Une Page d’amour: un panorama politique

Multidirectional memory and exile in Jacques Hassoun’s polyphonic novel 'Alexandries'
Wilson, C. 2013. Multidirectional memory and exile in Jacques Hassoun’s polyphonic novel 'Alexandries'. Journal of Romance Studies. 13 (2), pp. 94-115. https://doi.org/10.3167/jrs.2013.130205

The word on the street: remembering the Paris commune in the twenty-first century
Wilson, C. 2012. The word on the street: remembering the Paris commune in the twenty-first century. in: Harrow, S. and Watts, A. (ed.) Mapping memory in nineteenth-century French literature and culture Rodopi. pp. 37-58

The photobook as object of memory and nostalgia: Alexandrie l'Egyptienne (1998) by Carlos Freire and Robert Sole
Wilson, C. 2012. The photobook as object of memory and nostalgia: Alexandrie l'Egyptienne (1998) by Carlos Freire and Robert Sole. in: Di Bello, P., Wilson, C. and Zamir, S. (ed.) The photobook: from Talbot to Ruscha and beyond I.B. Tauris.

Uncanny city: revisiting Alexandria's haunted spaces
Wilson, C. 2011. Uncanny city: revisiting Alexandria's haunted spaces. International Journal of Francophone Studies. 14 (4), pp. 473-515. https://doi.org/10.1386/ijfs.14.4.473_1

The well-travelled lens: studies in photography and cultural encounter, memory and identity
Wilson, C. 2008. The well-travelled lens: studies in photography and cultural encounter, memory and identity. Journal of Romance Studies. 8 (1).

Photography and cultural memory. Four contemporary photographers: Daniel Boetker-Smith, John Nassari, Matthew Pontin and Stephen Smith
Wilson, C. 2008. Photography and cultural memory. Four contemporary photographers: Daniel Boetker-Smith, John Nassari, Matthew Pontin and Stephen Smith. Canterbury University of Kent.

Paris and the Commune 1871-78: the politics of forgetting
Wilson, C. 2007. Paris and the Commune 1871-78: the politics of forgetting. Manchester University Press.

Memory and the politics of forgetting: Paris, the Commune, and the 1878 Exposition Universelle
Wilson, C. 2005. Memory and the politics of forgetting: Paris, the Commune, and the 1878 Exposition Universelle. Journal of European Studies. 35 (1), pp. 47-63. https://doi.org/10.1177/0047244105051156

Florent/Flourens: du nouveau sur la dimension politique du Ventre de Paris
Wilson, C. 2005. Florent/Flourens: du nouveau sur la dimension politique du Ventre de Paris. Les Cahiers naturalistes. 79, pp. 77-87.

The politics and aesthetics of a phantom palace: Le Palais des Tuileries in Charles Soulier’s Paris incendié, mai 1871
Wilson, C. 2004. The politics and aesthetics of a phantom palace: Le Palais des Tuileries in Charles Soulier’s Paris incendié, mai 1871. Romance Studies. 22 (3), pp. 197-207. https://doi.org/10.1179/026399004786542915

City space and the politics of carnival in Zola's 'L'Assommoir'
Wilson, C. 2004. City space and the politics of carnival in Zola's 'L'Assommoir'. French Studies. 58 (3), pp. 343-356. https://doi.org/10.1093/fs/58.3.343

“La Dernière étape des fédérés au Père-Lachaise”: the contribution of Le Monde illustré to the right-wing myth of Paris and the Commune
Wilson, C. 2003. “La Dernière étape des fédérés au Père-Lachaise”: the contribution of Le Monde illustré to the right-wing myth of Paris and the Commune. in: Facques, B., Roberts, H.G.A. and Roberts, H.A. (ed.) Reading and writing the forbidden: essays in French studies Reading The 2001 Group. pp. 103-116