Reading room: erosion and sedimentation in Sebald's Suffolk

Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde
Beck, J. and Bishop, R. 2020. Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde. Durham, North Carolina Duke University Press.

The North West Art School Record Machine
Beck, J. and Cornford, M. 2019. The North West Art School Record Machine. Bury Art Museum

The Art Schools of North West England
Beck, J. and Cornford, M. 2018. The Art Schools of North West England. Bluecoat, Liverpool

The Time Capsule and the Cut Up: Negotiating Temporality, Anticipating Catastrophe
Beck, J. and Dorrian, M. 2018. The Time Capsule and the Cut Up: Negotiating Temporality, Anticipating Catastrophe. Theory, Culture & Society.

The Return of the Art and Technology Lab
Beck, J. and Bishop, R. 2018. The Return of the Art and Technology Lab. Cultural Politics. 14 (2), pp. 225-243. doi:10.1215/17432197-6609102

Utah and the Times: Governing Temporality in Deseret
Beck, J. 2017. Utah and the Times: Governing Temporality in Deseret. in: Lübecker, N. and Rugo, D. (ed.) James Benning's Environments: Politics, Ecology, Duration Edinburgh Edinburgh University Press. pp. 39-54

Overt Research
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272

The Future: RAND, Brand and Dangerous to Know
Beck, J. 2016. The Future: RAND, Brand and Dangerous to Know. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 35-49

Introduction: The Long Cold War
Beck, J. and Bishop, R. 2016. Introduction: The Long Cold War. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 1-32

Introduction: Photography and Abstraction
Beck, J. and Cunningham, D.I. 2016. Introduction: Photography and Abstraction. Photographies. 9 (2), pp. 129-133. doi:10.1080/17540763.2016.1181971

High Formalism: The aerial view and the colour field
Beck, J. 2016. High Formalism: The aerial view and the colour field. Photographies. 9 (2), pp. 187-201. doi:10.1080/17540763.2016.1181969

A Military Definition of Reality: Researching Literature and Militarization
Beck, J. 2016. A Military Definition of Reality: Researching Literature and Militarization. in: Williams, A.J., Jenkings, A., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Abingdon Routledge. pp. 84-94

The Call of the Anthropocene
Beck, J. 2014. The Call of the Anthropocene. Cultural Politics. 10 (3), pp. 404-414. doi:10.1215/17432197-2795765

Postcatastrophic utopias
Beck, J. and Dorrian, M. 2014. Postcatastrophic utopias. Cultural Politics. 10 (2), pp. 132-150. doi:10.1215/17432197-2651729

The Art School and the Culture Shed
Beck, J. and Cornford, M. 2014. The Art School and the Culture Shed. Kingston upon Thames Centre for Useless Splendour.

The purloined landscape: photography and power in the American West
Beck, J. 2014. The purloined landscape: photography and power in the American West. Tate Papers. 21.

Strangers to the stars: abstraction, aereality, aspect perception
Beck, J. 2013. Strangers to the stars: abstraction, aereality, aspect perception. in: Armitage, J. and Bishop, R. (ed.) Virilio and visual culture Edinburgh Edinburgh University Press. pp. 46-68

Beyond the darkness of the just lived moment
Beck, J. 2013. Beyond the darkness of the just lived moment. in: Makhoul, B. (ed.) Palestinian video art: constellation of the moving image Jerusalem Al Hoash. pp. 156-169

Between the castle and the village
Beck, J. 2013. Between the castle and the village. in: Bishop, R. and Hon, G. (ed.) Bashir Makhoul, Aissa Deebi: otherwise occupied Jerusalem Al Hoash. pp. 150-165

The art school in ruins
Beck, J. and Cornford, M. 2012. The art school in ruins. Journal of Visual Culture. 11 (1), pp. 58-83. doi:10.1177/1470412911430467

In and out of the box: Bashir Makhoul’s Forbidden City
Beck, J. 2012. In and out of the box: Bashir Makhoul’s Forbidden City. Theory, Culture and Society. 29 (7-8), pp. 341-357. doi:10.1177/0263276412459088

The place of catastrophe: Clarence King, Mike Davis and the politics of contingency
Beck, J. 2011. The place of catastrophe: Clarence King, Mike Davis and the politics of contingency. in: Wragg, D.A. and Heffernan, N. (ed.) Culture, environment and eco-politics Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 84-110

Signs of the sky, signs of the times: photography as double agent
Beck, J. 2011. Signs of the sky, signs of the times: photography as double agent. Theory, Culture and Society. 28 (7-8), pp. 123-139. doi:10.1177/0263276411423773

Concrete ambivalence: inside the bunker complex
Beck, J. 2011. Concrete ambivalence: inside the bunker complex. Cultural Politics. 7 (1), pp. 79-102. doi:10.2752/175174311X12861940861789

Et in Arizona ego: Baudrillard on the Planet of the Apes
Beck, J. 2009. Et in Arizona ego: Baudrillard on the Planet of the Apes. in: Bishop, R. (ed.) Baudrillard now: current perspectives in Baudrillard studies Cambridge Polity. pp. 100-115

Dirty wars: landscape, power, and waste in Western American literature
Beck, J. 2009. Dirty wars: landscape, power, and waste in Western American literature. Lincoln University of Nebraska Press.

Velocities of power
Beck, J. and Crosthwaite, P. 2007. Velocities of power. Cultural Politics. 3 (1), pp. 23-34. doi:10.2752/174321907780031034

Resistance becomes ballistic: Vanishing Point and the end of the road
Beck, J. 2007. Resistance becomes ballistic: Vanishing Point and the end of the road. Cultural Politics. 3 (1), pp. 35-50. doi:10.2752/174321907780031070

Zapruder, Warhol, and the accident of images
Beck, J. 2005. Zapruder, Warhol, and the accident of images. in: Holloway, D. and Beck, J. (ed.) American visual cultures London Continuum. pp. 183-189

Writing the radical center: William Carlos Williams, John Dewey, and American cultural politics
Beck, J. 2001. Writing the radical center: William Carlos Williams, John Dewey, and American cultural politics. Albany State University of New York Press.

Without form and void: the American desert as trope and terrain
Beck, J. 2001. Without form and void: the American desert as trope and terrain. Nepantla: views from South. 2 (1), pp. 63-83.

An over-illuminated world: Reyner Banham and art history in the wilderness
Beck, J. 2000. An over-illuminated world: Reyner Banham and art history in the wilderness. Everything. 3, pp. 26-33.

‘A certain but fugitive testimony': witnessing the light of time in Cormac McCarthy's Southwestern fiction
Beck, J. 2000. ‘A certain but fugitive testimony': witnessing the light of time in Cormac McCarthy's Southwestern fiction. in: Wallach, R. (ed.) Myth, legend, dust: critical responses to Cormac McCarthy Manchester Manchester University Press. pp. 209-216

Blown away: wars visible and invisible in Richard Misrach’s Desert Cantos
Beck, J. 2000. Blown away: wars visible and invisible in Richard Misrach’s Desert Cantos. European Journal of American Culture. 19 (3), pp. 156-166. doi:10.1386/ejac.19.3.156

Buckminster Fuller and the politics of shelter
Beck, J. 1999. Buckminster Fuller and the politics of shelter. in: Hughes, J. and Sadler, S. (ed.) Non-plan: essays on freedom, participation and change in modern architecture and urbanism Oxford Architectural Press. pp. 116-125