Photography as Critical Practice: Notes on Otherness

Photography After Postmodernism: Barthes, Stieglitz and teh Art of Memory
Bate, D. 2022. Photography After Postmodernism: Barthes, Stieglitz and teh Art of Memory. Routledge.

Mechanic Unconscious
Bate, D. 2021. Mechanic Unconscious.

Photography (Art Essentials)
Bate, D. 2021. Photography (Art Essentials). Thames & Hudson.

The Indexical Imagination
Bate, D. 2020. The Indexical Imagination. in: Bull, S. (ed.) A Companion to Photography Wiley. pp. 85-96

Photography as Critical Practice Notes on Otherness
Bate, D. 2020. Photography as Critical Practice Notes on Otherness. Intellect.

Jacques Rancière
David Bate 2020. Jacques Rancière. in: Durden, M. and Tormey, J. (ed.) Routledge Companion to Photography Theory Oxford Routledge.

Instinct
de Oliveira, A.A. and Bate, D. 2019. Instinct. Membrana Journal of Photography. 4 (1). https://doi.org/10.47659/m6.020.int

La fotografia d’arte
Bate, D. 2018. La fotografia d’arte. Einaudi.

Camera Phones and Mobile Intimacies
Bate, D. 2018. Camera Phones and Mobile Intimacies. in: Bohr, M. and Sliwinska, B. (ed.) The Evolution of the Image Abingdon, Oxon Routledge. pp. 14-26

Photography
David Bate, Stephen Sheehi, Helen Ennis, Shuxia Chen, Karen M. Fraser, Heangga Kwon, Alice Heeren, Cezar Bartholomeu and Mariana Holá 2017. Photography. in: Routledge Encyclopedia of Modernism Routledge.

Il primo libro di fotografia
Bate, D. 2017. Il primo libro di fotografia. Einaudi.

Introduction: Psychoanalysis and the photographer
Bate, D. 2017. Introduction: Psychoanalysis and the photographer. Photographies. 10 (1), pp. 3-11. https://doi.org/10.1080/17540763.2016.1259896

Daguerre’s Abstraction
Bate, D. 2016. Daguerre’s Abstraction. Photographies. 9 (2), pp. 135-146. https://doi.org/10.1080/17540763.2016.1185881

Photography: Key Concepts. 2nd edition
Bate, D. 2016. Photography: Key Concepts. 2nd edition. London Bloomsbury.

Art Photography
Bate, D. 2015. Art Photography. Tate Publishing.

Art Photography
Bate, D. 2015. Art Photography. London Tate Publishing.

Review of "The Itinerant Languages of Photography" by Eduardo Cadava and Gabriela Nouzeilles.
Bate, D. 2014. Review of "The Itinerant Languages of Photography" by Eduardo Cadava and Gabriela Nouzeilles. caa.reviews. https://doi.org/10.3202/caa.reviews.2014.138

The Digital Condition of Photography: Cameras, Computers and Display
Bate, D. 2013. The Digital Condition of Photography: Cameras, Computers and Display. in: Lister, M. (ed.) The Photographic Image in Digital Culture. 2nd edition Routledge.

The Syntax of a Photowork
Bate, D. 2013. The Syntax of a Photowork. in: H Hedberg,, Knape, G. and Martinsson, T. (ed.) Imprint: Visual Narratives in Books and Beyond Stockholm, Sweden Art & Theory.

The digital condition of photography: cameras, computers and display
Bate, D. 2013. The digital condition of photography: cameras, computers and display. in: Lister, M. (ed.) The photographic image in digital culture (2nd edition) Routledge. pp. 77-94

The social network game
Bate, D. 2012. The social network game. Philosophy of Photography. 3 (1), pp. 29-35. https://doi.org/10.1386/pop.3.1.29_7

Photography after postmodernism: Barthes, Stieglitz and the art of memory
Bate, D. 2012. Photography after postmodernism: Barthes, Stieglitz and the art of memory. London I.B. Tauris.

Zone
Bate, D. 2011. Zone. London Artwords Press.

The real aesthetic
Bate, D. 2010. The real aesthetic. Portfolio: contemporary photography in Britain. 51.

Australian Picnic
Bate, D. 2010. Australian Picnic. London 24 Sep 2010 - 28 Oct 2010

The Memory of Photography
Bate, D. 2010. The Memory of Photography. Photographies. 3 (2), pp. 243-257. https://doi.org/10.1080/17540763.2010.499609

Thirty years of British photography
Bate, D. 2009. Thirty years of British photography. Portfolio: contemporary photography in Britain. 50.

Photography: key concepts
Bate, D. 2009. Photography: key concepts. Oxford Berg.

Bungled Memories
Bate, D. 2008. Bungled Memories.

Bungled Memories
Bate, D. 2008. Bungled Memories. Zacheta National Gallery, Poland May - June 2008

The Archaeology of Photography: Rereading Michel Foucault and The Archaeology of Knowledge
Bate, D. 2007. The Archaeology of Photography: Rereading Michel Foucault and The Archaeology of Knowledge. Afterimage: The Journal of Media Arts and Cultural Criticism. 35 (3), pp. 3-6. https://doi.org/10.1525/aft.2007.35.3.3

The Politics Of Friendship
Bate, D. 2007. The Politics Of Friendship. Angelaki. 12 (3), pp. 107-113. https://doi.org/10.1080/09697250802041186

Everyday madness: surrealism, ethnography and the photographic image
Bate, D., Wollen, P., Christie, I. and Cowie, E. 2007. Everyday madness: surrealism, ethnography and the photographic image. in: ten Brink, J. (ed.) Building bridges: the cinema of Jean Rouch London, UK Wallflower Press.

Emperor's new clothes
Bate, D. 2007. Emperor's new clothes. in: Elkins, J. (ed.) Photography theory London Routledge. pp. 253-255

Automatic pictures
Bate, D. 2007. Automatic pictures. in: Allmer, P. and Van Gelder, H. (ed.) Collective inventions: surrealism in Belgium Belgium Leuven University Press.

Zone. A series of 16 photographs exploring dimensions of social change in Eastern Europe after the Soviet Union through the case study of one city, Tallinn.
Bate, D. 2006. Zone. A series of 16 photographs exploring dimensions of social change in Eastern Europe after the Soviet Union through the case study of one city, Tallinn.

Editorial
Bate, David 2005. Editorial. History of Photography. 29 (2), pp. 97-99. https://doi.org/10.1080/03087298.2005.10441362

Surrealism, Communism and Photography
Bate, D. 2004. Surrealism, Communism and Photography. in: Evans, M. (ed.) Empire and Culture: Empire and culture: the French experience, 1830-1940 Palgrave Macmillan. pp. 57-70

Voyeurism and portraiture
Bate, D. 2004. Voyeurism and portraiture. in: Mortensen, M., Anderson, C.R. and With, G. (ed.) Geometry of the face: photographic portraits Denmark National Museum of Photography. pp. 55-64

Photography and surrealism: sexuality, colonialism and social dissent
Bate, D. 2004. Photography and surrealism: sexuality, colonialism and social dissent. London, UK I.B. Tauris.

Bungled memories: Series of five photographs examining, through the conventions of the still life genre, the thesis that accidents are not necessarily 'accidents'.
Bate, D. 2004. Bungled memories: Series of five photographs examining, through the conventions of the still life genre, the thesis that accidents are not necessarily 'accidents'.

Fotografie und der koloniale blick [Photography and colonial vision]
Bate, D. 2003. Fotografie und der koloniale blick [Photography and colonial vision]. in: Wolf, H. (ed.) Diskurse der fotografie Munich, Germany Suhrkamp Verlag KG. pp. 115-132

Art, education, photography
Bate, D. 2003. Art, education, photography. in: Wells, L. (ed.) The photography reader London, UK Routledge. pp. 435-442

Photography and the colonial vision
David Bate 1993. Photography and the colonial vision. Third Text. 7 (22), pp. 81-91. https://doi.org/10.1080/09528829308576403

Train up a child in the way he should go
David Bate 1990. Train up a child in the way he should go. Third Text. 4 (10), pp. 53-59. https://doi.org/10.1080/09528829008576252