Queer Temporalities, Queer Londons

“No no / He is dead.” A chapter in which a nine-minute video about Bertolt Brecht is not a nine-minute video about Bertolt Brecht
Graham, K.M. 2025. “No no / He is dead.” A chapter in which a nine-minute video about Bertolt Brecht is not a nine-minute video about Bertolt Brecht. in: Bond, L., Rapson, J. and Radstone, S. (ed.) The Palgrave Handbook of Literary Memory Studies Palgrave Macmillan.

‘You mean some strange revenge’: The Jacobean Intersections of Revenge and the Strange
Graham, K.M. 2022. ‘You mean some strange revenge’: The Jacobean Intersections of Revenge and the Strange. Critical Survey. 34 (2), pp. 39-51. https://doi.org/10.3167/cs.2022.340204

‘[N]or bear I in this breast / So much cold spirit to be called a woman’: The Queerness of Female Revenge in The Maid’s Tragedy
Graham, K.M. 2018. ‘[N]or bear I in this breast / So much cold spirit to be called a woman’: The Queerness of Female Revenge in The Maid’s Tragedy. Early Theatre. 21 (1), pp. 107-126. https://doi.org/10.12745/et.21.1.3257

Objects and Gender: The Revenger's Tragedy in Performance and on Film
Graham, K. 2017. Objects and Gender: The Revenger's Tragedy in Performance and on Film. in: Crawforth, H., Scott-Baumann, E. and Whitehead, C. (ed.) The Revenger's Tragedy: The State of Play London Bloomsbury Academic.