|Title||Materia Secunda, text as image|
This article is an extension of the arguments and examples offered in ‘Materia Prima, text-as-image’ (Calvert 2012), where the materiality of language was foregrounded, rather than its transparent role in communication. The claims of neutrality to content in ‘The Crystal Goblet’, made by Beatrice Warde, alongside ideas from various philosophical sources were contrasted with the work of concrete poets, artists and designers, whose free play with materiality in language upsets those relatively uncomplicated notions of transparency to content. The current article proposes that in the next stage of this argument, we might think of the materiality of language in terms of a kind of ‘event’, or ‘constellation’, in which the raw materials of language (whether writing/typography/speech) are fully mobilized and enacted. This performative stage, which harnesses the dynamic attributes of language, is grounded by reference to Deleuze’s theory of the event, as well as Adorno and Benjamin’s notion of ‘constellation’. Katherine Hayles, Villém Flusser and others are used to support the contention that we might think of materiality and performativity/gesture in language as a form of content. Lyotard’s Discourse, Figure is invoked as a way to describe a different space of interaction between the textual and the figural, one where the distinction between them is erased. Examples from art/design/typography are offered to support these points.
|Journal citation||1 (2), pp. 139-161|
|Digital Object Identifier (DOI)||https://doi.org/10.1386/btwo.1.2.139_1|