Transforming musical performance: the audience as performer

York, A. 2019. Transforming musical performance: the audience as performer. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation In Music London Routledge. pp. 3-23

Chapter titleTransforming musical performance: the audience as performer
AuthorsYork, A.
EditorsHepworth-Sawyer, R.
Hodgson, J.
Paterson, J.
Toulson, R.
Abstract

This paper maps my initial research as I explore re-engineering music performance as a collaborative improvisatory space involving the audience who will engage with programmed, sampled and live music musical artifacts through the use of digital controllers. It also contains a survey of the field of interactive audience participation within music performance and details the methodology behind the composition, technical infrastructure and post-performance analysis of a work entitled The Singularity, designed to act as a pilot study for this research, and draws conclusions from the performance given at the Innovation in Music Conference (2017).

KeywordsInnovation, interactive audience participation, popular music performance, apps, games controllers
Book titleInnovation In Music
Page range3-23
Year2019
PublisherRoutledge
Publication dates
Published25 Jun 2019
Place of publicationLondon
SeriesPerspectives on Music Production
ISBN9781351016711
9781138498198
Digital Object Identifier (DOI)https://doi.org/10.4324/9781351016711

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