Models of Participatory Processes and the Public’s Relationship to the Environment

With reference to fieldwork research and examples of artworks produced using ice and an overhead projector (OHP), the paper presents practical experiments in documentation and generation of environmental data visualisations aimed at reaching diverse audiences. The empirical methodology of the research involved designing and testing models of participatory processes relating to the ambient and ephemeral properties of ice to help the public reflect on their relationship to the environment. The article explores from the human perspective the role of individual actions and how artists /designers can stimulate awareness at a local /grassroots level to help address and understand unpredictable and random influences that exist in our constantly changing climate and environment. The paper demonstrates benefits of incorporating public collaboration and participation into ‘the Environmental Debate’ and the value of empowering people through better connection with their environment to help them develop a greater understanding and resilience in dealing with issues relating to the climate change.