Louis MacNeice’s radio classics: “all so unimaginably different”?

Introduction: Radio Modernisms: Features, Cultures and the BBC
Lodhi, A. and Wrigley, A. 2018. Introduction: Radio Modernisms: Features, Cultures and the BBC. Media History. 24 (2), pp. 159-165. https://doi.org/10.1080/13688804.2018.1473134

Television history: archives, excavation and the future. A discussion
Smart, B. and Wrigley, A. 2016. Television history: archives, excavation and the future. A discussion. Critical Studies in Television. 11 (1), pp. 96-109. https://doi.org/10.1177/1749602015618634

The Spaces of Medieval Mystery Plays on British Television
Wrigley, A. 2015. The Spaces of Medieval Mystery Plays on British Television. Shakespeare Bulletin. 33 (4), pp. 569-593. https://doi.org/10.1353/shb.2015.0058

Greece on Air: Engagements With Ancient Greece on BBC Radio, 1920s-1960s
Wrigley, A. 2015. Greece on Air: Engagements With Ancient Greece on BBC Radio, 1920s-1960s. Oxford Oxford University Press.

Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television
Wrigley, A. 2014. Dylan Thomas’ Under Milk Wood (BBC Television, 1957), a “play for voices” reimagined for television. Critical Studies in Television: The International Journal of Television Studies. 9 (3), pp. 77-88. https://doi.org/10.7227/CST.9.3.8

Practising classical reception studies “in the round”: mass media engagements with antiquity and the “democratic turn” towards the audience
Wrigley, A. 2013. Practising classical reception studies “in the round”: mass media engagements with antiquity and the “democratic turn” towards the audience. in: Hardwick, L. and Harrison, S.J. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Practising classical reception studies 'in the round': mass media engagements with antiquity and the 'democratic turn' towards the audience
Wrigley, A. 2013. Practising classical reception studies 'in the round': mass media engagements with antiquity and the 'democratic turn' towards the audience. in: Hardwick, L. and Harrison, S. (ed.) Classics in the modern world: a democratic turn? Oxford Oxford University Press. pp. 351-364

Introduction. Louis MacNeice, classical antiquity and BBC radio: from wartime propaganda to radio plays
Wrigley, A. 2013. Introduction. Louis MacNeice, classical antiquity and BBC radio: from wartime propaganda to radio plays. in: Wrigley, A. and Harrison, S.J. (ed.) Louis MacNeice: the classical radio plays Oxford Oxford University Press. pp. 1-30

Aristophanes at the BBC, 1940s-1960s
Wrigley, A. 2013. Aristophanes at the BBC, 1940s-1960s. in: Douglas Olson, S. (ed.) Ancient comedy and reception: essays in honor of Jeffrey Henderson De Gruyter.

Screen play: theatre plays on British television
Wyver, J. and Wrigley, A. 2012. Screen play: theatre plays on British television. Viewfinder: Moving Image and Sound, Knowledge and Access. 86.

Classics on TV: Greek tragedy on the small screen
Wrigley, A. 2012. Classics on TV: Greek tragedy on the small screen. Journal of Classics Teaching. 26.

Greek immigrants playing ancient Greeks at Chicago’s Hull-House: whose antiquity?
Wrigley, A. and Davis, R. 2011. Greek immigrants playing ancient Greeks at Chicago’s Hull-House: whose antiquity? The Journal of American drama and theatre. 23 (2), pp. 7-29.

Performing Greek drama in Oxford and on tour with the Balliol Players
Wrigley, A. 2011. Performing Greek drama in Oxford and on tour with the Balliol Players. University of Exeter Press.

A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943)
Wrigley, A. 2011. A wartime radio Odyssey: Edward Sackville-West and Benjamin Britten's The Rescue (1943). The Radio Journal: International Studies in Broadcast & Audio Media. 8 (2), pp. 81-103. https://doi.org/10.1386/rjao.8.2.81_1

Robert Bridges' Masque Demeter and Oxford's Persephones
Wrigley, A. 2010. Robert Bridges' Masque Demeter and Oxford's Persephones. New Voices In Classical Reception Studies. 5.

Greek drama in the first six decades of the twentieth century: tradition, identity, migration
Wrigley, A. 2010. Greek drama in the first six decades of the twentieth century: tradition, identity, migration. Comparative drama. 44 (4), pp. 371-384.

From Ancient Rome to Chicago: Mussolini’s gift of the Balbo column
Wrigley, A. 2010. From Ancient Rome to Chicago: Mussolini’s gift of the Balbo column. Classicizing Chicago.

Antigone and the “Theban Maidens” in Aberdeen, 1919
Wrigley, A. 2009. Antigone and the “Theban Maidens” in Aberdeen, 1919. Aberdeen University Review. 62 (2), pp. 118-121.

Stages of imagination: Greek plays on BBC radio
Wrigley, A. 2007. Stages of imagination: Greek plays on BBC radio. in: Stray, C. (ed.) Remaking the classics: literature, genre and media in Britain 1800-2000 London Duckworth. pp. 57-73

The Balliol Players at Holywell Manor
Wrigley, A. 2007. The Balliol Players at Holywell Manor. in: Murray, O. (ed.) Holywell Manor: an anecdotal history Oxford Balliol College. pp. 172-183

Aristophanes revitalized! Music and spectacle on the academic stage
Wrigley, A. 2007. Aristophanes revitalized! Music and spectacle on the academic stage. in: Hall, E. and Wrigley, A. (ed.) Aristophanes in performance 421 BC - AD 2007: peace, birds, and frogs Oxford Legenda. pp. 136-154

Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions)
Wrigley, A. 2005. Appendix: Agamemnons on the APGRD Database (a detailed listing of c. 750 productions). in: Macintosh, F., Michelakis, P., Hall, E. and Taplin, O. (ed.) Agamemnon in performance: 458 BC to AD 2004 Oxford University Press. pp. 359-435

Aeschylus' Agamemnon on BBC radio, 1946–1976
Wrigley, A. 2005. Aeschylus' Agamemnon on BBC radio, 1946–1976. International Journal of the Classical Tradition. 12 (2), pp. 216-244. https://doi.org/10.1007/BF02968958

Details of productions discussed
Wrigley, A. 2004. Details of productions discussed. in: Hall, E., Macintosh, F. and Wrigley, A. (ed.) Dionysus since 69: Greek tragedy at the dawn of the third millennium Oxford Oxford University Press. pp. 369-418