Dr Silvia Angeli

PTVL - DCDI

DepartmentWestminster School of Media and Communication

Research outputs

Olmi and Pasolini: Industrialisation, the underdog and ‘ecological eschatology’ in Manon finestra 2 (1956) and Grigio (1957)
Angeli, S. 2021. Olmi and Pasolini: Industrialisation, the underdog and ‘ecological eschatology’ in Manon finestra 2 (1956) and Grigio (1957). Forum Italicum: A Journal of Italian Studies. Advanced online publication. https://doi.org/10.1177/00145858211025486

Confirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014)
Angeli, S. 2021. Confirmations That Were Not Meant to Be: Religion, Violence and the Female Body in Un poison violent (2010), Corpo celeste (2011), and Kreuzweg (2014). Studies in European Cinema. https://doi.org/10.1080/17411548.2021.1921931

A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste
Angeli, S. 2021. A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste. Film-Philosophy. 25 (1), pp. 1-17. https://doi.org/10.3366/film.2021.0154

Caught in between: Profanation and Re-Sacralization in Marco Bellocchio’s Nel nome del padre (1971)
Angeli, S. 2018. Caught in between: Profanation and Re-Sacralization in Marco Bellocchio’s Nel nome del padre (1971). Religions. 9 (9) 252. https://doi.org/10.3390/rel9090252

Still Banned After All These Years- Retracing the Journey of Cavani’s ‘Revolutionary’ Galileo (1968)
Angeli, S. 2017. Still Banned After All These Years- Retracing the Journey of Cavani’s ‘Revolutionary’ Galileo (1968). Journal of Religion & Film. 21 (2) 16.





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