Photography and Abstraction [Special Issue of Photographies journal]

The Art School and the Everyday: No Life Without Art
Beck, J. and Cornford, M. 2024. The Art School and the Everyday: No Life Without Art. in: Co-operative Education, Politics, and Art: Creative, Critical, and Community Resistance to Corporate Higher Education London Routledge.

The Art Schools of the Midlands
Beck, J. 2024. The Art Schools of the Midlands. Martin Hall Gallery, University of Loughborough 16 May - 28 Jun 2024

The Art Schools of the West Midlands
Beck, J. and Cornford, M. 2023. The Art Schools of the West Midlands. The New Art Gallery Walsall 17 Feb - 02 Jul 2023

The Art Schools of the East Midlands
Beck, J. and Cornford, M. 2023. The Art Schools of the East Midlands. Bonington Gallery, Nottingham Trent University 22 Sep - 02 Dec 2023

Harmony, Contrast & Discord: Rochdale and the Art Schools of the North West
Beck, J. and Cornford, M. 2021. Harmony, Contrast & Discord: Rochdale and the Art Schools of the North West. Touchstones Rochdale 18 May - 03 Jul 2021

Radiation Nation: Three Mile Island and the Political Transformation of the 1970s, Natasha Zaretsky (2018)
Beck, J. 2021. Radiation Nation: Three Mile Island and the Political Transformation of the 1970s, Natasha Zaretsky (2018). European Journal of American Culture. 40 (1), pp. 85-87. https://doi.org/10.1386/ejac_00039_5

On the Beach
Beck, J. 2021. On the Beach. Cultural Politics. 17 (1), pp. 135-144. https://doi.org/10.1215/17432197-8797627

Landscape as Weapon: Cultures of Exhaustion and Refusal
Beck, J. 2021. Landscape as Weapon: Cultures of Exhaustion and Refusal. London Reaktion Press.

Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde
Beck, J. and Bishop, R. 2020. Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde. Durham, North Carolina Duke University Press.

The Time Capsule and the Cut Up: Negotiating Temporality, Anticipating Catastrophe
Beck, J. and Dorrian, M. 2020. The Time Capsule and the Cut Up: Negotiating Temporality, Anticipating Catastrophe. Theory, Culture & Society. 37 (7-8), pp. 95-114. https://doi.org/10.1177/0263276420958049

The North West Art School Record Machine
Beck, J. and Cornford, M. 2019. The North West Art School Record Machine. Bury Art Museum 12 Oct 2019 - 25 Jan 2020

Capitalism, Form and the Philosophy of the Urban
Cunningham, D.I. 2019. Capitalism, Form and the Philosophy of the Urban. in: Jacobs, K. and Malpas, J. (ed.) Philosophy and the City: Interdisciplinary and Transcultural Perspectives Rowman & Littlefield. pp. 3-20

The Art Schools of North West England
Beck, J. and Cornford, M. 2018. The Art Schools of North West England. Bluecoat, Liverpool 17 Nov 2018 - 31 Mar 2019

The Problem of the Modern, the Problem of the New: Response to Audrey Wasser's The Work of Difference
Cunningham, D.I. 2018. The Problem of the Modern, the Problem of the New: Response to Audrey Wasser's The Work of Difference. Syndicate: A Living Network of Scholarship in the Humanities.

The Return of the Art and Technology Lab
Beck, J. and Bishop, R. 2018. The Return of the Art and Technology Lab. Cultural Politics. 14 (2), pp. 225-243. https://doi.org/10.1215/17432197-6609102

Utah and the Times: Governing Temporality in Deseret
Beck, J. 2017. Utah and the Times: Governing Temporality in Deseret. in: Lübecker, N. and Rugo, D. (ed.) James Benning's Environments: Politics, Ecology, Duration Edinburgh Edinburgh University Press. pp. 39-54

Overt Research
White, N. and Beck, J. 2016. Overt Research. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 252-272

The Future: RAND, Brand and Dangerous to Know
Beck, J. 2016. The Future: RAND, Brand and Dangerous to Know. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 35-49

Introduction: The Long Cold War
Beck, J. and Bishop, R. 2016. Introduction: The Long Cold War. in: Beck, J. and Bishop, R. (ed.) Cold War Legacies: Systems, Theory, Aesthetics Edinburgh Edinburgh University Press. pp. 1-32

Introduction: Photography and Abstraction
Beck, J. and Cunningham, D.I. 2016. Introduction: Photography and Abstraction. Photographies. 9 (2), pp. 129-133. https://doi.org/10.1080/17540763.2016.1181971

High Formalism: The aerial view and the colour field
Beck, J. 2016. High Formalism: The aerial view and the colour field. Photographies. 9 (2), pp. 187-201. https://doi.org/10.1080/17540763.2016.1181969

A Military Definition of Reality: Researching Literature and Militarization
Beck, J. 2016. A Military Definition of Reality: Researching Literature and Militarization. in: Williams, A.J., Jenkings, A., Woodward, R. and Rech, M.F. (ed.) The Routledge Companion to Military Research Methods Abingdon Routledge. pp. 84-94

Renouncing the Single Image: Photography and the Realism of Abstraction
Cunningham, D.I. 2016. Renouncing the Single Image: Photography and the Realism of Abstraction. Photographies. 9 (2), pp. 147-165. https://doi.org/10.1080/17540763.2016.1194551

Genre without genre: Romanticism, the novel and the new
Cunningham, D.I. 2016. Genre without genre: Romanticism, the novel and the new. Radical Philosophy. 196, pp. 14-27.

Architecture, Capitalism and the "Autonomy" of the Political
Cunningham, D.I. 2016. Architecture, Capitalism and the "Autonomy" of the Political. in: Lahiji, N. (ed.) Can Architecture Be An Emancipatory Project? Dialogues on Architecture and the Left Alresford Zero Books. pp. 87-105

Time, Modernism and the Contemporaneity of Realism
Cunningham, D.I. 2016. Time, Modernism and the Contemporaneity of Realism. in: D'Arcy, M. and Nilges, M. (ed.) The Contemporaneity of Modernism: Literature, Media, Culture New York and London Routledge. pp. 49-62

Architecture, the Built and the Idea of Socialism
Cunningham, D.I. 2016. Architecture, the Built and the Idea of Socialism. in: Lahiji, N. (ed.) Can Architecture Be An Emancipatory Project? Dialogues on Architecture and the Left Alresford Zero Books. pp. 15-32

A Marxist heresy?: Accelerationism and its discontents
Cunningham, D.I. 2015. A Marxist heresy?: Accelerationism and its discontents. Radical Philosophy. (191), pp. 29-38.

Logics of generalization: Derrida, grammatology and transdisciplinarity
Cunningham, D.I. 2015. Logics of generalization: Derrida, grammatology and transdisciplinarity. Theory, Culture & Society. 32 (5-6), pp. 79-107. https://doi.org/10.1177/0263276415592037

Metropolitics, or, architecture and the contemporary left
Cunningham, D.I. 2014. Metropolitics, or, architecture and the contemporary left. in: Lahiji, N. (ed.) Architecture Against the Post-Political: Essays in Reclaiming the Critical Project Routledge. pp. 11-30

Rock as Minimal Modernism: Lou Reed, 1942-2013
Cunningham, D.I. 2014. Rock as Minimal Modernism: Lou Reed, 1942-2013. Radical Philosophy. 183, pp. 69-72.

The Call of the Anthropocene
Beck, J. 2014. The Call of the Anthropocene. Cultural Politics. 10 (3), pp. 404-414. https://doi.org/10.1215/17432197-2795765

The contingency of cheese: On Fredric Jameson's the Antinomies of Realism
Cunningham, D.I. 2014. The contingency of cheese: On Fredric Jameson's the Antinomies of Realism. Radical Philosophy. 187, pp. 25-35.

The Historical Novel of Contemporary Capitalism
Cunningham, D.I. 2014. The Historical Novel of Contemporary Capitalism. Raison Publique.

The ambassadors of nil: Notes on the zombie apocalypse
Cunningham, D.I. and Warwick, A. 2014. The ambassadors of nil: Notes on the zombie apocalypse. in: Germana, M. and Mousoutzanis, A. (ed.) Apocalyptic Discourse in Contemporary Culture: Post-Millennial Perspectives on the End of the World Routledge. pp. 175-190

Architecture and the politics of aesthetics
Cunningham, D.I. 2014. Architecture and the politics of aesthetics. in: Lahiji, N. (ed.) The missed encounter of radical philosophy with architecture London and New York Bloomsbury. pp. 35-53

Postcatastrophic utopias
Beck, J. and Dorrian, M. 2014. Postcatastrophic utopias. Cultural Politics. 10 (2), pp. 132-150. https://doi.org/10.1215/17432197-2651729

The Art School and the Culture Shed
Beck, J. and Cornford, M. 2014. The Art School and the Culture Shed. Kingston upon Thames Centre for Useless Splendour.

The purloined landscape: photography and power in the American West
Beck, J. 2014. The purloined landscape: photography and power in the American West. Tate Papers. 21.

Afterword: Communism, modernity and memories of the everyday
Cunningham, D.I. 2013. Afterword: Communism, modernity and memories of the everyday. in: Rabikowska, M. (ed.) The everyday of memory: between communism and post-communism Oxford Peter Lang. pp. 291-306

Strangers to the stars: abstraction, aereality, aspect perception
Beck, J. 2013. Strangers to the stars: abstraction, aereality, aspect perception. in: Armitage, J. and Bishop, R. (ed.) Virilio and visual culture Edinburgh Edinburgh University Press. pp. 46-68

Beyond the darkness of the just lived moment
Beck, J. 2013. Beyond the darkness of the just lived moment. in: Makhoul, B. (ed.) Palestinian video art: constellation of the moving image Jerusalem Al Hoash. pp. 156-169

Between the castle and the village
Beck, J. 2013. Between the castle and the village. in: Bishop, R. and Hon, G. (ed.) Bashir Makhoul, Aissa Deebi: otherwise occupied Jerusalem Al Hoash. pp. 150-165

Floating on the same plane: metropolis, money and the culture of abstraction
Cunningham, D.I. 2013. Floating on the same plane: metropolis, money and the culture of abstraction. Journal of Visual Culture. 12 (1), pp. 38-60. https://doi.org/10.1177/1470412912468708

Here comes the new: Deadwood and the historiography of capitalism
Cunningham, D.I. 2013. Here comes the new: Deadwood and the historiography of capitalism. Radical Philosophy. 180, pp. 8-24.

Unnoticed apocalypse: the science fiction politics of urban crisis
Cunningham, D.I. and Warwick, A. 2013. Unnoticed apocalypse: the science fiction politics of urban crisis. City: analysis of urban trends, culture, theory, policy, action. 17 (4), pp. 433-448. https://doi.org/10.1080/13604813.2013.812345

The spectres of abstraction and the place of photography
Cunningham, D.I. 2012. The spectres of abstraction and the place of photography. Philosophy of Photography. 3 (1), pp. 195-210. https://doi.org/10.1386/pop.3.1.195_7

In and out of the box: Bashir Makhoul’s Forbidden City
Beck, J. 2012. In and out of the box: Bashir Makhoul’s Forbidden City. Theory, Culture and Society. 29 (7-8), pp. 341-357. https://doi.org/10.1177/0263276412459088

The art school in ruins
Beck, J. and Cornford, M. 2012. The art school in ruins. Journal of Visual Culture. 11 (1), pp. 58-83. https://doi.org/10.1177/1470412911430467

The architecture of money: Jameson, abstraction and form
Cunningham, D.I. 2011. The architecture of money: Jameson, abstraction and form. in: Lahiji, N. (ed.) The political unconscious of architecture: re-opening Jameson's narrative Farnham and Burlington, VT Ashgate. pp. 37-55

Global art, global modernity, global metropolis
Cunningham, D.I. 2011. Global art, global modernity, global metropolis. in: Parcericas, P. and Barriendos, J. (ed.) Global circuits: the geography of art and the new configurations of critical thought Barcelona ACCA. pp. 66-82

Capitalist and bourgeois epics
Cunningham, D.I. 2011. Capitalist and bourgeois epics. in: Bewes, T. and Hall, T. (ed.) Georg Lukacs: the fundamental dissonance of existence: aesthetics, politics, literature London and New York Continuum. pp. 49-64

The place of catastrophe: Clarence King, Mike Davis and the politics of contingency
Beck, J. 2011. The place of catastrophe: Clarence King, Mike Davis and the politics of contingency. in: Wragg, D.A. and Heffernan, N. (ed.) Culture, environment and eco-politics Newcastle Upon Tyne Cambridge Scholars Publishing. pp. 84-110

Signs of the sky, signs of the times: photography as double agent
Beck, J. 2011. Signs of the sky, signs of the times: photography as double agent. Theory, Culture and Society. 28 (7-8), pp. 123-139. https://doi.org/10.1177/0263276411423773

Concrete ambivalence: inside the bunker complex
Beck, J. 2011. Concrete ambivalence: inside the bunker complex. Cultural Politics. 7 (1), pp. 79-102. https://doi.org/10.2752/175174311X12861940861789

Kraftwerk and the image of modernity
Cunningham, D.I. 2010. Kraftwerk and the image of modernity. in: Albiez, S. and Pattie, D. (ed.) Kraftwerk: music non-stop London and New York Continuum. pp. 44-62

Returns of the modern: on Nicolas Bourriaud's altermodern
Cunningham, D.I. 2010. Returns of the modern: on Nicolas Bourriaud's altermodern. Journal of Visual Culture. 9 (1), pp. 121-129. https://doi.org/10.1177/1470412909359364

Capitalist epics: Abstraction, totality and the theory of the novel
Cunningham, D.I. 2010. Capitalist epics: Abstraction, totality and the theory of the novel. Radical Philosophy. 163, pp. 11-23.

"Very abstract and terribly concrete": capitalism and the theory of the novel
Cunningham, D.I. 2009. "Very abstract and terribly concrete": capitalism and the theory of the novel. Novel: a forum on fiction. 42 (2), pp. 311-317. https://doi.org/10.1215/00295132-2009-020

Thinking the urban: on recent writings on philosophy and the city
Cunningham, D.I. 2009. Thinking the urban: on recent writings on philosophy and the city. City: analysis of urban trends, culture, theory, policy, action. 13 (4), pp. 517-530. https://doi.org/10.1080/13604810903298938

El cuento de la modernidad: Poe, Benjamin y el relato de la metropoli
Cunningham, D.I. 2009. El cuento de la modernidad: Poe, Benjamin y el relato de la metropoli. in: Duque, F. (ed.) Poe: la mala conciencia de la modernidad Barcelona, Spain Círculo de Bellas Artes. pp. 43-78

Et in Arizona ego: Baudrillard on the Planet of the Apes
Beck, J. 2009. Et in Arizona ego: Baudrillard on the Planet of the Apes. in: Bishop, R. (ed.) Baudrillard now: current perspectives in Baudrillard studies Cambridge Polity. pp. 100-115

Dirty wars: landscape, power, and waste in Western American literature
Beck, J. 2009. Dirty wars: landscape, power, and waste in Western American literature. Lincoln University of Nebraska Press.

Propaganda architecture: interview with Rem Koolhaas and Reinier de Graaf
Cunningham, D.I. and Goodbun, J. 2009. Propaganda architecture: interview with Rem Koolhaas and Reinier de Graaf. Radical Philosophy. 154, pp. 35-47.

Spacing Abstraction
Cunningham, D.I. 2008. Spacing Abstraction. Griffith Law Review. 17 (2), pp. 454-469. https://doi.org/10.1080/10383619.2008.10854619

'We have our being in justice'
Cunningham, D.I. 2008. 'We have our being in justice'. in: Smith, R. (ed.) Beckett and ethics London Continuum. pp. 21-37

The death of a project
Cunningham, D.I. and Martin, S. 2008. The death of a project. Journal of Visual Culture. 7 (2), pp. 214-218. https://doi.org/10.1177/14704129080070020502

Re-Placing the novel: Sinclair, Ballard and the spaces of literature
Cunningham, D.I. 2007. Re-Placing the novel: Sinclair, Ballard and the spaces of literature. in: Bavidge, J. and Bond, R. (ed.) City Visions: The Work of Iain Sinclair Newcastle-upon-Tyne Cambridge Scholars Publishing. pp. 134-146

Living in the slashing grounds: Jack the Ripper, monopoly rent and the new heritage
Cunningham, D.I. 2007. Living in the slashing grounds: Jack the Ripper, monopoly rent and the new heritage. in: Warwick, A. and Willis, M. (ed.) Jack the Ripper: Media, Culture, History Manchester, UK Manchester University Press.

Architecture in the age of global modernity
Cunningham, D.I. 2007. Architecture in the age of global modernity. in: Beaumont, M., Hemingway, A., Leslie, E. and Roberts, J. (ed.) As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century Netherlands Peter Lang. pp. 283-315

Architecture as critical knowledge
Cunningham, D.I. 2007. Architecture as critical knowledge. in: Rendell, J., Hill, J., Dorrian, M. and Fraser, M. (ed.) Critical architecture London, UK Routledge.

Velocities of power
Beck, J. and Crosthwaite, P. 2007. Velocities of power. Cultural Politics. 3 (1), pp. 23-34. https://doi.org/10.2752/174321907780031034

Resistance becomes ballistic: Vanishing Point and the end of the road
Beck, J. 2007. Resistance becomes ballistic: Vanishing Point and the end of the road. Cultural Politics. 3 (1), pp. 35-50. https://doi.org/10.2752/174321907780031070

Answering the question: What is to be done? (Education)
Cunningham, D.I. 2007. Answering the question: What is to be done? (Education). Radical Philosophy. 141, pp. 34-38.

Slumming it: Mike Davis's grand narrative of urban revolution
Cunningham, D.I. 2007. Slumming it: Mike Davis's grand narrative of urban revolution. Radical Philosophy. 142, pp. 8-18.

A seam with the economic
Cunningham, D.I. 2006. A seam with the economic. in: Kuzma, M. and Osborne, P. (ed.) ISMS: recuperating political radicality in contemporary art: 1. constructing the political in contemporary art Oslo, Norway Office for Contemporary Art Norway. pp. 131-166

Making an example of Duchamp
Cunningham, D.I. 2006. Making an example of Duchamp. in: Jones, D. (ed.) Dada culture: critical texts on the avant-garde Amsterdam, Netherlands Rodopi.

After Adorno: the narrator of the contemporary European novel
Cunningham, D.I. 2006. After Adorno: the narrator of the contemporary European novel. in: Cunningham, D.I. and Mapp, N. (ed.) Adorno and Literature London and New York Continuum. pp. 188-200

Adorno and Literature
Cunningham, D.I. Cunningham, D.I. and Mapp, N. (ed.) 2006. Adorno and Literature. London, UK Continuum.

Marx, architecture and modernity
Cunningham, D.I. and Goodbun, J. 2006. Marx, architecture and modernity. Journal of Architecture. 11 (2), pp. 169-185. https://doi.org/10.1080/13602360600787066

On surrealism and architecture
Goodbun, J. and Cunningham, D.I. 2005. On surrealism and architecture. in: Hardingham, S. (ed.) The 1970s is here and now Chichester, UK Wiley. pp. 66-69

The phenomenology of non-dwelling: Massimo Cacciari, modernism and the philosophy of the metropolis
Cunningham, D.I. 2005. The phenomenology of non-dwelling: Massimo Cacciari, modernism and the philosophy of the metropolis. Crossings: a counter-disciplinary journal. 7, pp. 137-161.

The Futures of Surrealism: Hegelianism, Romanticism, and the Avant-Garde
Cunningham, D.I. 2005. The Futures of Surrealism: Hegelianism, Romanticism, and the Avant-Garde. SubStance. 34 (2), pp. 47-65. https://doi.org/10.1353/sub.2005.0028

Photography and the literary conditions of the surrealist image
Cunningham, D.I. 2005. Photography and the literary conditions of the surrealist image. in: Cunningham, D.I., Fisher, A. and Mays, S. (ed.) Photography and literature in the twentieth century Newcastle-upon-Tyne, UK Cambridge Scholars Publishing. pp. 67-86

Asceticism against colour, or modernism, abstraction and the lateness of Beckett
Cunningham, D.I. 2005. Asceticism against colour, or modernism, abstraction and the lateness of Beckett. New Formations. (55), pp. 104-119.

Zapruder, Warhol, and the accident of images
Beck, J. 2005. Zapruder, Warhol, and the accident of images. in: Holloway, D. and Beck, J. (ed.) American visual cultures London Continuum. pp. 183-189

Photography and Literature in the Twentieth Century
Cunningham, D.I. Cunningham, D.I., Fisher, A. and Mays, S. (ed.) 2005. Photography and Literature in the Twentieth Century. Newcastle-upon-Tyne, UK Cambridge Scholars Publishing.

Obituary Symposium: Jacques Derrida, 1930-2004
Cunningham, D.I. 2005. Obituary Symposium: Jacques Derrida, 1930-2004. Radical Philosophy. 129.

The concept of metropolis
Cunningham, D.I. 2005. The concept of metropolis. Radical Philosophy. 133, pp. 13-25.

Strangers in the city
Cunningham, D.I. and Goodbun, J. 2004. Strangers in the city. Radical Philosophy. 128, p. 38.

How the sublime became "now"
Cunningham, D.I. 2004. How the sublime became "now". Symposium: Canadian Journal of Continental Philosophy. 8 (3), pp. 549-571.

Reading room: erosion and sedimentation in Sebald's Suffolk
Beck, J. 2004. Reading room: erosion and sedimentation in Sebald's Suffolk. in: Long, J.J. and Whitehead, A. (ed.) W.G. Sebald: a critical companion Edinburgh Edinburgh University Press. pp. 75-88

Notes on Nuance: Rethinking a philosophy of modern music
Cunningham, D.I. 2004. Notes on Nuance: Rethinking a philosophy of modern music. Radical Philosophy. 125, pp. 17-28.

A time for dissonance and noise: on Adorno, music and the concept of modernism
Cunningham, D.I. and Goulimari, P. 2003. A time for dissonance and noise: on Adorno, music and the concept of modernism. Angelaki. 8 (1), pp. 61-74. https://doi.org/10.1080/09697250301199

A question of tomorrow: Blanchot, surrealism and the time of the fragment
Cunningham, D.I. 2003. A question of tomorrow: Blanchot, surrealism and the time of the fragment. Papers of Surrealism. 1.

Ex minimis: Greenberg, modernism and Beckett's three dialogues
Cunningham, D.I. 2003. Ex minimis: Greenberg, modernism and Beckett's three dialogues. in: Buning, M., Engelberts, M. and Houppermans, S. (ed.) Three dialogues revisited = Les trois dialogues revisites Amsterdam, Netherlands Rodopi.

Introduction
Cunningham, D.I., Goodbun, J. and Jaschke, K. 2001. Introduction. Journal of Architecture. 6 (2), pp. 107-112. https://doi.org/10.1080/13602360122179

Trying (not) to understand: Adorno and the work of Beckett
Cunningham, D.I. 2001. Trying (not) to understand: Adorno and the work of Beckett. in: Lane, R. (ed.) Beckett and philosophy New York, USA Palgrave Macmillan. pp. 125-139

Architecture, Utopia and the futures of the avant-garde
Cunningham, D.I. 2001. Architecture, Utopia and the futures of the avant-garde. Journal of Architecture. 6 (2), pp. 169-182. https://doi.org/10.1080/13602360110048195

Writing the radical center: William Carlos Williams, John Dewey, and American cultural politics
Beck, J. 2001. Writing the radical center: William Carlos Williams, John Dewey, and American cultural politics. Albany State University of New York Press.

Without form and void: the American desert as trope and terrain
Beck, J. 2001. Without form and void: the American desert as trope and terrain. Nepantla: views from South. 2 (1), pp. 63-83.

An over-illuminated world: Reyner Banham and art history in the wilderness
Beck, J. 2000. An over-illuminated world: Reyner Banham and art history in the wilderness. Everything. 3, pp. 26-33.

‘A certain but fugitive testimony': witnessing the light of time in Cormac McCarthy's Southwestern fiction
Beck, J. 2000. ‘A certain but fugitive testimony': witnessing the light of time in Cormac McCarthy's Southwestern fiction. in: Wallach, R. (ed.) Myth, legend, dust: critical responses to Cormac McCarthy Manchester Manchester University Press. pp. 209-216

Blown away: wars visible and invisible in Richard Misrach’s Desert Cantos
Beck, J. 2000. Blown away: wars visible and invisible in Richard Misrach’s Desert Cantos. European Journal of American Culture. 19 (3), pp. 156-166. https://doi.org/10.1386/ejac.19.3.156

Buckminster Fuller and the politics of shelter
Beck, J. 1999. Buckminster Fuller and the politics of shelter. in: Hughes, J. and Sadler, S. (ed.) Non-plan: essays on freedom, participation and change in modern architecture and urbanism Oxford Architectural Press. pp. 116-125