Images of empire and the mission to civilize

Gill, H. 2009. Images of empire and the mission to civilize. France, North Africa and the Middle-East: interdisciplinary and multimedia perspectives. School of Languages and Area Studies, University of Portsmouth 18 Mar 2009

TitleImages of empire and the mission to civilize
AuthorsGill, H.
TypeConference paper
KeywordsOrientalism, cultural history
Year2009
ConferenceFrance, North Africa and the Middle-East: interdisciplinary and multimedia perspectives
Publication dates
Completed2009

Related outputs

Mahamat-Saleh Haroun and the Chadian City in A Screaming Man (2010): a new kind of neo-realism in contemporary Francophone African cinema?
Bray, M.J. and Gill, H. 2014. Mahamat-Saleh Haroun and the Chadian City in A Screaming Man (2010): a new kind of neo-realism in contemporary Francophone African cinema? Transcultural Visions. 3, pp. 24-34.

Cinéma, mythe et modernité: Darratt, Saison Sèche de Mahamet-Saleh Haroun
Bray, M.J. and Gill, H. 2013. Cinéma, mythe et modernité: Darratt, Saison Sèche de Mahamet-Saleh Haroun. Transcultural Visions. 2 (2), pp. 31-37.

French studies and employability at home and abroad: the experience of Westminster
Bray, M.J., Gill, H. and Randall, L. 2011. French studies and employability at home and abroad: the experience of Westminster. in: Lane, P. and Worton, M. (ed.) French Studies in and for the 21st Century Liverpool Liverpool University Press.

Mahamat-Saleh Haroun and the Chadian City: a new kind of neo-realism in contemporary Francophone African cinema?
Bray, M.J. and Gill, H. 2011. Mahamat-Saleh Haroun and the Chadian City: a new kind of neo-realism in contemporary Francophone African cinema? Annual conference of the Society for Francophone Postcolonial Studies. Institut Français, London 18-19 November 2011

Hollywood and world cinema influences: tracing intertextuality in the works of two contemporary filmmakers from Francophone Africa; Mahamat Saleh Haroun and Abderrahmane Sissako
Bray, M.J. and Gill, H. 2011. Hollywood and world cinema influences: tracing intertextuality in the works of two contemporary filmmakers from Francophone Africa; Mahamat Saleh Haroun and Abderrahmane Sissako. in: Abecassis, M., Ledegen, G. and Zouaoui, K. (ed.) 'La Francophonie ou l'Eloge de la diversité': La Francophonie face à Hollywood et Bollywood Newcastle Cambridge Scholars Publishing. pp. 57-76

Perceptions of Colonial North Africa during the Tunisia Campaign (1942-3)
Gill, H. 2010. Perceptions of Colonial North Africa during the Tunisia Campaign (1942-3). Bulletin of Francophone Africa. 21/22, pp. 12-27.

Images of the East and French fin-de-siècle spiritual pursuits
Gill, H. 2009. Images of the East and French fin-de-siècle spiritual pursuits. International Journal of Francophone Studies. 12 (4), pp. 541-556.

Problématique de l’identité dans l’oeuvre de Mahamat-Saleh Haroun: des héros en devenir?
Gill, H. and Bray, M.J. 2008. Problématique de l’identité dans l’oeuvre de Mahamat-Saleh Haroun: des héros en devenir? Annual Congress of the Conseil International d'Etudes Francophones. Limoges, France 29 Jun - 06 Jul 2008

Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone?
Bray, M.J. and Gill, H. 2008. Abouna de Mahamat-Saleh Haroun: classicisme ou Nouvelle Vague dans le cinéma africain francophone? Nouvelles Etudes Francophones. 23 (2), pp. 178-184.

Daratt, saison sèche: changement ou continuité dans l'oeuvre de Mahamat-Saleh Haroun
Bray, M.J. and Gill, H. 2007. Daratt, saison sèche: changement ou continuité dans l'oeuvre de Mahamat-Saleh Haroun. Conseil International d'Etudes Francophones. Cayenne, Guyane 01 - 08 Jul 2007

Hegemony and ambiguity: discourses, counter-discourses and hidden meanings in French depictions of the conquest and settlement of Algeria
Gill, H. 2006. Hegemony and ambiguity: discourses, counter-discourses and hidden meanings in French depictions of the conquest and settlement of Algeria. Modern and Contemporary France. 14 (2), pp. 157-172.

Discordant and ambiguous messages in official representations of empire: Versailles 1845 and Crystal Palace 1851
Gill, H. 2004. Discordant and ambiguous messages in official representations of empire: Versailles 1845 and Crystal Palace 1851. International Journal of Francophone Studies. 7 (3), pp. 151-167.

Delacroix
Gill, H. 2003. Delacroix. BBC / Open University.

The language of French orientalist painting
Gill, H. 2003. The language of French orientalist painting. New York, USA Edwin Mellen Press.

French orientalist painting as a transcultural exercise: an ambiguous gaze
Gill, H. 2002. French orientalist painting as a transcultural exercise: an ambiguous gaze. ASCALF Bulletin. 25, pp. 14-37.

Permalink - https://westminsterresearch.westminster.ac.uk/item/90x2z/images-of-empire-and-the-mission-to-civilize


Share this
Tweet
Email