|Title||Object Rehearsal – Études on Lyndsay Mann’s Art|
Invited critical review of Lyndsay Mann's work developed in a residency at Still's Gallery Edinburgh.
|Place of publication||Edinburgh|
|Web address (URL)||http://lyndsaymann.com/wp-content/uploads/2011/02/Stills_KMey.pdf|
Mey, K. 2016. Corpus delicti. in: Arya, R. and Chare, N. (ed.) Abject Visions: Powers of Horror in Art and Visual Culture Manchester Manchester University Press. pp. 144-159
Zur künstlerischen Forschung und ihrer gesellschaftlichen Wirksamkeit
Mey, K. 2016. Zur künstlerischen Forschung und ihrer gesellschaftlichen Wirksamkeit. in: Forschung - Idee und Wirklichkeit. Tagungsband 2015 Vienna Österreichischer Wissenschaftsrat. pp. 125–144
Mey, K. 2014. Sculpture. in: Kelly, M. (ed.) Encyclopedia of Aesthetics: Volume 4. 2nd edition Oxford Oxford University Press.
Mey, K. and Niedderer, K. 2012. Editorial. Art, Design and Communication in Higher Education. 10 (2), pp. 121-125.
Creativity, imagination, values - why we need artistic research
Mey, K. 2011. Creativity, imagination, values - why we need artistic research. in: Šmite, R., Mey, K. and Šmits, R. (ed.) Art as research MPLab, University of Liepaja and RIXC The Centre for Media Culture, Riga, Latvia.
...but where is the art?
Mey, K. 2011. ...but where is the art? in: The Policing Dialogues Review: Reflections on an Exploration of Neighbourhoood Power Relations at The LAB by what's the Story? Collective Public Communications Centre. pp. 6-7
Mey, K. 2011. Introduction. in: Bosch, S. and Haughey, A. (ed.) State Dublin Project Press, a division of Project Arts Centre.
It takes two to tango. Artistic research and impact assessment under the new Research Excellence Framework (REF) UK
Mey, K. 2010. It takes two to tango. Artistic research and impact assessment under the new Research Excellence Framework (REF) UK. ELIA 11th Biannual Conference. Nantes, France October 2010
Afterword: in/ter/ceptions and in/tensions – situating Suzanne Lacy's practice
Mey, K. 2010. Afterword: in/ter/ceptions and in/tensions – situating Suzanne Lacy's practice. in: Leaving art: writings on performance, politics, and publics 1974–2007 London Duke University Press. pp. 327-338
AES+F – more than just a matter of (bad) taste
Mey, K. 2010. AES+F – more than just a matter of (bad) taste. in: Harris, J. (ed.) Inside the death drive: excess and apocalypse in the world of the Chapman Brothers Liverpool Liverpool University Press and Tate Liverpool. pp. 99-118
Olfact – on a pedagogy of curiosity©
Benn, S. and Mey, K. 2010. Olfact – on a pedagogy of curiosity©. in: Senses and the city: an interdisciplinary approach to urban sensescapes Vienna and Berlin LIT. pp. 239-256
The gesture of writing
Mey, K. 2009. The gesture of writing. in: Macleod, K. and Holdridge, L. (ed.) Thinking through art: reflections on art as research London and New York Routledge. pp. 201-212
Interface: report 2
Mey, K. 2009. Interface: report 2. University of Ulster.
A life in the file of … or “Data Protection”
Mey, K. 2008. A life in the file of … or “Data Protection”. in: Bacon, J. (ed.) Arkive city Newcastle and Belfast Locus +. pp. 132-137
Mey, K. 2008. Introduction. in: Bacon, J. (ed.) Arkive city Newcastle and Belfast Locus +.
Permutations: site and location
Mey, K. 2007. Permutations: site and location. in: Tarbuck, J. and Hearn, M. (ed.) This will not happen without you: from the collective archive of the Basement Group, Projects UK and Locus + (1977-2007) Locus +. pp. 192-195
Making porn into art
Mey, K. 2007. Making porn into art. in: Nikunen, K., Paasonen, S. and Saarenmaa, L. (ed.) Pornification: sex and sexuality in media culture Oxford Berg. pp. 87-98
Mey, K. 2007. Introduction. in: Bacon, J. (ed.) In place of passing Belfast Bbeyond.
Art and obscenity
Mey, K. 2007. Art and obscenity. London and New York I.B. Tauris.
Art in the making: aesthetics, historicity and practice
Mey, K. 2005. Art in the making: aesthetics, historicity and practice. Peter Lang.
Editorial: ‘Hybrid Identities in Digital Media’
Mey, K. and Spielmann, Y. 2005. Editorial: ‘Hybrid Identities in Digital Media’. Convergence: the international journal of research into new media technologies. 11 (4), pp. 5-9.
Mey, K. 2005. On-site/in-sight. Journal of Visual Art Practice. 4 (2-3), pp. 67-81.
The poetics of form
Mey, K. 2004. The poetics of form. in: Bronislaw Krzyzstof London Bielska Biala.
Project coordinator and curator: Body Memory
Mey, K. 2004. Project coordinator and curator: Body Memory.
Mey, K. 2003. Text. in: Albatros: sztuka współczesna ze Szkocji : Andrew Cranston, Mateusz Fahrenholz, Derrick Guild, The Lonely Piper, Edward Summerton Torun, Poland Galeria Sztuki Wozownia.
Mey, K. 2003. Introduction. in: Nexus plexus. Robery McGilvray DJCAD, University of Dundee and Limerick Institute of Technology, School of Art and Design.
Cultural policy in Berlin ten years after reunification
Mey, K. 2003. Cultural policy in Berlin ten years after reunification. in: Bradshaw, R., Manning, N. and Thompstone, S. (ed.) After the fall: Central and Eastern Europe since the collapse of communism St Petersburg and Nottingham Olearius Press. pp. 116-131
The faces of time
Mey, K. 2002. The faces of time. exhibition project Visual Research Centre, Dundee with Contemporary Arts Centre Skopje, DCA
Bodies of substance: works by Margaret Hunter, Azade Köker, Ping Qiu
Mey, K. 2002. Bodies of substance: works by Margaret Hunter, Azade Köker, Ping Qiu. Edinburgh Talbot Rice Gallery.
Sculpsit: contemporary artists on sculpture and beyond
Mey, K. 2001. Sculpsit: contemporary artists on sculpture and beyond. Manchester University Press.
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