Book Review: James Chandler and Kevin Gilmartin (Eds.), Romantic Metropolis: The Urban Scene of British Culture, 1780-1840 (Cambridge: Cambridge University Press, 2005)

Article Review: Andrew Burkett, “Deep Time: Queen Mab.” European Romantic Review 33. 5 (2022): 713–725
Geric, M. 2024. Article Review: Andrew Burkett, “Deep Time: Queen Mab.” European Romantic Review 33. 5 (2022): 713–725. Journal of Literature and Science. https://doi.org/10.12929/jls.17.1.05

Book Review: Hugh Miller, The Old Red Sandstone or New Walks in an Old Field , edited with a critical study and notes by Michael A. Taylor and Ralph O’Connor. Edinburgh: National Museums of Scotland, 2023.
Geric, M. 2024. Book Review: Hugh Miller, The Old Red Sandstone or New Walks in an Old Field , edited with a critical study and notes by Michael A. Taylor and Ralph O’Connor. Edinburgh: National Museums of Scotland, 2023. The Tennyson Research Bulletin.

Tennyson and Geology: Poetry and Poetics
Geric, M. 2018. Tennyson and Geology: Poetry and Poetics. London Palgrave Macmillan.

Reading Maud’s remains: Tennyson, geological processes, and palaeontological reconstructions
Geric, M. 2014. Reading Maud’s remains: Tennyson, geological processes, and palaeontological reconstructions. Victorian Literature and Culture. 42 (1), pp. 59-79. https://doi.org/10.1017/S1060150313000260

Article Review: Gowan Dawson, “Literary Megatheriums and Loose Baggy Monsters: Paleontology and the Victorian Novel.” Victorian Studies 53. 2 (2011): 203-230.
Geric, M. 2013. Article Review: Gowan Dawson, “Literary Megatheriums and Loose Baggy Monsters: Paleontology and the Victorian Novel.” Victorian Studies 53. 2 (2011): 203-230. Journal of Literature and Science. https://doi.org/10.12929/jls.06.1.07

Tennyson’s Maud (1855) and the “unmeaning of names”: geology, language theory and dialogics
Geric, M. 2013. Tennyson’s Maud (1855) and the “unmeaning of names”: geology, language theory and dialogics. Victorian Poetry. 51 (1), pp. 37-62. https://doi.org/10.1353/vp.2013.0002

Shelley’s “cancelled cycles”: Huttonian geomorphology and catastrophism in Prometheus Unbound (1819)
Geric, M. 2013. Shelley’s “cancelled cycles”: Huttonian geomorphology and catastrophism in Prometheus Unbound (1819). Romanticism. 19 (1), pp. 31-43. https://doi.org/10.3366/rom.2013.0111