Collaborators | |
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Director | Dilesh Korya |
One line synopsis | One of a series of short productions made by young black film- and video-makers: the cultural and sensual importance of spices in Indian cooking. |
Description | Scenes in a street market somewhere in India. Woman’s VO relates the story of "The Spice People" who uprooted themselves from their homeland and spread at across the world. Cooking pot: woman tasting the contents. Washing clothes at riverside. Temples. Woman says her story begins in 1945 in Gujarat. Woman introduces herself as Sirti, "pickle-maker extraordinare", and points to her piles of spices. Her masala tin which she describes as being "key to being an Indian". Bobby Joseph, Community Worker, cooking, talking about inheriting his spice tin from his grandmother, and about learning to cook in Kerala by watching her and his mother in the kitchen. Woman cooking. He talks about his own cooking, and about taking his spice tin with him whenever he goes to work abroad. Sirti’s VO talking about 1972 in Kenya. She points out that the spices come from so many different places. Mridula Baljekar, Author & Food Consultant, cooking. She was given her spice tin by her mother-in-law when she married, and explains its symbolism. Wedding ceremony. She says that she learned about cooking and the use of spices from her grandmother. She compares her spice tin to an artist’s palette and suggests that cooking is an art dependant on the imagination. Sirti tastes again and comments "bitter". Sissy says that her masala tin "bears the scars and dents of [her] journey", and likens it to Pandora’s box. Credits. |
Production company | Non-Aligned Communications |
Running time | 9 minutes |
Full credits | Sirti, Surendra Kochar. |
Year | 1995 |
Film segment | The Spice Tin - ACE282.2 |
Web address (URL) | https://player.bfi.org.uk/free |