Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno’s Love & Pop
Gazi, Jeeshan 2018. Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno’s Love & Pop. Surveillance & Society. 16 (1), pp. 84-111. https://doi.org/10.24908/ss.v16i1.6434
"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void"
Gazi, J. 2017. "Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void". Film Criticism. 41 (1). https://doi.org/10.3998/fc.13761232.0041.101
Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969)
Gazi, J. 2022. Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969). Jump Cut: A Review of Contemporary Media. 61 (Fall 2022).
2022
Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969)2018
Soiveillance: Self-Consciousness and the Social Network in Hideaki Anno’s Love & Pop2017
"Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noe’s Enter the Void"2017
Race in the age of tribeless youth culture: Rick Famuyiwa’s Dope (2015) and recent shifts in African-American pop culture2017
"De/facing Race: Towards a Model for a Universal World Comics"2016
“On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage”2016
Pynchon’s Nineteen Eighty-Four: Vineland, Film, and the Tragedy of the American Activism of the Nineteen-Sixties2016
Mapping the Metaphysics of the Multiverse in Pynchon's Against the Day2016
“Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics”2022
Gliding the Digital Plane: Narrativizing our Navigation of Contemporary Cyberspace2022
Unknown Soldiers: An analysis of John Milius’ Apocalypse Now (1969) and the autonomy of the screenplay2019
"Realism and (Final) Fantasy: On HD Remakes of Early 3D Console Titles"2016
"Race in the Age of Tribeless Youth Culture: Rick Famuyiwa’s Dope (2015) and Post-Racial Ideology"2015
“Childhood as Memory and Desire in Gaspar Noe’s Enter the Void”2014
“‘What else can a Poor Boy do, except to Sing for a Rock ‘n’ Roll Band?’ Sixties Radicalism and the Stones on Film”2013
“Deleuze, Bergson, and the Metaphysics of Film”2013
“Pynchon’s Nineteen Eighty-Four: Vineland, Film, and Social Control”2021
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