York, A. 2019. Transforming musical performance: the audience as performer. in: Hepworth-Sawyer, R., Hodgson, J., Paterson, J. and Toulson, R. (ed.) Innovation In Music London Routledge. pp. 3-23
| Chapter title | Transforming musical performance: the audience as performer |
|---|---|
| Authors | York, A. |
| Editors | Hepworth-Sawyer, R. |
| Hodgson, J. | |
| Paterson, J. | |
| Toulson, R. | |
| Abstract | This paper maps my initial research as I explore re-engineering music performance as a collaborative improvisatory space involving the audience who will engage with programmed, sampled and live music musical artifacts through the use of digital controllers. It also contains a survey of the field of interactive audience participation within music performance and details the methodology behind the composition, technical infrastructure and post-performance analysis of a work entitled The Singularity, designed to act as a pilot study for this research, and draws conclusions from the performance given at the Innovation in Music Conference (2017). |
| Keywords | Innovation, interactive audience participation, popular music performance, apps, games controllers |
| Book title | Innovation In Music |
| Page range | 3-23 |
| Year | 2019 |
| Publisher | Routledge |
| Publication dates | |
| Published | 25 Jun 2019 |
| Place of publication | London |
| Series | Perspectives on Music Production |
| ISBN | 9781351016711 |
| 9781138498198 | |
| Digital Object Identifier (DOI) | https://doi.org/10.4324/9781351016711 |