College | Design, Creative and Digital Industries |
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Head | Prof Catherine Dormor |
Orlow, U. 2004. A picturesque journey. Aine Art Museum, Tornio, Finland 06 Feb - 21 Mar 2004
Campany, D. 2016. A Question of Finish: thoughts on the work of Jeff Cowen. in: Jeff Cowen: Photoworks Cologne, Germany Konig.
Cummings, P. 2018. A Ripening Surveillance - Material Environments exhibition. The Tetley, Leeds 04 May - 08 Jul 2018
Evans, J. and Renner, T. 2019. A Single Open Source Repository For Every Use Case. 14th International Digital Curation Conference. Arts West Building, Faculty of Arts, University of Melbourne, Melbourne 04 - 07 Feb 2019
Guingue Valencia, L. 2019. A social history of a so-‐called "Golden Age" of music industrialization: production in Colombian recording and sound technology industries, 1949-‐1963. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qq87v
Campany, D. 2017. A Special Collection. in: Goodman Davis, D. (ed.) Photography RX: Pharmacy in Photography Since 1866 Rome Damiani Editore.
Kempadoo, R. 2023. A Speculative Approach to the Archive: Itinerant Imaginaries #3. Creating Interference Project (CIP).
Behrman, Pryle 2023. A Study of Curation, Location and Temporality in Contemporary Art Fairs. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w166w
Vasudevan, R.S., Thomas, R., Majumdar, N. and Biswas, M. 2010. A vision for screen studies in South Asia. Bioscope: South Asian Screen Studies. 1 (1), pp. 5-9. https://doi.org/10.1177/097492760900100102
Oppenheimer, J. 2013. Acts of Killing. The Danish Film Institute, Copenhagen 22 Aug - 20 Oct 2013
Groves, Andrew 2024. Admiral and the Aesthetic Merit of Design. in: MacDonald, R. (ed.) Admiral: 50 Years of the Replica Shirt Glasgow Halcyon Publishing.
Campany, D. and Braden, P. 2016. Adventures in the Lea Valley. London Hoxton Mini Press.
Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164
Kempadoo, R. 2017. After Indenture: Three Photo Stories Roshini Kempadoo; Sharlene Khan; Wendy Nanan. Duke University Press. https://doi.org/10.1215/07990537-4156846
David Bate 2022. After Postmodernism? in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.
Kempadoo, R. 2023. Afterlives/Futurelives: Imagining Mermaids and Recalling Ghost Dancing. in: Tatiana Flores, Florencia San Martín and Charlene Villaseñor Black (ed.) The Routledge Companion to Decolonizing Art History New York Routledge. pp. 274-285
Campany, D. 2017. Afterword. in: Tod Papageorge: Dr. Blankman’s New York (1966-1967) Gottingen, Germany Steidl.
Jaeckel, M. 2021. Agency is molecular: moved by being moved to moving or co-constitution in intra-active knowledge production. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/vq9z9
Pucill, S. 2017. Alchemy Film Festival, Scotland Official Selection: Confessions To The Mirror (16mm, col, 68min, 2016). Heart of Hawick, Scottish Borders 02 - 06 Mar 2017
Pucill, S. 2015. Alchemy Moving Image Art Festival, Official Selection. Haiwick, Scotland
Gray, R. and McQueen, A. 2004. Alexander McQueen in Fashion at Belsay. Belsay Hall, Northumberland 29 May - 30 Sep 2004
David Bate 2022. Alfred Stieglitz and the Migration of Meaning. in: Photography After Postmodernism: Barthes, Stieglitz and the Art of Memory Routledge.
Thomas, R. 2022. Alibaba’s Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films. in: Bhaskar, I. and Allen, R. (ed.) Bombay Cinema's Islamicate Histories London and Delhi Intellect Books and Orient Blackswan.
Boon, H. 2023. Alien power chords. The Sociological Review Magazine. (2023, June 6). https://doi.org/10.51428/tsr.tyjl5030
Thompson, Shirley 2017. All the World is Now Better Meets the Woman Who Refused to Dance. Diaspora Pavilion, Venice Bienale 09 May - 26 Nov 2017
Wyver, J. 2023. All's Well That Ends Well. United Kingdom
Soutter, L. 2014. Allan sekula: Educator. Photographies. 7 (1), pp. 109-111. https://doi.org/10.1080/17540763.2014.884408
Campany, D. 2003. Almost the same thing: some thoughts on the collector-photographer. in: Dexter, E. and Weski, T. (ed.) Cruel and tender: the real in the twentieth-century photograph London, UK Tate Publishing. pp. 33-37
Matheson, N. 2008. Amazing stories from the future that never was: Neo Rauch and the haunted spaces of science fiction. in: Holmgren Troy, M. and Wenno, E. (ed.) Space, haunting, discourse Newcastle Cambridge Scholars Publishing.
Ross, J. 2019. America, America, America: Japanese artists in the United States in the Sixties and Seventies. in: Jhaveri, S. (ed.) America: Films from Elsewhere India The Shoestring Publisher.
Carréra Campos Leal, G. 2020. Amid the debris: ruins of underdevelopment in contemporary Brazilian documentary. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/qy75y
Choong, H. 2021. An exploration into the impacts of music learning experiences on the musical proficiencies of popular musicians. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/v7027
Goddard, M. 2017. An Exploration of the Non-Linear History of Immersive Media. An Exploration of the Non-Linear History of Immersive Media . ProjectR Wellington, New Zealand 30 - 30 Nov 2017
Ross, J. 2015. An Infant with four Breasts? Intermedial Uses of the Slide Projector in Japanese Post-war Art. PhotoResearcher. 24, pp. 32-37.
Wyver, J. 2016. An Intimate and Intermedial Form: Early Television Shakespeare from the BBC, 1937-39. in: Shakespeare Survey 69: Shakespeare and Rome Cambridge Cambridge University Press. pp. 347-360
Boon, H. 2024. An introduction to neo-Riemannian operations and their application in music production. in: Chapkanov, B. (ed.) Transformational analysis in practice: Music-analytical studies on composers and musicians from around the world Delaware, United States Vernon Press. pp. 301-320
Stewart, K. 2022. Ana Genovés and Kerry Stewart in conversation. TURPS Magazine.
Matheson, N. 2016. Anatomical Fragments: Magritte, trauma and 'La Gâcheuse' [Fragments anatomiques : Magritte, le traumatisme et la gâcheuse]. Mélusine. XXXVI, pp. 97-112.