Images of empire and the mission to civilize

Mahamat-Saleh Haroun and the Chadian City in A Screaming Man (2010): a new kind of neo-realism in contemporary Francophone African cinema?
Bray, M.J. and Gill, H. 2014. Mahamat-Saleh Haroun and the Chadian City in A Screaming Man (2010): a new kind of neo-realism in contemporary Francophone African cinema? Transcultural Visions. 3, pp. 24-34.

Cinéma, mythe et modernité: Darratt, Saison Sèche de Mahamet-Saleh Haroun
Bray, M.J. and Gill, H. 2013. Cinéma, mythe et modernité: Darratt, Saison Sèche de Mahamet-Saleh Haroun. Transcultural Visions. 2 (2), pp. 31-37.

French studies and employability at home and abroad: the experience of Westminster
Bray, M.J., Gill, H. and Randall, L. 2011. French studies and employability at home and abroad: the experience of Westminster. in: Lane, P. and Worton, M. (ed.) French Studies in and for the 21st Century Liverpool Liverpool University Press.

Mahamat-Saleh Haroun and the Chadian City: a new kind of neo-realism in contemporary Francophone African cinema?
Bray, M.J. and Gill, H. 2011. Mahamat-Saleh Haroun and the Chadian City: a new kind of neo-realism in contemporary Francophone African cinema? Annual conference of the Society for Francophone Postcolonial Studies. Institut Français, London 18-19 November 2011

Hollywood and world cinema influences: tracing intertextuality in the works of two contemporary filmmakers from Francophone Africa; Mahamat Saleh Haroun and Abderrahmane Sissako
Bray, M.J. and Gill, H. 2011. Hollywood and world cinema influences: tracing intertextuality in the works of two contemporary filmmakers from Francophone Africa; Mahamat Saleh Haroun and Abderrahmane Sissako. in: Abecassis, M., Ledegen, G. and Zouaoui, K. (ed.) 'La Francophonie ou l'Eloge de la diversité': La Francophonie face à Hollywood et Bollywood Newcastle Cambridge Scholars Publishing. pp. 57-76

Perceptions of Colonial North Africa during the Tunisia Campaign (1942-3)
Gill, H. 2010. Perceptions of Colonial North Africa during the Tunisia Campaign (1942-3). Bulletin of Francophone Africa. 21/22, pp. 12-27.

Images of the East and French fin-de-siècle spiritual pursuits
Gill, H. 2009. Images of the East and French fin-de-siècle spiritual pursuits. International Journal of Francophone Studies. 12 (4), pp. 541-556. https://doi.org/10.1386/ijfs.12.4.541/1

Problématique de l’identité dans l’oeuvre de Mahamat-Saleh Haroun: des héros en devenir?
Gill, H. and Bray, M.J. 2008. Problématique de l’identité dans l’oeuvre de Mahamat-Saleh Haroun: des héros en devenir? Annual Congress of the Conseil International d'Etudes Francophones. Limoges, France 29 Jun - 06 Jul 2008

Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone?
Bray, M.J. and Gill, H. 2008. Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone? Nouvelles Etudes Francophones. 23 (2), pp. 178-184.

Daratt, saison sèche: changement ou continuité dans l'oeuvre de Mahamat-Saleh Haroun
Bray, M.J. and Gill, H. 2007. Daratt, saison sèche: changement ou continuité dans l'oeuvre de Mahamat-Saleh Haroun. Conseil International d'Etudes Francophones. Cayenne, Guyane 01 - 08 Jul 2007

Hegemony and ambiguity: discourses, counter-discourses and hidden meanings in French depictions of the conquest and settlement of Algeria
Gill, H. 2006. Hegemony and ambiguity: discourses, counter-discourses and hidden meanings in French depictions of the conquest and settlement of Algeria. Modern and Contemporary France. 14 (2), pp. 157-172. https://doi.org/10.1080/09639480600667673

Discordant and ambiguous messages in official representations of empire: Versailles 1845 and Crystal Palace 1851
Gill, H. 2004. Discordant and ambiguous messages in official representations of empire: Versailles 1845 and Crystal Palace 1851. International Journal of Francophone Studies. 7 (3), pp. 151-167. https://doi.org/10.1386/ijfs.7.3.151/0

Delacroix
Gill, H. 2003. Delacroix. BBC / Open University.

The language of French orientalist painting
Gill, H. 2003. The language of French orientalist painting. New York, USA Edwin Mellen Press.

French orientalist painting as a transcultural exercise: an ambiguous gaze
Gill, H. 2002. French orientalist painting as a transcultural exercise: an ambiguous gaze. ASCALF Bulletin. 25, pp. 14-37.