College | Design, Creative and Digital Industries |
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Head | Ms Michaela O'Brien |
Mano, W., Knorpp, B. and Agina, A. (ed.) 2017. African Film Cultures: Contexts of Creation and Circulation. Newcastle Upon Tyne Cambridge Scholars Publishing.
Asante, J. 2020. African Politics in the Digital Age: A Study of Political Party-Social Media Campaign Strategies in Ghana. PhD thesis University of Westminster Westminster School of Media and Communication https://doi.org/10.34737/v4656
Mano, W. 2006. African public service radio versus national langauges: mixed responeses to Radio Zimbabwe's bilingual service. in: Salawu, A. (ed.) Indigenous language media in Africa Nigeria CBAAC.
Milton, V. and Mano, W. 2022. Afrokology and the right to communicate in Africa. Javnost / The Public. 29 (1), pp. 33-49. https://doi.org/10.1080/13183222.2021.1889830
Milton, V. and Mano, W. 2021. Afrokology as a transdisciplinary approach to media and communication studies. in: Mano, W. and Milton, V. (ed.) Routledge Handbook of African Media and Communication Studies Routledge Handbook of African Media and Communication Studies Routledge. pp. pp.256-275
Mano, W. and Milton, V. 2021. Afrokology of media and communication studies: theorising from the margins. in: Mano, W. and Milton, V. (ed.) Routledge Handbook of Media and Communication Studies Routledge Handbook of African Media and Communication Studies Routledge. pp. pp.19-42
Seaton, J. 2012. Afterword. in: Pimlott, B. (ed.) The Queen: Elizabeth II and the monarchy London Harper Press. pp. 705-718
Fuchs, Christian 2015. Against divisiveness: Digital workers of the world unite! A rejoinder to César Bolaño and Eloy Vieira. Television & New Media. 16 (1), pp. 62-71. https://doi.org/10.1177/1527476414528053
Fuchs, Christian 2016. Against theoretical Thatcherism: a reply to Nicholas Garnham. Media, Culture and Society. 38 (2), pp. 301-311. https://doi.org/10.1177/0163443715612542
Medrado, A. and Verdegem, P. 2024. AI for Social Good? Inspirations from Participatory Action Research (PAR) to Critical Data Studies. London University of Westminster.
Thorburn, J. 1995. Alagba: a Water Spirit Masquerade.
Krüger, S. and Johanssen, J. 2014. Alienation and Digital Labour – a Depth-Hermeneutic Inquiry into Online Commodification and the Unconscious. tripleC: Communication, Capitalism & Critique. 12 (2), pp. 632-647.
Thorburn, J. 2017. All the World is Now Richer meets The Woman Who Refused to Dance. The Diaspora Pavilion Venice
Fuchs, Christian 2020. Alltagsleben und Alltagskommunikation im Coronavirus-Kapitalismus . tripleC: Communication, Capitalism & Critique . 18 (1), pp. 400-428. https://doi.org/10.31269/triplec.v18i1.1168
Mano, W. 2020. Alternative Responses to Presidential Tweets on Elections in Africa: A New Counter Power? in: Ndlela M. and Mano W. (ed.) Ndlela M., Mano W. (eds) Social Media and Elections in Africa, Volume 1. Palgrave Macmillan, Cham Palgrave Macmillan. pp. 61-73
Sarmento, C. 2019. An Alternative Press? New Forms of News Reporting in Brazil. PhD thesis University of Westminster https://doi.org/10.34737/qxwyx
Dwyer, P. and Zhang, D. 2020. An Extraordinary Duckling B2B Magazines as Information and Networking Tools for Professionals. in: Stenadori, M. and Holmes, T. (ed.) The Handbook of Magazine Studies Hoboken Wiley-Blackwell. pp. 120-136
Goodwin, P. 2018. An Impossible Challenge for Public Service Media? The Intellectual Context of the Networked Society. in: Ferrell Lowe, G., Van den Bulck, H. and Donders, K. (ed.) Public Service Media in the Networked Society Gothenburg Nordicom. pp. 29-41
Schneider, Nathan 2018. An Internet of ownership: Democratic design for the online economy. Sociological Review. 66 (2), pp. 320-340. https://doi.org/10.1177/0038026118758533
Angeli, S. 2017. An unfinished mourning: Kenneth Lonergan’s Manchester by the Sea (2016). New Cinemas: Journal of Contemporary Film. 15 (2), pp. 141-155. https://doi.org/10.1386/ncin.15.2.141_1
Fuchs, Christian 2014. Anonymous: Hacktivism and contemporary politics. in: Trottier, D. and Fuchs, Christian (ed.) Social media, politics and the state: protests, revolutions, riots, crime and policing in the age of Facebook, Twitter and YouTube New York Routledge. pp. 88-106
Fuchs, Christian 2015. Anti-semitism, Anti-Marxism, and Technophobia: The fourth volume of Martin Heidegger’s Black Notebooks (1942-1948). tripleC: Communication, Capitalism & Critique. 13 (1), pp. 93-100.
Brown, C. 2012. Anxiety of endeavour: personal recollections of Harrow. in: Tradition and innovation: five decades of Harrow ceramics (exhibition catalogue) Ceramics Research Group.
Angeli, S. 2021. Apocalyptic films have lulled us into a false sense of security about climate change. The Conversation.
Sakr, N. 2007. Approaches to exploring media-politics connections in the Arab world. in: Sakr, N. (ed.) Arab media and political renewal: community, legitimacy and public life London I.B. Tauris.
Fuchs, Christian 2019. Appropriation of Digital Machines and Appropriation of Fixed Capital as the Real Appropriation of Social Being: Reflections on Toni Negri’s Chapter. in: Chandler, D. and Fuchs, Christian (ed.) Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data London University of Westminster Press. pp. 215-221
Sabry, T. 2011. Arab cultural studies: between re-territorialization and deterritorialization. in: Sabry, T. (ed.) Arab cultural studies: mapping the field London I.B. Tauris.
Sabry, T. 2011. Arab cultural studies: mapping the field. London I.B. Tauris.
Sabry, T. 2008. Arab media and cultural studies: rehearsing new questions. in: Hafez, K. (ed.) Arab media: power and weakness London Continuum. pp. 237-251
Sakr, N. (ed.) 2007. Arab media and political renewal: community, legitimacy and public life. London I.B. Tauris.
Ratta, D., Sakr, N. and Skovgaard-Petersen, J. (ed.) 2015. Arab Media Moguls. London I.B. Tauris.
Sabry, T. and Ftouni, L. (ed.) 2017. Arab Subcultures: transformations in theory and practice. London and New York I.B. Tauris.
Sabry, T. 2018. Arab Thought and Revolution as Event: Towards New Affective Registers of Critique. Javnost / The Public. 25 (4), pp. 351-364. https://doi.org/10.1080/13183222.2018.1463374