Mark Gertler. Fragments of a biography - ACE109.3

Writing to William Rothenstein (who had encouraged him to apply to the Slade) to tell him how he is progressing. Practising, in a mirror, inviting Carrington to tea. Portraits of The Artist’s Mother (1909), The Artist’s Parents (1909), and The Artist’s Mother (1911). Gertler reads critical acclaim for his work to his mother. The Artist’s Sister (1910). Tonks dismissing contemporary work – Manet, Picasso, etc. – at an exhibition of Post Impressionists. Carrington reassures Gertler that the paintings are marvellous, but refuses his invitation to tea. Gertler in his studio; his VO talks about being "baffled" by most of the French artists; one of Cézanne’s portraits of his wife. A "Futurist poet", who wishes "to cure English art of that most grave of all maladies, that of being out of date", lists his criticisms and condemnations of art and audiences alike. Gertler hiding his head. A "Vorticist" also criticises England, its snobbery, etc. Tonks threatens to resign over "talk about Cubism and Abstraction". Gertler expresses his disgust with all art movements, and laments having cut himself off from his family and old friends. Portrait of Carrington (1912). Gertler talks about Carrington; her VO reading a letter to him explaining why she cannot love him as he would like. Gertler and Carrington looking at Egyptian statue. The Artist’s Mother (1913). A Jewish Family (1913). Gertler and Carrington in art gallery. He describes a visit from someone who came to look at his work but did not buy anything. Harry Holding an Apple (1913). Gertler is angry that his work doesn’t sell because the public only wants "prettiness".