|Title||Modernism and Magic: Experiments with Spiritualism, Philosophy and the Occult, paperback|
The book explores the aesthetic and political implications of the relationship between magic and mimesis in the work of those early twentieth-century writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei Eisenstein.
|Keywords||modernism, experiment, magic, occult, mimesis|
|Publisher||Edinburgh University Press|
|Place of publication||Edinburgh|