'Contemporary artists and the camera’, ‘Performance and participation’, ‘Bodies politic’, ‘Erotica’ and ‘Advertising'

Forms of Solidarity
Colby, G. 2018. Forms of Solidarity. Jacket2.

Feminist Solidarity and Experiment in Kathy Acker's Early Writings
Colby, G. 2018. Feminist Solidarity and Experiment in Kathy Acker's Early Writings. Journal of Narrative Theory. 48 (3), pp. 290-313. doi:10.1353/jnt.2018.0013

The Contemporary Small Press
Colby, G. and Wilson, L.G. The Contemporary Small Press.

SALON Responding to the Present Through Experimental Women's Writing
Colby, G. SALON Responding to the Present Through Experimental Women's Writing.

Introduction to 'Death and the Contemporary', a themed issue of New Formations
Colby, G. 2017. Introduction to 'Death and the Contemporary', a themed issue of New Formations. New Formations: A Journal of Culture/Theory/Politics. 89/90, pp. 5-11. doi:10.3898/NEWF:89/90.INTRODUCTION.2016

Imaginary Intimacies: Death and New Temporalities in the Work of Denise Riley and Nicholas Royle
Colby, G. 2017. Imaginary Intimacies: Death and New Temporalities in the Work of Denise Riley and Nicholas Royle. New Formations: A Journal of Culture/Theory/Politics. (89/90). doi:10.3898/NEWF:89/90.10.2016

Sexual Violence Against Women and Credibility
Colby, G. 2016. Sexual Violence Against Women and Credibility. Women's Asylum News

Network for Contemporary Feminisms: Sexual Violence Against Women: Voice and Representation
Colby, G. Network for Contemporary Feminisms: Sexual Violence Against Women: Voice and Representation.

Kathy Acker: Writing the Impossible
Colby, G. 2016. Kathy Acker: Writing the Impossible. Edinburgh Edinburgh University Press.

Engaged Disengagement: Reframing as Feminist Critique in Vanessa Place’s Tragodía
Colby, G. 2016. Engaged Disengagement: Reframing as Feminist Critique in Vanessa Place’s Tragodía. Textual Practice. 31 (4), pp. 707-723. doi:10.1080/0950236X.2016.1153514

The reappropriation of classical mythology to represent pain: falling silent in the work of Kathy Acker and Robert Mapplethorpe
Colby, G. 2012. The reappropriation of classical mythology to represent pain: falling silent in the work of Kathy Acker and Robert Mapplethorpe. Comparative Critical Studies. 9 (1), pp. 7-35. doi:10.3366/ccs.2012.0037

Repressive desublimation and the great refusal in Bret Easton Ellis's fiction
Colby, G. 2012. Repressive desublimation and the great refusal in Bret Easton Ellis's fiction. Textual Practice. 26 (2), pp. 319-345. doi:10.1080/0950236X.2011.602550

Radical interiors: Cindy Sherman's ‘Sex pictures’ and Kathy Acker's 'My mother: demonology'
Colby, G. 2012. Radical interiors: Cindy Sherman's ‘Sex pictures’ and Kathy Acker's 'My mother: demonology'. Women: A Cultural Review. 23 (2), pp. 182-200. doi:10.1080/09574042.2012.677236

Bret Easton Ellis: underwriting the contemporary
Colby, G. 2011. Bret Easton Ellis: underwriting the contemporary. New York Palgrave Macmillan.

Unfamiliar crossings: a review of Heidi Slettedahl Macpherson’s transatlantic women’s literature
Colby, G. 2010. Unfamiliar crossings: a review of Heidi Slettedahl Macpherson’s transatlantic women’s literature. Contemporary Literature. 51 (2), pp. 438-448.

Spaces in difference: Laura Parnes’ 'Blood and guts in high school'
Colby, G. 2007. Spaces in difference: Laura Parnes’ 'Blood and guts in high school'. n.paradoxa: International Feminist Art Journal. 19, pp. 83-90.