Alexander McQueen in Fashion at Belsay

Gray, R. and McQueen, A. 2004. Alexander McQueen in Fashion at Belsay. Belsay Hall, Northumberland 29 May - 30 Sep 2004

CreatorsGray, R. and McQueen, A.

Installation featuring Gray’s airbrush gouache and ink painting alongside McQueen’s clothes. Produced through an ongoing collaboration with McQueen, Gray’s projects set out to create two-dimensional re-imaginings of McQueen’s dresses, engaging with similar themes and pushing the boundaries of the fantastical. The ‘Fashion at Belsay’ exhibition invited top British fashion designers (including Stella McCartney, Paul Smith, Julie

Verhoeven) to create installations within the C14th castle and grounds.

For his installation, Alexander McQueen – with whom Gray has regularly collaborated over the past ten years - asked Gray to

create a painting that would engage with both the design concepts of the three dresses McQueen had chosen to display, and

the decaying stately home itself. To suggest Belsay Hall’s faded grandeur, Gray researched Chinese traditional hand painted

wallpapers for contextual inspiration. Using airbrush gouache and ink, Gray then evolved a way to push the boundaries of the

fantastical, giving the flora and fauna within the illustration a McQueen sensibility: one is unsure whether they are set free from

the embroidered cloth to become living creatures, or captured and stitched down to become part of it. The resulting narrative

painting was enlarged to wall size and displayed within a perspex box alongside McQueen’s clothes. It is now prominently on

display in the reception area at McQueen’s studios.

While Belsay was on, McQueen invited Gray to produce a second work. This developed their shared research interests in how

clothes transform bodies. Gray consequently pushed further his exploration of the ambivalence between figure and ground, with

a painting in which transparent black insects seem to create a moving garment for a woman, who is applying her paintbrush and

getting colour from the smeared feathers of the hybrid creature perched to the left of the painting. This was exhibited and

auctioned alongside a number of other artworks inspired by the word ‘Black’ at a high profile charity show for Terence Higgins

Trust at Earls Court (3.06.04). Gray’s creative collaboration with McQueen is ongoing.

Output mediaPainting

Related outputs

Morpho-illogical: Collage Reportage
Gray, R. 2006. Morpho-illogical: Collage Reportage. Victoria and Albert Museum, London 02 Feb 2006 - 23 Apr 2006

Permalink -

Share this

Usage statistics

138 total views
0 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.