Punch and Judy. Tragical comedy or comical tragedy - ACE097.3

Punch introduces the next part of his history – Quay puppets and sets, engravings, etc. – from mediaeval times, travelling shows, puppet shows continuing during the Cromwellian closure of other theatres, and the introduction of Pulcinello from Italy during the Restoration. The popularity of puppet shows in the eighteenth century, and return to the fairground when they fell out of fashion. Engraving by William Hogarth showing Punch at Southwark Fair (1733). The appearance of the hand puppet. Caption: "1820’s." The Punchman talking about Piccini. Boy explains how profitable Piccini’s shows were, though he didn’t save his money. Punchman talks about buying his outfit from him and names the items he bought. Punch and other puppets unwrap themselves. Punch names his companions, many of which are no longer part of the show. Caption: "Percy Press Snr.1947." Photographs of Press setting up his booth. Home movie of Press outside the White Rock Pavilion and elsewhere in Hastings. Press’s and Press Jnr VO, explaining how wartime shows were adapted, e.g., with Adolf Hitler instead of Jack Ketch. Photographs of Press making puppets. Punch and Judy fighting. Caption: "Mr Punch." Punch explains the origin of his name. Woodcuts of earlier versions from Italy and France. The Punchman.