Benjamin contextualized: on "the work of art in the age of mechanical reproduction"

Media and Communication
Scannell, P. 2007. Media and Communication. Los Angeles ; London Sage.

Broadcasting and time
Scannell, P. 2006. Broadcasting and time. PhD thesis University of Westminster School of Media, Arts and Design

Television and history
Scannell, P. 2005. Television and history. in: Wasko, J. (ed.) A companion to television Malden, USA Blackwell.

Book review: Love and communication
Scannell, P. 2005. Book review: Love and communication. Media, Culture & Society. 27 (4), pp. 614-621. https://doi.org/10.1177/0163443705053980

What reality has misfortune?
Scannell, P. 2004. What reality has misfortune? Media, Culture & Society. 26 (4), pp. 573-584. https://doi.org/10.1177/0163443704044220

Broadcasting historiography and historicality
Scannell, P. 2004. Broadcasting historiography and historicality. Screen. 45 (2), pp. 130-141. https://doi.org/10.1093/screen/45.2.130

The brains trust: an historical study of the management of liveness
Scannell, P. 2003. The brains trust: an historical study of the management of liveness. in: Cottle, S. (ed.) Media organisation and production London, UK Sage. pp. 97-112

The BBC and the model of public service
Scannell, P. 2003. The BBC and the model of public service. in: Ortoleva, P. and Scaramucci, B. (ed.) Enciclopedia della radio Milan, Italy Garzanti.

History, media, and communication
Scannell, P. 2002. History, media, and communication. in: Jensen, K.B. (ed.) A handbook of media and communications research: qualitative and quantitative methodologies London, UK Routledge.

Canonization achieved?: Stuart Hall's "encoding/decoding"
Gurevitch, M. and Scannell, P. 2002. Canonization achieved?: Stuart Hall's "encoding/decoding". in: Katz, E., Peters, J.D., Liebes, T. and Orloff, A. (ed.) Canonic texts in media research: are there any? should there be? how about these? Cambridge, UK Polity Press.

Music, radio and the record business in Zimbabwe today
Scannell, P. 2001. Music, radio and the record business in Zimbabwe today. Popular Music. 20 (1), pp. 13-27. https://doi.org/10.1017/S0261143001001283