Dr YeSeung Lee


2022

The white-clad people: The white hanbok and Korean nationalism
Lee, Y. 2022. The white-clad people: The white hanbok and Korean nationalism. Cultural Dynamics. 34 (4), pp. 271-296. https://doi.org/10.1177/09213740221117811

2022

Eyes in the skin I live in: The incorporation of surveillance in mediatized culture
Lee, Yeseung 2022. Eyes in the skin I live in: The incorporation of surveillance in mediatized culture. Fashion Theory. 26 (2), pp. 185-210. https://doi.org/10.1080/1362704X.2019.1697509

2021

Текстиль-сфера (Textile-Sphere): порог повседневных взаимодействий
Lee, Yeseung 2021. Текстиль-сфера (Textile-Sphere): порог повседневных взаимодействий. Теория моды: одежда, тело, культура (Fashion Theory, Russian edition). 62 (April), pp. 162-187.

2021

Distinction by indistinction: luxury, stealth, minimalist fashion
Lee, Yeseung 2021. Distinction by indistinction: luxury, stealth, minimalist fashion. Luxury: History, Culture, Consumption. 6 (3), pp. 203-225. https://doi.org/10.1080/20511817.2021.1897265

2020

The Textilesphere: The threshold of everyday contacts
Lee, Yeseung 2020. The Textilesphere: The threshold of everyday contacts. Textile: Cloth and Culture. 18 (2), pp. 160-179. https://doi.org/10.1080/14759756.2019.1652429

2016

Seaming, Writing and Making Strange: Between material and text
Lee, Y. 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

2016

Seaming, Writing and Making Strange: Between material and text
Lee, Yeseung 2016. Seaming, Writing and Making Strange: Between material and text. Studies in Material Thinking. 14 Paper 06.

2015

The Ambiguity of Seamlessness: The Skin Ego and the materiality of fashion
Lee, Yeseung 2015. The Ambiguity of Seamlessness: The Skin Ego and the materiality of fashion. Critical Studies in Fashion & Beauty. 6 (1), pp. 75-93. https://doi.org/10.1386/csfb.6.1.75_1

2015

Seaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion
Lee, Yeseung 2015. Seaming Hands: The Meaning and Value of the Handmade in Contemporary Fashion. Luxury: History, Culture, Consumption. 2 (1), pp. 61-80. https://doi.org/10.1080/20511817.2015.11428565

2020

Surface and Apparition: The Immateriality of Modern Surface
Lee, Yeseung (ed.) 2020. Surface and Apparition: The Immateriality of Modern Surface. London and New York Bloomsbury Academic.

2016

Seamlessness: Making and (Un)Knowing in Fashion Practice
Lee, Yeseung 2016. Seamlessness: Making and (Un)Knowing in Fashion Practice. Bristol and Chicago Intellect.

2018

Apparition: the (im)materiality of Modern Surface
Lee, Yeseung 2018. Apparition: the (im)materiality of Modern Surface. Apparition: the (im)materiality of Modern Surface. De Montfort University, Leicester 09 Mar 2018

2018

Textilesphere: To mark is to be marked
Lee, Yeseung 2018. Textilesphere: To mark is to be marked. Textile and Place. Manchester Metropolitan University 12 - 13 Apr 2018

2017

Rethinking luxury through the handmade
Lee, Y. 2017. Rethinking luxury through the handmade. Animate Objects: Encounters between People and Things. Anglia Ruskin University, Cambridge 13 Oct 2017

2016

The Authentic Surface: Making Garments, Selves and Others
Lee, Yeseung 2016. The Authentic Surface: Making Garments, Selves and Others. In Pursuit of Luxury 2. LIM College, New York 06 May 2016

2014

Seaming, Writing and Making Strange: Between material and text
Lee, Yeseung 2014. Seaming, Writing and Making Strange: Between material and text. The Art of Research V: Experience, Materiality, Articulation Conference. Aalto University, School of Arts, Design and Architecture, Helsinki, Finland 26 - 27 Nov 2014 Empirica.

2014

The Poetics of Self-fashioning: Between nonsense and meaning
Lee, Yeseung 2014. The Poetics of Self-fashioning: Between nonsense and meaning. Fashion in fiction: style stories and transglobal narratives. City University of Hong Kong, China 12 - 14 Jun 2014

2014

The Skin, the Garment Surface and the Production of Modern Magic
Lee, Yeseung 2014. The Skin, the Garment Surface and the Production of Modern Magic. Association of Art Historians 40th Anniversary Annual Conference. Historians 40th Anniversary Annual Conference. Royal College of Art, London 11 - 12 Apr 2014 Association of Art Historians.


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