Beat

Pitts, V. 2010. Beat. Aotearoa New Zealand

TitleBeat
CreatorsPitts, V.
Collaborators
ChoreographerKaren Barbour
Description

Practice-based research: Narrative dance film exploring the potential for dialogic, non-verbal communication to resolve tensions between individuality and collectivity. Told through the eyes of a 10-year-old boy who discovers the challenges of bringing together a disparate group of young adults – musically, choreographically and culinarily.

Date29 Jan 2010
Keywordspractice-based research
narrative dance film
screendance
New Zealand film
non-verbal communication
Files
Media type
Video
Place of publicationAotearoa New Zealand
Web address (URL)http://www.mudshinefilms.com/beat/

Related outputs

Beyond My Brain
Pitts, V. 2016. Beyond My Brain. United Kingdom

Meeting
Pitts, V. 2016. Meeting.

Character, Performance, Dialogue & Structure: a Comparative Analysis of Improvised & Scripted Filmmaking
Pitts, V. 2015. Character, Performance, Dialogue & Structure: a Comparative Analysis of Improvised & Scripted Filmmaking. Screenwriting Research Network International Conference. Macquarie University, Sydney, Australia 14 - 16 Sep 2012

Contestations of Intercultural Collaboration: the Case of Whale Rider
Pitts, V. 2014. Contestations of Intercultural Collaboration: the Case of Whale Rider. in: Nagib, L. and Jerslev, A. (ed.) Impure Cinema: Intermedial and Intercultural Approaches to Film New York; London I.B. Tauris. pp. 43-65

Lost and Found: Musicality and Screenplay Development
Pitts, V. 2014. Lost and Found: Musicality and Screenplay Development. Screenwriting Research Network International Conference. Macquarie University, Sydney, Australia 14 - 16 Sep 2012

Writing from the Body: Kinesthetics and Entrainment in Collaborative Screenwriting
Pitts, V. 2013. Writing from the Body: Kinesthetics and Entrainment in Collaborative Screenwriting. Journal of Media Practice. 14 (1), pp. 61-78. https://doi.org/10.1386/jmpr.14.1.61_1

Beat: Artist's Statement
Pitts, V. 2013. Beat: Artist's Statement. The Soundtrack Journal. 5 (1), pp. 103-105. https://doi.org/10.1386/st.5.1.73_7

Writing from the body: kinesthetic empathy and screenwriting
Pitts, V. 2012. Writing from the body: kinesthetic empathy and screenwriting. Screenwriting Research Network International Conference. Macquarie University, Sydney, Australia 14 - 16 Sep 2012

Technologies of Culture: Digital Feature Filmmaking in New Zealand
Pitts, V. 2011. Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film. 9 (1), pp. 3-17. https://doi.org/10.1386/ncin.9.1.3_1

From Process to Product: Intercultural Collaboration in the Making of Whale Rider
Pitts, V. 2010. From Process to Product: Intercultural Collaboration in the Making of Whale Rider. Impure Cinema Conference. University of Leeds 02 - 05 Dec 2010 University of Leeds.

Cross-Cultural Filmmaking in New Zealand National Cinema
Pitts, V. 2008. Cross-Cultural Filmmaking in New Zealand National Cinema. PhD thesis University of Auckland Media, Film and Television

Cross-cultural Filmmaking in Aotearoa New Zealand
Pitts, V. 2007. Cross-cultural Filmmaking in Aotearoa New Zealand . MEDIANZ Conference . Victoria University, Wellington, New Zealand 08 - 10 Feb 2007

Intercultural Short Filmmaking in Aotearoa New Zealand
Pitts, V. 2006. Intercultural Short Filmmaking in Aotearoa New Zealand. Metro: Media and Education Magazine. 148, pp. 140-146.

Fleeting Beauty
Pitts, V. 2004. Fleeting Beauty. Aotearoa New Zealand

Form and Politics in Punitive Damage
Pitts, V. 1999. Form and Politics in Punitive Damage. Australian Screen Education. 20/21, pp. 18-23.

From novel to film : Le journal d'un curé de campagne and the art of adaptation
Pitts, V. 1997. From novel to film : Le journal d'un curé de campagne and the art of adaptation. The European Connection. 3, pp. 31-39.

Permalink - https://westminsterresearch.westminster.ac.uk/item/qzy56/beat


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