arnold, G., Cookney, D., Fairclough, K. and Goddard, M. (ed.) Music/Video: Histories , Aesthetics, Media London Bloomsbury Academic. pp. 163-180

Pucill, S. 2018. Bagdam Lesbian Festival, Toulouse, France, screening of Confessions to the Mirror . Toulouse, France 29 Mar - 14 Apr 2018

Sporton, G. 2018. Ballet and the Soviet body. Scene. 6 (2), pp. 153-164. https://doi.org/10.1386/scene_00015_1

Riley, M. 2018. Bass Culture 70/50. Ambika P3 25 Oct - 22 Nov 2018

Riley, M. and Fully Focused 2019. Bass Culture film.

Riley, M. 2017. Basscultureduk.com. Westminster School of Arts - DCDI.

Goddard, M. 2007. BBW: Techno-Archaism, Excessive Corporeality and Network Sexuality. in: Jacobs, K., Pasquinelli, M. and Janssen, M. (ed.) C’lick Me Reader Amsterdam Institute of Network Cultures. pp. 187-196

Pucill, S. 2018. BEEF Bristol Screening: Confessions To The Mirror and Q+A with Vicky Smith. Cube Microplex Cinema, Bristol 20 Feb 2018