Westminster School of Arts

Groves, Andrew and Sprecher, Danielle 2023. Linen in Menswear 1800 - present. in: Camilleri, A. (ed.) Le Lin, fibre de civilisation(s) Paris, France Actes Sud.

Groves, Andrew 2023. Palliative Prototypes or Therapeutic Functionality? Examining C.P. Company’s Urban Protection Collection. in: Woolley, D., Johnstone, F., Sampson, E. and Chambers, P. (ed.) Wearable Objects and Curative Things: Materialist Approaches to the Intersections of Fashion, Art, Health and Medicine. Palgrave Macmillan.

Sprecher, Danielle 2023. I Am an Ordinary Man: Getting and Wearing Suits in Britain 1945-1980. in: Everyday Fashion Interpreting British Clothing Since 1600 London Bloomsbury Visual Arts.

Khong, Kok Wai 2023. The Contemporary Malaysian Fantastic Film: Imagining an Alternative Modernity. PhD thesis University of Westminster The Centre for Research and Education in Arts and Media https://doi.org/10.34737/w4368

Groves, Andrew, Sprecher, Danielle, Jenkinson, Jo and Owen, Paul 2023. Locating Menswear – A Non-Hierarchical Exploration of Place and Community. Dress Devolution. Falmouth University 06 - 07 Jul 2023

Groves, Andrew and Sprecher, Danielle 2023. The Repositioning of the Football Jersey from the Pitch to the Runway. International Football History Conference . Hampden Park Stadium, Glasgow 30 Jun - 01 Jul 2023

Evans, Jenny, Vials Moore, Adam, Bailey, Helen, Basford, Jenny, Kotarski, Rachael, Mead, Joshua, Ranger, Holly, Stone, Alan, Watts, Nina and White, Neal 2023. Practice Research Voices (PRVOICES): Final report and recommendations. London University of Westminster. https://doi.org/10.34737/w3803

Moore, D. 2023. The Lisa and John Slideshow (2017): A Play about Photography. Arts. 12 (3) 109. https://doi.org/10.3390/arts12030109

Boon, H. 2023. Alien power chords. The Sociological Review Magazine. (2023, June 6). https://doi.org/10.51428/tsr.tyjl5030

Campos, Patrick 2023. Topologies of Regional Cinema: Philippine, Mindanaon, and Southeast Asian Films. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w34v2

Gortazar, P. 2023. Cosmos, Fiction and Transcendence. Third Text. 37 (1), pp. 1-117. https://doi.org/10.1080/09528822.2023.2214048

Barnwell, J. 2023. ‘Searching for the lost home in the labyrinth: Set design in Tinker Tailor Soldier Spy’,. in: Histories, Adaptations and Legacies of Tinker, Tailor, Soldier, Spy New York Routledge.

Boon, H. 2023. Exploring Art Schema and their Relevance to DAW Teaching and Pedagogy – Examples of Artistic Practice in the Field of Music Production. Journal of Popular Music Education. 7, pp. 285-302. https://doi.org/10.1386/jpme_00126_1

Klewitz, R. 2023. Research outputs for the PhD by Published Work “Potentials and limitations of language in observing and interpreting art”. University of Westminster.

Boon, H. 2023. Live Coding and Music Production as Hybrid Practice. Organised Sound. 28 (2), pp. 253-263. https://doi.org/10.1017/S1355771823000419

Klewitz, Ralph 2023. Potentials and limitations of language in observing and interpreting art. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2y7q

Soutter, L. and Wooldridge, D. (ed.) 2023. Writer Conversations. London 1000 Words.

Lucy Reynolds 2023. Review of: Barang-Barang, Erika Tan. Moving Image Review & Art Journal . 11 (2), pp. 278-284. https://doi.org/10.1386/miraj_00099_5

Hopwood, Alasdair 2023. Misinformation as Material: Towards the use of cognitive psychology as a research tool for artists. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w2v9z

Musgrave, G., Howard, C., Schofield, A., Silver, E. and Tibber, M.S. 2023. Mental health and the music industry: an evolving intervention landscape. The Lancet Psychiatry. 10 (5), pp. P311-313. https://doi.org/10.1016/S2215-0366(23)00093-7

Pitsillides, Stacey, Boddington, Ghislaine and Vindis, Tadej 2023. Donate Yourself: An AR trail exploring the future of organ, tissue and body data donation. Virtual Creativity. 12, pp. 103-123. https://doi.org/10.1386/vcr_00064_1

Arese Visconti, F. 2023. Re-thinking Photographic Portraiture of 21st Century Italian Migrants in the Arc Lémanique area. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w216q

Evans, Jenny 2023. Open Research Practice Based Researchers. Practice Based Researchers and Open Research. Northumbria University 25 Nov 2022 Northumbria University. https://doi.org/10.25398/rd.northumbria.22269343.v1

Evans, J. 2023. Telling a story with metadata: always drink from the upstream. What if your metadata isn’t properly represented in the stream. NISO Plus 2023. Online 14 - 16 Feb 2023 University of Westminster. https://doi.org/10.34737/w1739

Behrman, Pryle 2023. A Study of Curation, Location and Temporality in Contemporary Art Fairs. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w166w

Musgrave, G. 2023. Musicians, their Relationships, and their Wellbeing: Creative Labour, Relational Work. Poetics. 96 101762. https://doi.org/10.1016/j.poetic.2023.101762

Ghufran, Iram 2023. Situating documentary film in a speculative future: an exploration in multi species entanglements. PhD thesis University of Westminster Westminster School of Arts https://doi.org/10.34737/w121x

Soutter, L. 2023. Photography in Flux: The Global Contemporary. in: Niedermaier, A. (ed.) Discourses of the image: from the center and from the periphery Palermo, Argentina University of Palermo, Argentina.

Shinkle, E. 2023. On Boredom and Contemporary Fashion Photography. in: Filippello, R. and Parkins, I. (ed.) Fashion and Feeling: the Affective Politics of Dress Palgrave Macmillan. pp. 271-284

Musgrave, G. 2023. Music and Wellbeing vs Musicians’ Wellbeing: Examining the Paradox of Music-Making Positively Impacting Wellbeing, but Musicians Suffering from Poor Mental Health. Cultural Trends. 32 (3), pp. 280-295. https://doi.org/10.1080/09548963.2022.2058354

Loveday, C., Musgrave, G. and Gross, S. 2023. Predicting anxiety, depression and wellbeing in professional and non-professional musicians. Psychology of Music. 51 (2), pp. 508-522. https://doi.org/10.1177/03057356221096506

Campany, D. 2023. William Klein: Yes. UK/US Thames & Hudson.

Boon, H. 2023. Writing Popular Music Fiction. Short Fiction in Theory & Practice. 13 (1), pp. 37-51. https://doi.org/10.1386/fict_00072_1

Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. London

Boon, H. 2022. Working for the AI Man: Algorithmic Rents, Accumulation by Dispossession and Alien Power. DMRN+17: Digital Music Research Network One-day Workshop 2022. Queen Mary University London 20 - 20 Dec 2022

Reddington, J. 2022. How Artists are Using Music NFTs to Build Active Communities.

Stewart, K. 2022. The Horror Show. Somserset House, London 27 Oct 2022 - 19 Feb 2023

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. Library Music in Audiovisual Media - RMA. University of Leeds 15 - 16 Sep 2022

Boon, H. 2022. Cyborg Composers: AI as Collaborative Assistant, as Creator and as Competitor. London

Moore, D. 2022. Lydia Carmichael, in her former classroom at Ashlyns school, Berkhamsted. The Foundling Museum, London.