Anonymes Campany, D. 2010. Anonymes. Paris Le Bal.
2010
Hannah Collins: time will explain it all Campany, D. (ed.) 2010. Hannah Collins: time will explain it all. Bogota Museo de Arte de la Universidad Nacional de Columbia.
2008
Photography and Cinema Campany, D. 2008. Photography and Cinema. London, UK Reaktion Press.
2007
The cinematic Campany, D. (ed.) 2007. The cinematic. London ; Cambridge, Mass Whitechapel ; MIT Press.
2003
Art and photography Campany, D. (ed.) 2003. Art and photography. London Phaidon.
2003
Art and photography Campany, D. (ed.) 2003. Art and photography. London, UK Phaidon Press.
2018
The Singular Picture Campany, D. 2018. The Singular Picture. in: Jeff Wall - Appearance Germany Edition Cantz. pp. 122-139
Beneath the Street: Helen Levitt’s Subway Photographs Campany, D. 2017. Beneath the Street: Helen Levitt’s Subway Photographs. in: Manhattan Transit: The Subway Photographs of Helen Levitt Cologne, Germany Konig.
2017
Now is Then is Now Campany, D. 2017. Now is Then is Now. in: You Are Looking at Something That Never Occurred London, England Zabludowicz Collection.
2017
Of Time and Place Campany, D. 2017. Of Time and Place. in: Fred Harzog: modern Color Berlin, Germany Hatje Cantz.
2017
A Special Collection Campany, D. 2017. A Special Collection. in: Goodman Davis, D. (ed.) Photography RX: Pharmacy in Photography Since 1866 Rome Damiani Editore.
2017
Afterword Campany, D. 2017. Afterword. in: Tod Papageorge: Dr. Blankman’s New York (1966-1967) Gottingen, Germany Steidl.
2017
Colour, East and West Campany, D. 2017. Colour, East and West . in: Harry Gruyaert: East/West London, Paris Thames & Hudson.
2016
'Fiona Tan's Ascent' Campany, D. 2016. 'Fiona Tan's Ascent'. in: Mori, Y. (ed.) Fiona Tan: Ascent Japan / Netherlands Izu Photo Museum / De Pont Museum.
2016
Walker Evans: Anonymous and Ingognito Campany, D. 2016. Walker Evans: Anonymous and Ingognito. in: Zander, T. (ed.) Walker Evans: Labor Anonymous Cologne, Germany Konig.
2016
Light and Dark Chambers Campany, D. 2016. Light and Dark Chambers. in: Intimate Distance New York Aperture Foundation, Inc..
2016
Doomed to See Campany, D. 2016. Doomed to See. in: Blank Cologne, Germany Hatje Cantz.
2016
The Given Image Campany, D. 2016. The Given Image. in: Trosch, J. and Bosshard, M. (ed.) John Stezaker: Unassisted Readymade Zurich, Switzerland JRP/Ringier.
Between the Snapshot and Staged Photography Campany, D. 2015. Between the Snapshot and Staged Photography. in: Bajac, Q. and Marcoci, R. (ed.) Photography at MoMA: 1960 to Now New York Museum of Modern Art, New York.
2015
Photography as Rehearsal / Rehearsal as Photography Campany, D. 2015. Photography as Rehearsal / Rehearsal as Photography. in: Teichmann, E. and Stewart, C. (ed.) Staging Rehearsal London Black Dog Publishing.
2014
Angel of History in the Age of the Internet Campany, D. 2014. Angel of History in the Age of the Internet. in: Krempel, L. (ed.) Stan Douglas: Mise en Scene Munich- New York - London Prestel.
Photography, Encore Campany, D. 2014. Photography, Encore. in: Time Present : Photography from the Deutsche Bank Collection Frankfurt am Main, Germany Deutsche Bank AG.
2012
Walker Evans' Pages Campany, D. 2012. Walker Evans' Pages. in: diBello, P., Wilson, C. and Zamir, S. (ed.) The photobook: from Talbot to Ruscha and beyond I.B. Tauris.
2010
Two reflections and a meditation Campany, D. 2010. Two reflections and a meditation. in: John Stezaker: film still collages Ridinghouse/Karsten Schubert.
2010
Jeff Wall speaks with David Campany Campany, D. 2010. Jeff Wall speaks with David Campany. in: Conversations with photographers Madrid La Fabrica.
2010
China everyday Campany, D. 2010. China everyday. in: Braden, P. (ed.) China between Dewi Lewis.
2009
Yesterday's everyday and the depiction of work Campany, D. 2009. Yesterday's everyday and the depiction of work. in: Mah, S. (ed.) La cotidiano / the everyday Madrid La Fabrica. pp. 22-25
2009
Motion pictures Campany, D. 2009. Motion pictures. in: Mark Lewis: cold morning Canadian Pavilion, Venice Biennale. pp. 17-21
2009
Interview with David Campany Campany, D. 2009. Interview with David Campany. in: EXTRA no.3, Summer 2009 Antwerp Fotomuseum. pp. 22-25
2009
In the light of the lumieres Campany, D. 2009. In the light of the lumieres. in: Kierulf, I. (ed.) Seminarene pa Fotogalleriet 2005-2008 Oslo Photogalleriet. pp. 99-114
2009
Eugene Atget's intelligent documents Campany, D. 2009. Eugene Atget's intelligent documents. in: Eugene Atget: photographe de Paris Errata Editions.
2008
A conversation with Edgar Martins Campany, D. 2008. A conversation with Edgar Martins. in: Edgar Martins: Topologies New York Aperture. pp. 115-122
2008
Brian Alfred is a person Campany, D. 2008. Brian Alfred is a person. in: Brian Alfred: Millions now living will never die!!! London Haunch of Venison. pp. 4-8
2007
Seung Woo Back's double vision Campany, D. 2007. Seung Woo Back's double vision. in: Seung Woo Back: real world Tokyo, Japan Foil Co. Ltd.. pp. 60-75
2006
Posing, acting and photography Campany, D. 2006. Posing, acting and photography. in: Green, D. and Lowry, J. (ed.) Stillness and time: photography and the moving image Brighton, UK Photoworks / Photoforum. pp. 97-112
2005
Glass camouflage: photography, objects and objectivity Campany, D. 2005. Glass camouflage: photography, objects and objectivity. in: Seelig, T. and Stahel, U. (ed.) The ecstasy of things: from functional objects to fetish in twentieth century photography Gottingen, Germany Steidl.
Almost the same thing: some thoughts on the collector-photographer Campany, D. 2003. Almost the same thing: some thoughts on the collector-photographer. in: Dexter, E. and Weski, T. (ed.) Cruel and tender: the real in the twentieth-century photograph London, UK Tate Publishing. pp. 33-37
