‘Double Lives: A Conversation between Grace Ndiritu and George Clark’

Kamapala Through The Forbidden Scenes
Clark, G. and Siagian, B. 2024. Kamapala Through The Forbidden Scenes. in: Widmann, P. (ed.) Film Undone. Elements of a Latent Cinema Archive Books.

‘Everything is suspended in thin air’
Clark, G. and Pham, C. 2023. ‘Everything is suspended in thin air’. in: Precarious Solidarities: Artists for Democracy (1974–77) London Afterall Books. pp. 116-129

Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita
Balsom, E., Clark, G., Kennedy, C., Thomas, E. and Yamashita, Y. 2022. Platform, Showcase, Gathering, Exchange: A Conversation about Film Festivals with Erika Balsom, George Clark, Chris Kennedy, Eduardo Thomas, and Koyo Yamashita. in: Windhausen, F. (ed.) A Companion to Experimental Cinema Wiley-Blackwell. pp. 433-452

Double Ghosts
Clark, G. 2021. Double Ghosts. Videoclub 11 Apr 2021 - 22 May 2022

True Journey is Return: On Detours and Returning in Ute Aurand's films
Clark, G. 2020. True Journey is Return: On Detours and Returning in Ute Aurand's films. in: Ortega, G. and Palacios Cruz, M. (ed.) Meditations on the Present: Ute Aurand, Helga Fanderl, Jeannette Muñoz and Renate Sami Spain Punto de Vista.

Ian White: Conversation between Ian White and George Clark
Clark, G. 2019. Ian White: Conversation between Ian White and George Clark. in: Reynolds, L., Perks, S and Balsom, E (ed.) Artists’ Moving Image in Britain Since 1989 Paul Mellon Centre.

Double Ghosts
Clark, G. 2018. Double Ghosts. National Taiwan Museum of Fine Art, Taichung, Taiwan 22 Sep 2018 - 10 Feb 2019

Double Ghosts
Clark, G. 2018. Double Ghosts.

There is no motion in a motion picture
Clark, G. 2018. There is no motion in a motion picture. in: Johnston, C (ed.) Gavin Hipkins: The Domain New Zealand Victoria University Press.

Under The Earth
Clark, G. 2018. Under The Earth. in: Jungyeon Ku, H (ed.) Im Heung-soon: Toward a Poetics of Opacity and Hauntology Seoul, South Korea National Museum of Modern and Contemporary Art, Seoul.

Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form
Clark, G. 2017. Contact with the Polish Avant-garde Guaranteed: Modes of Exchange in the Workshop of the Film Form. in: Ronduda, Ł and Kuźmicz, M (ed.) Workshop of the Film Form Poland Fundacja Arton.

A Peculiar Apparatus: Spectres of the Penal Colony
Clark, G. 2017. A Peculiar Apparatus: Spectres of the Penal Colony. in: Zikri, M. (ed.) Arkipel Penal Colony - 5th Jakarta International Documentary and Experimental Film Festival Jakarta Forum Lenteng. pp. 125-134

Moving Towards The Sun
Clark, G. and Menzies, L. 2016. Moving Towards The Sun. in: Bannan, S. (ed.) House Studies II Auckland, New Zealand Jonathan Smart Gallery.

On Correct Colour: On Margaret Honda's films
Clark, G. 2016. On Correct Colour: On Margaret Honda's films. in: Moshayedi, A and Walker, H (ed.) Made In LA: a, the, through, only Hammer Museum / UCLA.

To Pour Milk Into a Glass: Film, Video and Conceptual Art in Britain 1964–1979
Clark, G. 2016. To Pour Milk Into a Glass: Film, Video and Conceptual Art in Britain 1964–1979. in: Wilson, A. (ed.) Conceptual Art in Britain 1964–1979 London Tate Publishing.

A Detour Around Infermental
Clark, G., Kidner, D. and Richards, J. 2012. A Detour Around Infermental. UK Focal Point Gallery.