Moving with the times: Eadweard Muybridge

Campany, D. 2010. Moving with the times: Eadweard Muybridge. Tate etc.. 20.

TitleMoving with the times: Eadweard Muybridge
AuthorsCampany, D.
JournalTate etc.
Journal citation20
ISSN1743-8853
Year2010
PublisherTate Publishing
Web address (URL)http://www.tate.org.uk/tateetc/issue20/campanymuybridge.htm
Publication dates
Published2010

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A Special Collection
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The Still Point of the Turning World: Between Film and Photography
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The Given Image
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Doomed to See
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'Fiona Tan's Ascent'
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Walker Evans: Anonymous and Ingognito
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Adventures in the Lea Valley
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Walker Evans
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Photography as Rehearsal / Rehearsal as Photography
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Between the Snapshot and Staged Photography
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A Handful of Dust
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Photography, Encore
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Angel of History in the Age of the Internet
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Walker Evans: the magazine work
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The Open Road: Photography and the American Road Trip
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Walker Evans: the magazine work
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Victor Burgin A Sense of Place
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Gasoline
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Walker Evans' Pages
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Jeff Wall: picture for women
Campany, D. 2011. Jeff Wall: picture for women. London Afterall Books.

The scene of photography and the future of its illusion
Campany, D. 2010. The scene of photography and the future of its illusion. Photoworks. 14, pp. 4-11.

Drink the wine, discard the bottle, drink something else
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The 'sinister' photograph: Manuel Alvarez Bravo's Parabola optica, 1931
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Two reflections and a meditation
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Page after page
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Jeff Wall speaks with David Campany
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Clare Strand: the spot marks the X
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Anonymes
Campany, D. 2010. Anonymes. Paris Le Bal.

China everyday
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William Klein's Tokyo
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Chris Killip
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Yesterday's everyday and the depiction of work
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Rinko Kawauchi
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Quotations for an essay about editing
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Motion pictures
Campany, D. 2009. Motion pictures. in: Mark Lewis: cold morning Canadian Pavilion, Venice Biennale. pp. 17-21

Interview with David Campany
Campany, D. 2009. Interview with David Campany. in: EXTRA no.3, Summer 2009 Antwerp Fotomuseum. pp. 22-25

In the light of the lumieres
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Campany, D. 2009. Historia de arte conceptualo un hogar para 'Homes for America'. Papel Alpha: cuadernos de fotografia. 7, pp. 3-24.

Eugene Atget's intelligent documents
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And yes, it's over, now the powerful have found me (or, LA through a high altitude daydream)
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That obscure object of photography
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Polaroid: an obituary
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The one, the many, the one
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The fashion shoot in cinema
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A conversation with Edgar Martins
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The aesthetics of the pixel: Thomas Ruff's JPEGs
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Strangely simple and simply strange: the photobook for children
Campany, D. 2008. Strangely simple and simply strange: the photobook for children. Source Magazine. 54, pp. 20-25.

Re-viewing Rear Window
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Photography and cinema
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From ecstacy to agony: cinema and the fashion shoot
Campany, D. 2008. From ecstacy to agony: cinema and the fashion shoot. Aperture. 190, pp. 40-45.

Brian Alfred is a person
Campany, D. 2008. Brian Alfred is a person. in: Brian Alfred: Millions now living will never die!!! London Haunch of Venison. pp. 4-8

The painting of modern life
Campany, D. 2008. The painting of modern life. Frieze. 112.

Polly Braden's solo city
Campany, D. 2007. Polly Braden's solo city. Photoworks. 9, pp. 38-43.

Conversation with Paul Graham
Campany, D. 2007. Conversation with Paul Graham. Art World. 1, pp. 128-129.

Conversation with Brett Rogers, director of the Photographers' Gallery, London
Campany, D. 2007. Conversation with Brett Rogers, director of the Photographers' Gallery, London. Foam: international photography magazine. 11, pp. 22-26.

John Stezaker's precise enigmas
Campany, D. 2007. John Stezaker's precise enigmas. Photoworks. 8, pp. 12-19.

'A theoretical diagram in an empty classroom': Jeff Wall's picture for women
Campany, D. 2007. 'A theoretical diagram in an empty classroom': Jeff Wall's picture for women. Oxford Art Journal. 30 (1), pp. 7-25.

Seung Woo Back's double vision
Campany, D. 2007. Seung Woo Back's double vision. in: Seung Woo Back: real world Tokyo, Japan Foil Co. Ltd.. pp. 60-75

Photography and cinematic surface
Campany, D. 2007. Photography and cinematic surface. Aperture. 188, pp. 40-49.

Posing, acting and photography
Campany, D. 2006. Posing, acting and photography. in: Green, D. and Lowry, J. (ed.) Stillness and time: photography and the moving image Brighton, UK Photoworks / Photoforum. pp. 97-112

Glass camouflage: photography, objects and objectivity
Campany, D. 2005. Glass camouflage: photography, objects and objectivity. in: Seelig, T. and Stahel, U. (ed.) The ecstasy of things: from functional objects to fetish in twentieth century photography Gottingen, Germany Steidl.

Los Lugares de Victor Burgin (o los placers de Vertigo a 9000 metros) / Locating Victor Burgin or Vertigo at 30000 ft
Burgin, V. and Campany, D. 2004. Los Lugares de Victor Burgin (o los placers de Vertigo a 9000 metros) / Locating Victor Burgin or Vertigo at 30000 ft. in: Ensayos Gustavo Gili. pp. 7-15

Safety in numbness: some remarks on problems of 'late photography'
Campany, D. 2003. Safety in numbness: some remarks on problems of 'late photography'. in: Green, D. (ed.) Where is the photograph? Maidstone, Kent Photoworks. pp. 88-94

Almost the same thing: some thoughts on the collector-photographer
Campany, D. 2003. Almost the same thing: some thoughts on the collector-photographer. in: Dexter, E. and Weski, T. (ed.) Cruel and tender: the real in the twentieth-century photograph London, UK Tate Publishing. pp. 33-37

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