Imaginary Intimacies: Death and New Temporalities in the Work of Denise Riley and Nicholas Royle

Colby, G. 2017. Imaginary Intimacies: Death and New Temporalities in the Work of Denise Riley and Nicholas Royle. New Formations: A Journal of Culture/Theory/Politics. (89/90), pp. 170-191. https://doi.org/10.3898/NEWF:89/90.10.2016

TitleImaginary Intimacies: Death and New Temporalities in the Work of Denise Riley and Nicholas Royle
TypeJournal article
AuthorsColby, G.
Abstract

In The Severed Head: Capital Visions (2014), Julia Kristeva understands there to be two forms of relation to death in contemporary culture. The ‘imaginary intimacy with death, which transforms melancholy or desire into representation and thought’ is opposed in Kristeva’s work to ‘the rational realization’ of the act of capital punishment, the former epitomizing ‘vision’ in contrast to the ‘action’ of the latter. This essay proposes that Kristeva’s idea of an ‘imaginary intimacy’ with death can be read in the context of contemporary literary responses to the death of a loved one by Denise Riley and Nicholas Royle. In particular, this essay addresses the relationship between death and new temporalities in Riley’s essay Time Lived, Without Its Flow (2012), her recent collection of poems Say Something Back (2016), and Royle’s Quilt (2010). The non-linear models of time found in Riley’s and Royle’s works are contextualised via the attempts in phenomenology to theorise the relations between temporality and finitude, as well as via Stephen J Gould’s work on geological time. For Riley, the experience of the death of her son brings with it an ‘altered condition of life’ in which time takes the form of ‘a-temporality.’ Questioning the limits of the sentence, and collapsing the narrative boundaries between the living narrator and the deceased father, Quilt traverses the boundaries between experience lived and an experience impossible to claim. Through such an analysis the essay explores the capacity of experimental works to harbour new non-linear temporalities that reflect on the relation between temporality and finitude in the contemporary.

Keywordstemporality, death, experimental writing
JournalNew Formations: A Journal of Culture/Theory/Politics
Journal citation(89/90), pp. 170-191
ISSN0950-2378
Year2017
PublisherLawrence & Wishart
Accepted author manuscript
Digital Object Identifier (DOI)https://doi.org/10.3898/NEWF:89/90.10.2016
Publication dates
Published30 May 2017

Related outputs

Housing the Stranger: Feminist Sheltering in the Work of Bhanu Kapil
Georgina Colby 2023. Housing the Stranger: Feminist Sheltering in the Work of Bhanu Kapil. Contemporary Literature. 64 (1), pp. 24-51.

Forms of Solidarity
Colby, G. 2018. Forms of Solidarity. Jacket2.

Feminist Solidarity and Experiment in Kathy Acker's Early Writings
Colby, G. 2018. Feminist Solidarity and Experiment in Kathy Acker's Early Writings. Journal of Narrative Theory. 48 (3), pp. 290-313. https://doi.org/10.1353/jnt.2018.0013

The Contemporary Small Press
Colby, G. and Wilson, L.G. Forthcoming. The Contemporary Small Press.

SALON Responding to the Present Through Experimental Women's Writing
Colby, G. Forthcoming. SALON Responding to the Present Through Experimental Women's Writing.

Introduction to 'Death and the Contemporary', a themed issue of New Formations
Colby, G. 2017. Introduction to 'Death and the Contemporary', a themed issue of New Formations. New Formations: A Journal of Culture/Theory/Politics. 89/90, pp. 5-11. https://doi.org/10.3898/NEWF:89/90.INTRODUCTION.2016

Death and the Contemporary (Special double issue of New Formations journal)
Colby, G. 2016. Death and the Contemporary (Special double issue of New Formations journal). New Formations. 89/90, pp. 5-278. https://doi.org/10.3898/NEWF:89/90.INTRODUCTION.2016

Sexual Violence Against Women and Credibility
Colby, G. 2016. Sexual Violence Against Women and Credibility. Women's Asylum News

Network for Contemporary Feminisms: Sexual Violence Against Women: Voice and Representation
Colby, G. Forthcoming. Network for Contemporary Feminisms: Sexual Violence Against Women: Voice and Representation.

Kathy Acker: Writing the Impossible
Colby, G. 2016. Kathy Acker: Writing the Impossible. Edinburgh Edinburgh University Press.

Engaged Disengagement: Reframing as Feminist Critique in Vanessa Place’s Tragodí a
Colby, G. 2016. Engaged Disengagement: Reframing as Feminist Critique in Vanessa Place’s Tragodí a. Textual Practice. 31 (4), pp. 707-723. https://doi.org/10.1080/0950236X.2016.1153514

The reappropriation of classical mythology to represent pain: falling silent in the work of Kathy Acker and Robert Mapplethorpe
Colby, G. 2012. The reappropriation of classical mythology to represent pain: falling silent in the work of Kathy Acker and Robert Mapplethorpe. Comparative Critical Studies. 9 (1), pp. 7-35. https://doi.org/10.3366/ccs.2012.0037

Repressive desublimation and the great refusal in Bret Easton Ellis's fiction
Colby, G. 2012. Repressive desublimation and the great refusal in Bret Easton Ellis's fiction. Textual Practice. 26 (2), pp. 319-345. https://doi.org/10.1080/0950236X.2011.602550

Radical interiors: Cindy Sherman's ‘Sex pictures’ and Kathy Acker's 'My mother: demonology'
Colby, G. 2012. Radical interiors: Cindy Sherman's ‘Sex pictures’ and Kathy Acker's 'My mother: demonology'. Women: A Cultural Review. 23 (2), pp. 182-200. https://doi.org/10.1080/09574042.2012.677236

'Contemporary artists and the camera’, ‘Performance and participation’, ‘Bodies politic’, ‘Erotica’ and ‘Advertising'
Colby, G. 2012. 'Contemporary artists and the camera’, ‘Performance and participation’, ‘Bodies politic’, ‘Erotica’ and ‘Advertising'. in: Hacking, J. and Campany, D. (ed.) Photography: The Whole Story Thames & Hudson.

Bret Easton Ellis: underwriting the contemporary
Colby, G. 2011. Bret Easton Ellis: underwriting the contemporary. New York Palgrave Macmillan.

Unfamiliar crossings: a review of Heidi Slettedahl Macpherson’s transatlantic women’s literature
Colby, G. 2010. Unfamiliar crossings: a review of Heidi Slettedahl Macpherson’s transatlantic women’s literature. Contemporary Literature. 51 (2), pp. 438-448.

Spaces in difference: Laura Parnes’ 'Blood and guts in high school'
Colby, G. 2007. Spaces in difference: Laura Parnes’ 'Blood and guts in high school'. n.paradoxa: International Feminist Art Journal. 19, pp. 83-90.

Permalink - https://westminsterresearch.westminster.ac.uk/item/9zqx0/imaginary-intimacies-death-and-new-temporalities-in-the-work-of-denise-riley-and-nicholas-royle


Share this

Usage statistics

193 total views
450 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.