A Thousand Borrowed Eyes - ACE439.2

Nahid Siddiqui dancing outdoors. Her VO saying that kathak embodies both Hindu and Muslim culture and is one of the most intense forms of expression. Siddiqui preparing for performance. Her VO talking about her own Islamic background and wanting to explore the Islamic side of kathak. Siddiqui dancing to sung accompaniment. Siddiqui rehearsing with tabla (drum) accompaniment. Her VO quotes "Come, whoever you are, whatever you are, whether you’re a fire worshipper…" She says that she would like her work to have the same individuality and lack of boundaries as that achieved by Mevlana Jalaluddin Rumi, the founder of the Whirling Dervishes. She says that Sufis "took risks by not being religious". Muslim women are supposed to stay at home; dance is not considered a serious art form. Siddiqui was made to feel guilty about wanting to be a dancer. Siddiqui removing her ankle bells (gungru). Her VO saying that she doesn’t want to have anything to do with boundaries whether from culture or religion, doesn’t want to be rigid about anything, doesn’t approve of fundamentalism, and consequently has to take risks. Dancing to tabla accompaniment. Siddiqui’s VO talking about the sensuality of kathak, and the moods and imagery involved; hands tell the story through the mudras. Siddiqui says she does not dance to expose her body; harmonising with nature is performing kathak. Siddiqui dancing to tabla accompaniment. Siddiqui dancing outdoors. Her VO saying that dancing is part of her and she will go on doing it. Credits.