Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.7

1989. Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.7.

TitleTexturing the Word. 40 years of Caribbean writing in Britain - ACE438.7
Timecode
In00:49:31
Out00:54:49
Description

Johnson says he and people like him are fortunate to have two languages, the European one and the one created out of the slave experience, which makes the Caribbean poetic vision broader. Heath says England has no meaning for him. Children in park play area. VO of Netifa Masimba, poet, who says her work is written for children who have no sense of community spirit or guidance; adults need to address this. She reads to some children from A Woman Determined (1987). Credits.

Web address (URL)https://player.bfi.org.uk/free

Permalink - https://westminsterresearch.westminster.ac.uk/item/v5xv3/texturing-the-word-40-years-of-caribbean-writing-in-britain-ace438-7


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Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.2
1989. Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.2.

Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.3
1989. Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.3.

Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.4
1989. Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.4.

Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.5
1989. Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.5.

Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.6
1989. Texturing the Word. 40 years of Caribbean writing in Britain - ACE438.6.

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