Westminster School of Arts

Gross, S. 2021. " For the Love of Music - Crossing the technological divide; an examination of the impact of digital disruption on issues of social reproduction, mental health and inequality in the working lives of the music workforce in the UK.”. PhD thesis University of Westminster School of Media https://doi.org/10.34737/vv213

Pucill, S. 2018. "Coming To Life" and Intermediality in the Tableaux Vivants of Magic Mirror and Confessions To The Mirror. in: Smith, V. and Hamlyn, N. (ed.) Experimental and Expanded Animation: New Perspectives and Practices Switzerland Palgrave Macmillan. pp. 231-255

Wilson, L.G. 2013. "Miraculous constellations in real material”: spiritualist phenomena, dada photomontage and magic. in: Mays, S. and Matheson, N. (ed.) The machine and the ghost: technology and spiritualism in 19th to 21st century art and culture Manchester Manchester University Press.

Reynolds, L. 2015. "Non-institution": finding expanded cinema in the terrains vagues of 1960s London. in: Bovier, F. and Mey, A. (ed.) Cinema in the Expanded Field Zurich JRP/Ringier.

Goddard, M. 2012. "Snujecie sie jak Maszyny": Muzyka Cyberpunkowa zespolu The Gordons/Bailter Space jako krytyczny neofuturyzm. Litteraria Copernicana. 28 (8), pp. 162-171.

Rumball, H. 2023. "We Must Hope That the Moderates with Their Quiet Attire Are the Rising Section": British Women Friends’ Relinquishment of Plain Dress. in: Robynne Rogers Healey and Carole Dale Spencer (ed.) Quaker Women, 1800-1920: Studies of a Changing Landscape Pennsylvania State University Press. pp. 222-244

Thomson, J. 2019. #eco_techno_cosmo_logic. Reaktorhalle, Munich 09 Feb 2019

Campany, D. Campany, D. (ed.) 2021. #ICPConcerned: Global Images for Global Crisis . USA G Editions.

Campany, D. 2007. 'A theoretical diagram in an empty classroom': Jeff Wall's picture for women. Oxford Art Journal. 30 (1), pp. 7-25. https://doi.org/10.1093/oxartj/kcl033

Wyver, J. 2014. 'All the trimmings'? The transfer of theatre to television in adaptations of Shakespeare stagings. Adaptation. 7 (2), pp. 104-120. https://doi.org/10.1093/adaptation/apu020

Tabrizian, M., Golding, A. and Nava, Z. 2006. 'Border' and 'Tehran' 2006.

Campany, D. 2016. 'Fiona Tan's Ascent'. in: Mori, Y. (ed.) Fiona Tan: Ascent Japan / Netherlands Izu Photo Museum / De Pont Museum.

Tabrizian, M. 2015. 'Looking back' - on the young unemployed. Venice Biennial 09 May - 22 Nov 2015

Dawood, S. 2005. 'Sister Kali's Soul Temple – the Goddess of Death and Aretha Franklin' and 'Lecture in Conversation - an improved dialogue between Albert Camus and Lord Krishna'. 6900 Bregenz, Bergmannstrasse 6, Austria. 16 Jul - 04 Sep 2005

Goldschmidt, S. 2022. 'Strange Fits of Passion' - Narrational ecologies "In the House of Ephra and Bahmanduch". Hyphen Journal. 3.1 9.

Reynolds, L. 2021. 'The Artist as Filmmaker': Modernisms, Schisms, Misunderstandings. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

Dornieden, A, Gonzáles, J.D. and Ross, J. 2019. (Reopening) the Open Frame. in: Greenfield, L., Philips, D.S., Schroedinger, K., Speidel, B. and Widmann, P. (ed.) Film in the Present Tense: Why can’t we stop talking about analogue film? Berlin Archive Books. pp. 111-114

Twomey, C. 2018. 100 Medals For The Future. The National Memorial Arboretum 11 Dec 2018 - 31 Mar 2019

Marsh, J. 2020. 2021 Venice Architecture Biennale - Three British Mosques/Assembly. VENICE ARCHITECTURE BIENNALE May - Sep 2021

Kempadoo, Roshini 2022. 28. Being Woke. in: Women and Migration(s) II OpenBook Publishers. pp. 203–210

Goddard, M. 2005. 68-77-99 and Beyond: Bifo's Futural Thought. Cultural Studies Review. 11 (2), pp. 49-56. https://doi.org/10.5130/csr.v11i2.3638

Hermes, K. 2021. 8-BIT MUSIC ON TWITCH: How the Chiptune Scene is Overcoming the Pandemic . Dancecult Conference 2021. Online 15 - 17 Sep 2021

Fry, C. 2016. @Manual_Glitch.

Musgrave, G. and Gross, S. 2021. [Audiobook] Can Music Make You Sick? Measuring the Price of Musical Ambition . London University of Westminster Press. https://doi.org/10.16997/book43

Groves, Andrew 2022. A casual obsession: Inside the British Sock Fetish Council. Fashioning Masculinities: The Art of Menswear Symposium. V&A Museum 13 - 14 Oct 2022 Intellect. https://doi.org/10.1386/csmf_00059_1

Groves, A. 2022. A casual obsession: Inside the British Sock Fetish Council. Critical Studies in Men's Fashion. 9 (2), pp. 187-206. https://doi.org/10.1386/csmf_00059_1

Rumball, H. 2018. A Celebration of Plainness: Worthing Museum’s Quaker Wedding Bonnet, 1843.

Reynolds, L. 2015. A collective response: Feminism, film, performance and Greenham Common. Moving Image Review and Art Journal. 4 (1 & 2), pp. 90-101. https://doi.org/10.1386/miraj.4.1-2.90_1

Campany, D. 2008. A conversation with Edgar Martins. in: Edgar Martins: Topologies New York Aperture. pp. 115-122

Orlow, U. 2003. A dance of death and life performed by cinema and TV.

Twomey, C. 2010. A dark day in paradise.

Pucill, S. 2021. A Dialogue with Claude Cahun: Between Photography and Film in Magic Mirror and Confessions to the Mirror. in: Knowles, K. and Schmid, M. (ed.) Cinematic Intermediality: Theory and Practice Edinburgh Edinburgh University Press.

Reynolds, L. 2015. A Feminist Chorus at Wysing Arts Centre.

Reynolds, L. 2015. A Feminist Chorus for Feminist Revolt.

Reynolds, L. 2019. A Feminist Chorus for Glasgow School of Art.

Reynolds, L. 2014. A Feminist Chorus for Voices at 5 Blythwood Square.

Reynolds, L. 2014. A Feminist Chorus, Glasgow.

Campany, D. 2015. A Handful of Dust. London MACK.

David Bate 2020. A House in Germany. Membrana Journal of Photography. 5 (1). https://doi.org/10.47659/m8.010.pro

Evans, J., Harrison, R.E.J., Jones, L.D.Q. and Thompson, K.E. 2009. A Learning 2.0 Programme: raising library staff awareness of Web 2.0 at Imperial College London. Relay. 59, pp. 16-21.