The Ambassadors of Nil: Notes on the Zombie Apocalypse

Nineteenth-century gothic architectural aesthetics: A. W. N. Pugin, John Ruskin and William Morris
Warwick, A. 2020. Nineteenth-century gothic architectural aesthetics: A. W. N. Pugin, John Ruskin and William Morris . in: Townshend, D. and Wright, A. (ed.) The Cambridge History of the Gothic: Vol 2. Gothic in the Nineteenth Century Cambridge, UK Cambridge University Press. pp. 118-139

Ghosts, monsters and spirits, 1840-1900
Warwick, A. 2019. Ghosts, monsters and spirits, 1840-1900. in: Townshend, D. and Byron, G. (ed.) The Gothic World London, UK Routledge.

Capitalism, Form and the Philosophy of the Urban
Cunningham, D.I. 2019. Capitalism, Form and the Philosophy of the Urban. in: Jacobs, K. and Malpas, J. (ed.) Philosophy and the City: Interdisciplinary and Transcultural Perspectives Rowman & Littlefield. pp. 3-20

The Problem of the Modern, the Problem of the New: Response to Audrey Wasser's The Work of Difference
Cunningham, D.I. 2018. The Problem of the Modern, the Problem of the New: Response to Audrey Wasser's The Work of Difference. Syndicate: A Living Network of Scholarship in the Humanities.

Dracula and the Late Victorian Gothic Revival
Warwick, A. 2017. Dracula and the Late Victorian Gothic Revival. in: Luckhurst, R. (ed.) The Cambridge Companion to Dracula Cambridge, Uk Cambridge University Press. pp. 39-54

Ruined Paradise: Geology and the Emergence of Archaeology
Warwick, A. 2017. Ruined Paradise: Geology and the Emergence of Archaeology. Nineteenth-Century Contexts. 39 (1), pp. 49-62. https://doi.org/10.1080/08905495.2017.1252485

Photography and Abstraction [Special Issue of Photographies journal]
Cunningham, D.I. and Beck, J. 2016. Photography and Abstraction [Special Issue of Photographies journal]. Photographies. 9 (2), pp. 129-228.

Introduction: Photography and Abstraction
Beck, J. and Cunningham, D.I. 2016. Introduction: Photography and Abstraction. Photographies. 9 (2), pp. 129-133. https://doi.org/10.1080/17540763.2016.1181971

Renouncing the Single Image: Photography and the Realism of Abstraction
Cunningham, D.I. 2016. Renouncing the Single Image: Photography and the Realism of Abstraction. Photographies. 9 (2), pp. 147-165. https://doi.org/10.1080/17540763.2016.1194551

Genre without Genre: Romanticism, the Novel and the New
Cunningham, D.I. 2016. Genre without Genre: Romanticism, the Novel and the New. Radical Philosophy. 196, pp. 14-27.

Architecture, Capitalism and the "Autonomy" of the Political
Cunningham, D.I. 2016. Architecture, Capitalism and the "Autonomy" of the Political. in: Lahiji, N. (ed.) Can Architecture Be An Emancipatory Project? Dialogues on Architecture and the Left Alresford Zero Books. pp. 87-105

Time, Modernism and the Contemporaneity of Realism
Cunningham, D.I. 2016. Time, Modernism and the Contemporaneity of Realism. in: D'Arcy, M. and Nilges, M. (ed.) The Contemporaneity of Modernism: Literature, Media, Culture New York and London Routledge. pp. 49-62

Architecture, the Built and the Idea of Socialism
Cunningham, D.I. 2016. Architecture, the Built and the Idea of Socialism. in: Lahiji, N. (ed.) Can Architecture Be An Emancipatory Project? Dialogues on Architecture and the Left Alresford Zero Books. pp. 15-32

A Marxist heresy? Accelerationism and its discontents
Cunningham, D.I. 2015. A Marxist heresy? Accelerationism and its discontents. Radical Philosophy. (191), pp. 29-38.

Logics of generalization: Derrida, grammatology and transdisciplinarity
Cunningham, D.I. 2015. Logics of generalization: Derrida, grammatology and transdisciplinarity. Theory, Culture & Society. 32 (5-6), pp. 79-107. https://doi.org/10.1177/0263276415592037

Metropolitics, or, Architecture and the Contemporary Left
Cunningham, D.I. 2014. Metropolitics, or, Architecture and the Contemporary Left. in: Lahiji, N. (ed.) Architecture Against the Post-Political: Essays in Reclaiming the Critical Project Routledge. pp. 11-30

Rock as Minimal Modernism: Lou Reed, 1942-2013
Cunningham, D.I. 2014. Rock as Minimal Modernism: Lou Reed, 1942-2013. Radical Philosophy. 183, pp. 69-72.

The Contingency of Cheese: On Fredric Jameson’s The Antinomies of Realism
Cunningham, D.I. 2014. The Contingency of Cheese: On Fredric Jameson’s The Antinomies of Realism. Radical Philosophy. 187, pp. 25-35.

The Historical Novel of Contemporary Capitalism
Cunningham, D.I. 2014. The Historical Novel of Contemporary Capitalism. Raison Publique.

Architecture and the politics of aesthetics: autonomy, heteronomy and the philosophy of art
Cunningham, D.I. 2014. Architecture and the politics of aesthetics: autonomy, heteronomy and the philosophy of art. in: Lahiji, N. (ed.) The missed encounter of radical philosophy with architecture London and New York Bloomsbury. pp. 35-53

Unnoticed apocalypse: the science fiction politics of urban crisis
Cunningham, D.I. and Warwick, A. 2013. Unnoticed apocalypse: the science fiction politics of urban crisis. City: analysis of urban trends, culture, theory, policy, action. 17 (4), pp. 433-448. https://doi.org/10.1080/13604813.2013.812345

Here comes the new: Deadwood and the historiography of capitalism
Cunningham, D.I. 2013. Here comes the new: Deadwood and the historiography of capitalism. Radical Philosophy. 180, pp. 8-24.

Floating on the same plane: metropolis, money and the culture of abstraction
Cunningham, D.I. 2013. Floating on the same plane: metropolis, money and the culture of abstraction. Journal of Visual Culture. 12 (1), pp. 38-60. https://doi.org/10.1177/1470412912468708

Afterword: Communism, modernity and memories of the everyday
Cunningham, D.I. 2013. Afterword: Communism, modernity and memories of the everyday. in: Rabikowska, M. (ed.) The everyday of memory: between communism and post-communism Oxford Peter Lang. pp. 291-306

The dreams of archaeology
Warwick, A. 2012. The dreams of archaeology. Journal of Literature and Science. 5 (1), pp. 83-97.

The spectres of abstraction and the place of photography
Cunningham, D.I. 2012. The spectres of abstraction and the place of photography. Philosophy of Photography. 3 (1), pp. 195-210. https://doi.org/10.1386/pop.3.1.195_7

Unnatural selection: variation, deviation and excess at the fin de siècle
Warwick, A. 2011. Unnatural selection: variation, deviation and excess at the fin de siècle. in: Salmela, M. and Toikkanan, J. (ed.) The grotesque and the unnatural Cambria Press.

The architecture of money: Jameson, abstraction and form
Cunningham, D.I. 2011. The architecture of money: Jameson, abstraction and form. in: Lahiji, N. (ed.) The political unconscious of architecture: re-opening Jameson's narrative Farnham and Burlington, VT Ashgate. pp. 37-55

Global art, global modernity, global metropolis
Cunningham, D.I. 2011. Global art, global modernity, global metropolis. in: Parcericas, P. and Barriendos, J. (ed.) Global circuits: the geography of art and the new configurations of critical thought Barcelona ACCA. pp. 66-82

Capitalist and bourgeois epics: Lukacs, abstraction and the novel
Cunningham, D.I. 2011. Capitalist and bourgeois epics: Lukacs, abstraction and the novel. in: Bewes, T. and Hall, T. (ed.) Georg Lukacs: the fundamental dissonance of existence: aesthetics, politics, literature London and New York Continuum. pp. 49-64

Capitalist epics: Abstraction, totality and the theory of the novel
Cunningham, D.I. 2010. Capitalist epics: Abstraction, totality and the theory of the novel. Radical Philosophy. 163, pp. 11-23.

Returns of the modern: on Nicolas Bourriaud's altermodern
Cunningham, D.I. 2010. Returns of the modern: on Nicolas Bourriaud's altermodern. Journal of Visual Culture. 9 (1), pp. 121-129. https://doi.org/10.1177/1470412909359364

Kraftwerk and the image of modernity
Cunningham, D.I. 2010. Kraftwerk and the image of modernity. in: Albiez, S. and Pattie, D. (ed.) Kraftwerk: music non-stop London and New York Continuum. pp. 44-62

Propaganda architecture: interview with Rem Koolhaas and Reinier de Graaf
Cunningham, D.I. and Goodbun, J. 2009. Propaganda architecture: interview with Rem Koolhaas and Reinier de Graaf. Radical Philosophy. 154, pp. 35-47.

"Very abstract and terribly concrete": capitalism and the theory of the novel
Cunningham, D.I. 2009. "Very abstract and terribly concrete": capitalism and the theory of the novel. Novel: a forum on fiction. 42 (2), pp. 311-317. https://doi.org/10.1215/00295132-2009-020

Thinking the urban: on recent writings on philosophy and the city
Cunningham, D.I. 2009. Thinking the urban: on recent writings on philosophy and the city. City: analysis of urban trends, culture, theory, policy, action. 13 (4), pp. 517-530. https://doi.org/10.1080/13604810903298938

El cuento de la modernidad: Poe, Benjamin y el relato de la metropoli
Cunningham, D.I. 2009. El cuento de la modernidad: Poe, Benjamin y el relato de la metropoli. in: Duque, F. (ed.) Poe: la mala conciencia de la modernidad Barcelona, Spain Círculo de Bellas Artes. pp. 43-78

The death of a project
Cunningham, D.I. and Martin, S. 2008. The death of a project. Journal of Visual Culture. 7 (2), pp. 214-218. https://doi.org/10.1177/14704129080070020502

Introduction and timeline
Warwick, A. and Willis, M. 2008. Introduction and timeline. in: Warwick, A. and Willis, M. (ed.) The Victorian literature handbook London Continuum. pp. 1-26

The historical context of Victorian literature
Warwick, A. 2008. The historical context of Victorian literature. in: Warwick, A. and Willis, M. (ed.) The Victorian literature handbook London Continuum. pp. 27-43

Spacing abstraction: capitalism, law and the metropolis
Cunningham, D.I. 2008. Spacing abstraction: capitalism, law and the metropolis. Griffith Law Review. 17 (2), pp. 454-469.

'We have our being in justice': formalism, abstraction and Beckett's ethics
Cunningham, D.I. 2008. 'We have our being in justice': formalism, abstraction and Beckett's ethics. in: Smith, R. (ed.) Beckett and ethics London Continuum. pp. 21-37

Slumming it Mike Davis's grand narrative of urban revolution
Cunningham, D.I. 2007. Slumming it Mike Davis's grand narrative of urban revolution. Radical Philosophy. 142, pp. 8-18.

Victorian gothic
Warwick, A. 2007. Victorian gothic. in: Spooner, C. and McEvoy, E. (ed.) The Routledge Companion to Gothic London Routledge. pp. 29-38

Oscar Wilde
Warwick, A. 2007. Oscar Wilde. Tavistock, UK Northcote House.

Blood and ink: narrative and the Whitechapel murders
Warwick, A. 2007. Blood and ink: narrative and the Whitechapel murders. in: Warwick, A. and Willis, M. (ed.) Jack the Ripper: media, culture, history Manchester Manchester University Press. pp. 71-87

Re-Placing the novel: Sinclair, Ballard and the spaces of literature
Cunningham, D.I. 2007. Re-Placing the novel: Sinclair, Ballard and the spaces of literature. in: Bavidge, J. and Bond, R. (ed.) City Visions: The Work of Iain Sinclair Newcastle-upon-Tyne Cambridge Scholars Publishing. pp. 134-146

Living in the slashing grounds: Jack the Ripper, monopoly rent and the new heritage
Cunningham, D.I. 2007. Living in the slashing grounds: Jack the Ripper, monopoly rent and the new heritage. in: Warwick, A. and Willis, M. (ed.) Jack the Ripper: Media, Culture, History Manchester, UK Manchester University Press.

Architecture in the age of global modernity: Tafuri, Jameson and enclave theory
Cunningham, D.I. 2007. Architecture in the age of global modernity: Tafuri, Jameson and enclave theory. in: Beaumont, M., Hemingway, A., Leslie, E. and Roberts, J. (ed.) As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century Netherlands Peter Lang. pp. 283-315

Architecture as critical knowledge
Cunningham, D.I. 2007. Architecture as critical knowledge. in: Rendell, J., Hill, J., Dorrian, M. and Fraser, M. (ed.) Critical architecture London, UK Routledge.

Answering the question: what is to be done?
Cunningham, D.I. 2007. Answering the question: what is to be done? Radical Philosophy. 141, pp. 34-38.

The scene of the crime: inventing the serial killer
Warwick, A. 2006. The scene of the crime: inventing the serial killer. Social & Legal Studies. 15 (4), pp. 552-569. https://doi.org/10.1177/0964663906069547

Marx, architecture and modernity
Cunningham, D.I. and Goodbun, J. 2006. Marx, architecture and modernity. Journal of Architecture. 11 (2), pp. 169-185. https://doi.org/10.1080/13602360600787066

The city of resurrections: Arthur Machen and archaeological imagination
Warwick, A. 2006. The city of resurrections: Arthur Machen and archaeological imagination. in: Pearson, R. (ed.) The Victorians and the ancient world: archaeology and classicism in nineteenth-century culture Newcastle-upon-Tyne, UK Cambridge Scholars Publishing. pp. 124-138

Margins and centres
Warwick, A. 2006. Margins and centres. in: Clifford, D., Wadge, E., Warwick, A. and Willis, M. (ed.) Repositioning Victorian sciences: shifting centres in nineteenth-century thinking Cambridge, UK Anthem Press. pp. 1-16

A seam with the economic: art, architecture, metropolis
Cunningham, D.I. 2006. A seam with the economic: art, architecture, metropolis. in: Kuzma, M. and Osborne, P. (ed.) ISMS: recuperating political radicality in contemporary art: 1. constructing the political in contemporary art Oslo, Norway Office for Contemporary Art Norway. pp. 131-166

Making an example of Duchamp
Cunningham, D.I. 2006. Making an example of Duchamp. in: Jones, D. (ed.) Dada culture: critical texts on the avant-garde Amsterdam, Netherlands Rodopi.

After Adorno: the narrator of the contemporary European novel
Cunningham, D.I. 2006. After Adorno: the narrator of the contemporary European novel. in: Cunningham, D.I. and Mapp, N. (ed.) Adorno and Literature London and New York Continuum. pp. 188-200

The concept of metropolis: philosophy and urban form
Cunningham, D.I. 2005. The concept of metropolis: philosophy and urban form. Radical Philosophy. 133, pp. 13-25.

On surrealism and architecture
Goodbun, J. and Cunningham, D.I. 2005. On surrealism and architecture. in: Hardingham, S. (ed.) The 1970s is here and now Chichester, UK Wiley. pp. 66-69

The phenomenology of non-dwelling: Massimo Cacciari, modernism and the philosophy of the metropolis
Cunningham, D.I. 2005. The phenomenology of non-dwelling: Massimo Cacciari, modernism and the philosophy of the metropolis. Crossings: a counter-disciplinary journal. 7, pp. 137-161.

The futures of surrealism: Hegelianism, romanticism, and the avant-garde
Cunningham, D.I. 2005. The futures of surrealism: Hegelianism, romanticism, and the avant-garde. SubStance. 34 (2), pp. 47-65.

Photography and the literary conditions of the surrealist image
Cunningham, D.I. 2005. Photography and the literary conditions of the surrealist image. in: Cunningham, D.I., Fisher, A. and Mays, S. (ed.) Photography and literature in the twentieth century Newcastle-upon-Tyne, UK Cambridge Scholars Publishing. pp. 67-86

Asceticism against colour, or modernism, abstraction and the lateness of Beckett
Cunningham, D.I., Glover, D. and McCracken, S. 2005. Asceticism against colour, or modernism, abstraction and the lateness of Beckett. New Formations. (55), pp. 104-119.

Obituary Symposium: Jacques Derrida, 1930-2004
Cunningham, D.I. 2005. Obituary Symposium: Jacques Derrida, 1930-2004. Radical Philosophy. 129.

Notes on nuance: rethinking a philosophy of modern music
Cunningham, D.I. 2004. Notes on nuance: rethinking a philosophy of modern music. Radical Philosophy. 125, pp. 17-28.

Strangers in the city
Cunningham, D.I. and Goodbun, J. 2004. Strangers in the city. Radical Philosophy. 128, p. 38.

How the sublime became "now": time, modernity and aesthetics in Lyotard's rewriting of Kant
Cunningham, D.I. 2004. How the sublime became "now": time, modernity and aesthetics in Lyotard's rewriting of Kant. Symposium: Canadian Journal of Continental Philosophy. 8 (3), pp. 549-571.

A time for dissonance and noise: on Adorno, music and the concept of modernism
Cunningham, D.I. and Goulimari, P. 2003. A time for dissonance and noise: on Adorno, music and the concept of modernism. Angelaki. 8 (1), pp. 61-74. https://doi.org/10.1080/09697250301199

A question of tomorrow: Blanchot, surrealism and the time of the fragment
Cunningham, D.I. 2003. A question of tomorrow: Blanchot, surrealism and the time of the fragment. Papers of Surrealism. 1.

Ex Minimis: Greenberg, modernism and Beckett's three dialogues
Cunningham, D.I. 2003. Ex Minimis: Greenberg, modernism and Beckett's three dialogues. in: Buning, M., Engelberts, M. and Houppermans, S. (ed.) Three dialogues revisited = Les trois dialogues revisites Amsterdam, Netherlands Rodopi.

Introduction
Cunningham, D.I., Goodbun, J. and Jaschke, K. 2001. Introduction. Journal of Architecture. 6 (2), pp. 107-112. https://doi.org/10.1080/13602360122179

Trying (not) to understand: Adorno and the work of Beckett
Cunningham, D.I. 2001. Trying (not) to understand: Adorno and the work of Beckett. in: Lane, R. (ed.) Beckett and philosophy New York, USA Palgrave Macmillan. pp. 125-139

Architecture, Utopia and the futures of the avant-garde
Cunningham, D.I. 2001. Architecture, Utopia and the futures of the avant-garde. Journal of Architecture. 6 (2), pp. 169-182. https://doi.org/10.1080/13602360110048195