Rethinking Censorship in China: The Case of "Snail House (Woju)"

Ng, H. 2015. Rethinking Censorship in China: The Case of "Snail House (Woju)". in: Bai, R. and Song, G. (ed.) Chinese Television in the Twenty–First Century: Entertaining the Nation Routledge. pp. 87-103

Chapter titleRethinking Censorship in China: The Case of "Snail House (Woju)"
AuthorsNg, H.
EditorsBai, R. and Song, G.
Abstract

Even though scholarship on Chinese television drama has acknowledged the importance of censorship and discussed its implications, there remain gaps to be filled. What are possible recourses besides understanding the Chinese state as a repressor and regulator with regards to censorship? What strategies do practitioners employ to negotiate censorship? How does the rapid commercialization of the television industry mitigate censorship practices? What role do viewers play in the censorship of a drama serial? Using the highly popular drama serial "Snail House (Woju)" as a case study, this paper aims to investigate the complexities of censorship practices in China and challenge Eurocentric approaches toward Chinese media, drawing from interviews with Chinese television professionals.

KeywordsCensorship, Chinese television, Woju,
Book titleChinese Television in the Twenty–First Century: Entertaining the Nation
Page range87-103
Year2015
PublisherRoutledge
Publication dates
Published03 Sep 2014
ISBN9780415745123
Digital Object Identifier (DOI)https://doi.org/10.4324/9781315798103

Related outputs

Performing Fear in Television Production: Practices of an Illiberal Democracy
Ng, H. 2023. Performing Fear in Television Production: Practices of an Illiberal Democracy. Television & New Media. Advanced online publication. https://doi.org/10.1177/1527476423121576

K. Rajagopal on making films for and on the ethnic minority in Singapore
Ng, H. 2020. K. Rajagopal on making films for and on the ethnic minority in Singapore. Asian Cinema. 31 (1), pp. 139-142. https://doi.org/10.1386/ac_00019_7

Boo Junfeng on funding, festivals and Chinese privilege
Ng, H. 2020. Boo Junfeng on funding, festivals and Chinese privilege. Asian Cinema. 31 (1), pp. 131-137. https://doi.org/10.1386/ac_00018_7

Unpacking the 'Singapore New Wave'
Fong, S.Y. and Ng, H. 2020. Unpacking the 'Singapore New Wave'. Asian Cinema. 31 (1), pp. 3-15. https://doi.org/10.1386/ac_00010_2

Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation
Ng, H. 2020. Taipei Golden Horse film awards and Singapore cinema: Prestige, privilege and disarticulation. Asian Cinema. 31 (1), pp. 99-122. https://doi.org/10.1386/ac_00015_1

Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s
Ng, H. 2020. Drawing from Grotowski and Beyond: Kuo Pao Kun’s Discourse on Audiences in Singapore in the 1980s. Inter-Asia Cultural Studies. 21 (2), pp. 238-250. https://doi.org/10.1080/14649373.2020.1759879

The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters!
Ng, H.W. 2019. The Liminality of Decolonization, De-Cold War and Deimperialization: Boal’s Newspaper Theater and East Asian Popular Culture as Method in Drama Box’s Community Commedia Dell’Arte News Busters! Router: A Journal of Cultural Studies. (29), pp. 123-160. https://doi.org/10.6752/JCS.201906_(28).0002

Permalink - https://westminsterresearch.westminster.ac.uk/item/qv863/rethinking-censorship-in-china-the-case-of-snail-house-woju


Share this

Usage statistics

287 total views
10 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.