Edmund de Waal at Mima

de Waal, E. 2007. Edmund de Waal at Mima.

Creatorsde Waal, E.
Description

For this touring exhibition De Waal made a series of new installation pieces, all of them concerned with 'framing devices' - the question of how the vessels were placed. Some of the installations used unconventional materials, others were more concerned with the architectural spaces they occupied. This major Arts Council-funded touring exhibition took as its premise the exploration of two completely different environments for

the display of ceramics. One, Kettle’s Yard in Cambridge, has an extensive collection of ceramics alongside its more famous

paintings and sculpture. The other, the newly opened Mima in Middlesborough, is a post-modernist series of white cube spaces.

Installation can be site-specific or it can be site-sensitive. The methodology of the project lay in the testing of this idea through

the re-siting of installations, and hence the interrogation of the idea of installation itself.

This exhibition comprised fourteen new installation pieces, all concerned with ‘framing devices’ - the question of how the vessels

were placed. Some installations used unconventional materials (Corten steel, lacquered wood, plywood), others were more

concerned with the architectural spaces they occupied. Some of these spaces were already extant - bookcases and cupboards

at Kettles’ Yard, structural metal beams at Mima - others were created for the installations. One substantial installation

Wunderkammer was created in its own sealed space where vessels were glimpsed through interstices. Another Imago was

suspended 35 feet up in a central gallery at Mima.

Alongside the exhibition was a photography project by Helene Binet, known for her work on the architecture of Hadid and

Liebeskind. These photographs feature in the exhibition catalogue (ISBN 978-1-904561-24-8), alongside substantial essays by

Helen Waters and Dr Jorunn Veiteberg. Two symposia were held, one at Kettles Yard concentrating on contemporary collecting,

the other at Mima on architecture and ceramics. Reviews included Guardian, Times, Blueprint, Independent, Ceramics Art and

Perception, Ceramic Review and Crafts. A performance of Gesualdo’s Tenebrae was given at Trinity Hall, Cambridge in relation

to de Waal’s installation, Tenebrae.

Year2007
Publication dates
Completed2007

Related outputs

God of small things
de Waal, E. 2010. God of small things. The Guardian.

Tokyo, Japan: my kind of town
de Waal, E. 2010. Tokyo, Japan: my kind of town. The Telegraph.

The hare with amber eyes: a hidden inheritance
de Waal, E. 2010. The hare with amber eyes: a hidden inheritance. London Chatto & Windus.

The artists' house: a group design show: Richard Hamilton, Ebmund de Waal, Matthew Hilton, Kate Blee, Chien-Wei Chang, Marthe Armitage, Persephone Books
de Waal, E. 2010. The artists' house: a group design show: Richard Hamilton, Ebmund de Waal, Matthew Hilton, Kate Blee, Chien-Wei Chang, Marthe Armitage, Persephone Books.

Water-shed: new work by Edmund de Waal
de Waal, E. 2010. Water-shed: new work by Edmund de Waal. Leamington Spa 22 Jan - 11 Apr 2010

Het knoopjeskabinet; translated by Willeke Lempens
de Waal, E. 2010. Het knoopjeskabinet; translated by Willeke Lempens. Amsterdam FMB/Mistral.

From zero
de Waal, E. 2010. From zero.

Five ways of standing up
de Waal, E. 2010. Five ways of standing up. London 01 Sep - 30 Nov 2010

upside down / inside out
de Waal, E. 2009. upside down / inside out.

A space without discord
de Waal, E. 2009. A space without discord. in: Dreams made manifest: ceramic art by Halima Cassell North Lincolnshire Council. pp. 44-51

Very movable things: new work by Edmund de Waal
de Waal, E. 2009. Very movable things: new work by Edmund de Waal.

Signs and wonders
de Waal, E. 2009. Signs and wonders. London

Kettle's Yard at Tate Britain
de Waal, E. 2009. Kettle's Yard at Tate Britain.

Image/craft: exploring the relationship between craft and photography
de Waal, E. 2009. Image/craft: exploring the relationship between craft and photography. Dovecot, Edinburgh 13 Nov 2009 - 30 Jan 2010

Better than grey: a serious consideration of colour
de Waal, E. 2009. Better than grey: a serious consideration of colour. Bury St Edmunds 20 Jan - 07 Mar 2009

Alison Britton and Marit Tingleff
de Waal, E. 2009. Alison Britton and Marit Tingleff. Marsden Woo Gallery, London 24 Sep - 31 Oct 2009

Still life, still lives: Michael Geertsen
de Waal, E. 2008. Still life, still lives: Michael Geertsen. Ceramic Review. 232, pp. 48-51.

Craft cultures
de Waal, E. 2008. Craft cultures. Ceramic Review. 232, pp. 27-28.

Craft conscious
de Waal, E. 2008. Craft conscious. The Times. Times2.

Introduction
de Waal, E., Game, A. and Jönsson, L. 2008. Introduction. in: Jerwood contemporary makers, London, 5 June-13 July 2008 and Dovecot, Edinburgh, 14 November 2008 - 31 January 2009 London Jerwood Visual Arts.

The essay
de Waal, E. 2008. The essay. BBC Radio 3 24 Oct 2008, 23:00

Some reading on touch
de Waal, E. 2008. Some reading on touch. in: Jerwood contemporary makers, London, 5 June-13 July 2008 and Dovecot, Edinburgh, 14 November 2008 - 31 January 2009 London Jerwood Visual Arts.

North North West
de Waal, E. 2008. North North West. Ingleby Gallery, Edinburgh 21 - 29 Sep 2007

Modern masters
de Waal, E. 2008. Modern masters. Munich, Germany 28 Feb - 05 Mar 2008

Focus: Jacob van der Beugel
de Waal, E. 2008. Focus: Jacob van der Beugel.

Edmund de Waal
de Waal, E. 2008. Edmund de Waal. Craft study Centre, Farnham 13 Dec 2007 - 13 Dec 2008

Edmund de Waal
de Waal, E. 2008. Edmund de Waal.

Edmund de Waal
de Waal, E. 2008. Edmund de Waal. New Art Centre 04 - 08 Jun 2008

Edmund de Waal
de Waal, E. 2008. Edmund de Waal. Roche Court, Salisbury 22 Nov 2008 - 15 Feb 2009

Siobhan Davies and Edmund de Waal in conversation
Davies, S. and de Waal, E. 2008. Siobhan Davies and Edmund de Waal in conversation. London 23 Jun - 07 Jul 2008

A sounding line
de Waal, E. 2007. A sounding line. Ceramic Review. 226, p. 17.

Rescript: Edmund de Waal admires Marit Tingleff's vast dishes
de Waal, E. 2007. Rescript: Edmund de Waal admires Marit Tingleff's vast dishes. Ceramic Review. 225, pp. 48-52.

Looking in the opposite direction: the West's response to Japanese crafts
de Waal, E. 2007. Looking in the opposite direction: the West's response to Japanese crafts. Ceramic Review. 225, pp. 40-43.

At play: Edmund de Waal explores Sun Kim's pots
de Waal, E. 2007. At play: Edmund de Waal explores Sun Kim's pots. Ceramic Review. 224, pp. 38-41.

Year one
de Waal, E. and Fabian Miller, G. 2007. Year one. Edinburgh Ingleby Gallery.

Rethinking Bernard Leach: studio pottery and contemporary ceramics (Japanese edition)
de Waal, E. and Kaneko, K. 2007. Rethinking Bernard Leach: studio pottery and contemporary ceramics (Japanese edition). Kyoto, Japan Shibunkaku Publishing Co..

Sticky/smooth
de Waal, E. 2007. Sticky/smooth. in: Harrod, T. and de Waal, E. (ed.) Gift: papers and exhibition 2007 Gmunden Think Tank e.V.. pp. 46-49

Sprak, Cenrtum och periferi
de Waal, E. 2007. Sprak, Cenrtum och periferi. Paletten. 267.

Martin Smith
de Waal, E. 2007. Martin Smith. London Barrett Marsden Gallery.

Form and Function: Anders Ruhwald
de Waal, E. 2007. Form and Function: Anders Ruhwald. Stockholm Galleri IngerMolin.

Edmund de Waal at Kettles Yard
de Waal, E. 2007. Edmund de Waal at Kettles Yard.

A sounding line
de Waal, E. 2007. A sounding line.

3 installations: 'North North West', 'Water, Salt' and 'Tristia'
de Waal, E. 2007. 3 installations: 'North North West', 'Water, Salt' and 'Tristia'. New Art Centre, Roche Court 01 Dec 2007 - 10 Feb 2008

Vessel, perhaps
de Waal, E. 2006. Vessel, perhaps.

Blackwell: a response Edmund de Waal
de Waal, E. 2006. Blackwell: a response Edmund de Waal.

Very like a whale: the sculpture of Richard Deacon
de Waal, E. 2005. Very like a whale: the sculpture of Richard Deacon. in: Richard Deacon: out of order St Ives, UK Tate St Ives.

The cultures of collecting and display
de Waal, E. 2005. The cultures of collecting and display. in: Livingstone, K. and Parry, L. (ed.) International arts and crafts London, UK V & A Publications. pp. 328-337

Tenebrae #2
de Waal, E. 2005. Tenebrae #2. National Gallery of Australia, Canberra 11 Nov 2005 - 29 Jan 2006

Solo exhibition
de Waal, E. 2005. Solo exhibition. Galerie Marianne Heller, Heidelberg, Germany 12 Jun - 24 Jul 2005

Places sensed, senses placed
de Waal, E. 2005. Places sensed, senses placed. in: Mazanti, L. and Veiteberg, J. (ed.) Think tank edition 02: languages: meeting/exhibitions Gmunden, Austria Think Tank. pp. 14-16

No ideas but in things
de Waal, E. 2005. No ideas but in things. in: Clark, G. (ed.) Ceramic millennium: critical writings on ceramic history, theory, and art Nova Scotia, Canada Press of the Nova Scotia College of Art and Design.

Mapping 18th century porcelain
de Waal, E. 2005. Mapping 18th century porcelain.

Curating ceramics: challenging our history, challenging our future
de Waal, E. 2005. Curating ceramics: challenging our history, challenging our future. in: New Horizon of Ceramic Art Icheon, Korea World Ceramic Biennale.

Arcanum: mapping 18th century porcelain
de Waal, E. 2005. Arcanum: mapping 18th century porcelain.

Pottery making in the city: craft is not just a country pursuit
de Waal, E. 2004. Pottery making in the city: craft is not just a country pursuit. in: Brown, S. and Mitchell, M.K. (ed.) The beauty of craft Green Books.

High unseriousness: artists and clay
de Waal, E. 2004. High unseriousness: artists and clay. in: Groom, S. (ed.) A secret history of clay: from Gauguin to Gormley Liverpool, UK Tate Liverpool in association with Tate Publishing.

Edmund de Waal at Roche Court
de Waal, E. 2004. Edmund de Waal at Roche Court.

Colourfield: new work
de Waal, E. 2004. Colourfield: new work.

Ceramics: the need for a new history
de Waal, E. 2004. Ceramics: the need for a new history. in: Olding, S. and Carter, P. (ed.) Crafts study centre: essays for the opening Brook, UK Canterton Books.

A single line of writing
de Waal, E. 2004. A single line of writing. in: Rupert Spira: bowl Norwich, UK Sainsbury centre for visual arts, University of East Anglia.

What is craft?
de Waal, E. 2003. What is craft?

The parade of objects: rethinking twentieth century ceramics
de Waal, E. 2003. The parade of objects: rethinking twentieth century ceramics. London, UK RCA.

Small upright teapot and Blue white teapot
de Waal, E. 2003. Small upright teapot and Blue white teapot.

Masterpieces of European Decorative Art
de Waal, E. 2003. Masterpieces of European Decorative Art. Fondazione per il Libro la Cultura, Turin Jan 2003

Lidded Jar
de Waal, E. 2003. Lidded Jar. Icheon World Ceramic Centre, South Korea 01 Sep - 30 Oct 2003

20th century ceramics
de Waal, E. 2003. 20th century ceramics. London, UK Thames & Hudson.

Ceramic room: at home with Kate Malone and Edmund de Waal
de Waal, E. and Malone, K. 2002. Ceramic room: at home with Kate Malone and Edmund de Waal.

Timeless beauty: traditional Japanese folk art
de Waal, E. 2002. Timeless beauty: traditional Japanese folk art. Milan, UK Skira Editore.

Permalink - https://westminsterresearch.westminster.ac.uk/item/920z1/edmund-de-waal-at-mima


Share this

Usage statistics

190 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.