The erotic doll: a modern fetish

Theses on the philosophy of history: the work of research in the age of digital searchability and distributability
Smith, M. 2013. Theses on the philosophy of history: the work of research in the age of digital searchability and distributability. Journal of Visual Culture. 12 (3), pp. 375-403. https://doi.org/10.1177/1470412913507505

Visual culture studies
Smith, M. 2011. Visual culture studies. in: Encyclopedia of literature and cultural theory Chichester Wiley.

Web 3.0: metadata r us
Smith, M. 2010. Web 3.0: metadata r us. Paperweight: a newspaper of visual and material culture. 1 (1).

Visual culture studies: questions of history, theory, and practice
Smith, M. 2009. Visual culture studies: questions of history, theory, and practice. in: Methodologies of art history in transcultural era Korean Association of Modern and Contemporary Art. pp. 163-208

Visual culture studies: questions of history, theory, and practice
Smith, M. 2006. Visual culture studies: questions of history, theory, and practice. in: Jones, A. (ed.) A companion to contemporary art since 1945 Oxford Blackwell. pp. 470-489

The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney
Smith, M. 2006. The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney. in: Davis, L. (ed.) The disability studies reader. 2nd edition London Routledge. pp. 736-755

The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney
Smith, M. 2005. The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney. in: Smith, M. and Morra, J. (ed.) The prosthetic impulse: from a posthuman present to a biocultural future Cambridge, Mass MIT Press. pp. 43-72

The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney
Smith, M. 2010. The vulnerable articulate: prosthetics, aesthetics, and erotics in James Gillingham, Aimee Mullins, and Matthew Barney. in: Davis, L.J. (ed.) The disability studies reader. 3rd edition London Routledge.

On Katja Tukiainen: Research | Pleasure | Work
Smith, M. 2010. On Katja Tukiainen: Research | Pleasure | Work. Katja Tukiainen.

How we became metadata
Smith, M. 2010. How we became metadata.

Questionnaire on Barack Obama
Smith, M. 2009. Questionnaire on Barack Obama. Journal of Visual Culture. 8 (2), pp. 123-124. https://doi.org/10.1177/1470412909107071

Politics: An Interview with W. J. T. Mitchell
Smith, M. 2009. Politics: An Interview with W. J. T. Mitchell. Culture, Theory and Critique. 50 (2&3), pp. 321-335. https://doi.org/10.1080/14735780903240380

Visual culture studies: questions of history, theory, and practice
Smith, M. 2009. Visual culture studies: questions of history, theory, and practice. in: Preziosi, D. (ed.) The art of art history: a critical anthology. New edition Oxford Oxford University Press. pp. 455-467

Review: On the Zapruder film: travelling images in our visual and media culture
Smith, M. 2009. Review: On the Zapruder film: travelling images in our visual and media culture. Norsk Medietidsskrift. 15 (3).

Performance, disability, humour, and being in the world: an interview with Aaron Williamson
Smith, M. 2008. Performance, disability, humour, and being in the world: an interview with Aaron Williamson. in: Aaron Williamson: the monograph KIOSK Press/Live Art Development Agency. pp. 6-15