Cultural revolutions: interview with Paul du Gay and Michael Pryke

Undoing cultural studies: Cultural economy at the Open University (1979-1997)
Bennett, T. 2024. Undoing cultural studies: Cultural economy at the Open University (1979-1997). Journal of Cultural Economy. 17 (5), pp. 641-662. https://doi.org/10.1080/17530350.2024.2393167

Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out
Bennett, T. 2024. Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out . Bloomsbury Academic.

What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University
Gross, S. and Bennett, T. 2024. What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University. in: Arditi, D. and Nolan, R. (ed.) The Palgrave Handbook of Critical Music Industry Studies Palgrave Macmillan. pp. 581-604

The music industry does exist
Bennett, T. 2024. The music industry does exist. in: Arditi, D. and Nolan, R. (ed.) The Palgrave Handbook of Critical Music Industry Studies Palgrave Macmillan. pp. 557-579

A poststructuralist who still believes in structures: interview with John Allen
Allen, J. and Bennett, T. 2024. A poststructuralist who still believes in structures: interview with John Allen. Journal of Cultural Economy. 17 (5), pp. 663-671. https://doi.org/10.1080/17530350.2021.2002176

From rag market to creative economy: interview with Angela McRobbie
Angela McRobbie and Toby Bennett 2024. From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy. 17 (5), pp. 700-706. https://doi.org/10.1080/17530350.2022.2112263

Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8)
Anna Karpińska, Dorota Ilczuk, Emilia Cholewicka, Toby Bennett and Andy Pratt 2023. Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8). Zenodo. https://doi.org/10.5281/zenodo.6886027

Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description
Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description. Zenodo. https://doi.org/10.5281/zenodo.6224372

Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them
Pratt, A.C. and Bennett, T. 2022. Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them. Zenodo. https://doi.org/10.5281/zenodo.6482865

A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business
Bennett, T. 2022. A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change. 7 (1) 06. https://doi.org/10.20897/jcasc/12257

Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry
Bennett, T. 2020. Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry. International Journal of Cultural Policy. 26 (2), pp. 223-238. https://doi.org/10.1080/10286632.2018.1479399

Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton
Bennett, T. 2020. Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. in: Ballico, C. and Watson, A. (ed.) Music Cities: Evaluating a Global Cultural Policy Concept Springer. pp. 19-42

The justification of a music city: Handbooks, intermediaries and value disputes in a global policy assemblage
Bennett, T. 2020. The justification of a music city: Handbooks, intermediaries and value disputes in a global policy assemblage. City, Culture and Society. 22 100354. https://doi.org/10.1016/j.ccs.2020.100354

“Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries
Toby Bennett 2018. “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. in: Martin, L. and Wilson, N. (ed.) The Palgrave Handbook of Creativity at Work Springer. pp. 431-459

"The Whole Feminist Taking-Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries
Bennett, T. 2018. "The Whole Feminist Taking-Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries. IASPM@journal. 8 (1). https://doi.org/10.5429/2079-3871(2018)v8i1.4en

The Production and Consumption of Music in the Digital Age
Bennett, T. 2017. The Production and Consumption of Music in the Digital Age. Popular Music and Society. 40 (2), pp. 242-244. https://doi.org/10.1080/03007766.2017.1276332

From Postfiction to Protofiction: Conspiracy Theory, Social Networks, and Confabulation
Bennett, T. 2011. From Postfiction to Protofiction: Conspiracy Theory, Social Networks, and Confabulation. Dandelion: Postgraduate Arts Journal and Research Network. 1 (1). https://doi.org/10.16995/ddl.233