Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'.

Sporton, G. 2019. Reviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'. Scene. 7 (1&2), pp. 87-94. https://doi.org/10.1386/scene_00009_5

TitleReviews: Bolshoi 'Bright Stream', ENB 'Giselle', Review of 'Agency: A Partial History of Live Art'.
TypeBook review
AuthorsSporton, G.
Abstract

Reviews for Scene (7.1/7.2) of 'Bright Stream' (Bolshoi Ballet), 'Giselle', (English National Ballet) and 'Agency: A Partial History of Live Art', Schmidt, T. (ed), Bristol, Intellect Books, 2019.

KeywordsReviews, live art, dance. ballet
JournalScene
Journal citation7 (1&2), pp. 87-94
ISSN2044-3714
2044-3722
Year2019
PublisherIntellect
Accepted author manuscript
File Access Level
Open (open metadata and files)
Digital Object Identifier (DOI)https://doi.org/10.1386/scene_00009_5
Web address (URL)https://www.intellectbooks.com/scene
Publication dates
Published04 Jun 2020

Related outputs

Focussing on the Critical: Film Pedagogy in the Modern University
Sporton, G. and Allen, E. 2022. Focussing on the Critical: Film Pedagogy in the Modern University. 3rd Kyoto Conference on Arts, Media and Culture (KAMC2022). Kyoto, Japan, and online 17 - 20 Oct 2022 International Academic Forum. https://doi.org//10.22492/issn.2436-0503.2022.15

Reviews for Scene 2015-
Sporton, G. 2020. Reviews for Scene 2015-. Intellect.

What constitutes the arts?
Gregory Sporton 2018. What constitutes the arts? Scene. 6 (2), pp. 103-105. https://doi.org/10.1386/scene_00011_2

The Life of a Dance: Double Take Part II
Sporton, Gregory 2018. The Life of a Dance: Double Take Part II. Proceedings from the Document Academy. 5 (1). https://doi.org/10.35492/docam/5/1/9

Double Take: Looking Back at Yourself...
Sporton, G., Sandra Norman, Janet Tovey and Andrew Knight-Hill 2018. Double Take: Looking Back at Yourself... Digital Research in Arts and Humanities. Spazju Kreattiv Castille Place, Valletta, VLT 1060 Malta 09 - 12 Sep 2018

Double Take: A Second Look at a Dance
Sporton, G., Sandra Norman, Janet Tovey and Andrew Knight-Hill 2018. Double Take: A Second Look at a Dance.

Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova
Sporton, G. 2018. Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova. Scene. 6 (2), pp. 177-182. https://doi.org/10.1386/scene_00017_5

Ballet and the Soviet body
Sporton, G. 2018. Ballet and the Soviet body. Scene. 6 (2), pp. 153-164. https://doi.org/10.1386/scene_00015_1

Reviews: Life and Fate, Life is a Dream, New Work/New Music
Gregory Sporton 2018. Reviews: Life and Fate, Life is a Dream, New Work/New Music. Scene. 6 (1), pp. 91-97. https://doi.org/10.1386/scene.6.1.91_5

Double Take Live Performance
Sporton, G. 2017. Double Take Live Performance. London

Reviews: The Nose, The Red Shoes, Les Enfants Terrible
Sporton, G. 2017. Reviews: The Nose, The Red Shoes, Les Enfants Terrible. Scene. 5 (1), pp. 83-88. https://doi.org/10.1386/scene.5.1.83_5

Review: Michael Clark Company
Sporton, G. 2017. Review: Michael Clark Company. Scene. 5 (2), pp. 139-140. https://doi.org/10.1386/scene.5.2.139_5

The body and the intellectual
Gregory Sporton 2017. The body and the intellectual. Scene. 5 (2), pp. 115-126. https://doi.org/10.1386/scene.5.2.115_1

The Life of a Dance: Double Take, Part II
Sporton, G. 2017. The Life of a Dance: Double Take, Part II. DocPerform2: Documenting Performance. City University, London 06 - 07 Nov 2017 IdeaExchange@UAkron.

Review: Dark Circus, Stereoptik
Gregory Sporton 2016. Review: Dark Circus, Stereoptik. Scene. 4 (1), pp. 89-90. https://doi.org/10.1386/scene.4.1.89_5

Reviews: Swan Lake, Swan Lake, Trinity
Sporton, G. 2016. Reviews: Swan Lake, Swan Lake, Trinity. Scene. 4 (2), pp. 173-178. https://doi.org/10.1386/scene.4.2.173_5

Review: Cirkopolis
Sporton, G. 2015. Review: Cirkopolis. Scene. 3 (1 & 2), pp. 149-155. https://doi.org/10.1386/scene.3.1-2.149_5

Digital Creativity: Something From Nothing
Sporton, G. 2015. Digital Creativity: Something From Nothing. London Palgrave Macmillan.

Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia
Sporton, G. 2014. Book Review: Swans of the Kremlin: Ballet and Power in the Soviet Russia. The Soviet and Post Soviet Review. 41 (1), pp. 105-108. https://doi.org/https://doi.org/10.1163/18763324-04101010

Reviews: Eugene Onegin, Playing Cards 1, In the Beginning was the End
Sporton, Gregory 2013. Reviews: Eugene Onegin, Playing Cards 1, In the Beginning was the End. Scene. 1 (2), pp. 313 - 319. https://doi.org/10.1386/scene.1.2.313_5

Reviews, Scene Vol 1 No 3
Gregory Sporton, Simonian Bean, Nicola Donovan and Iryna Kuksa 2013. Reviews, Scene Vol 1 No 3. Scene. 1 (3), pp. 457-473. https://doi.org/10.1386/scene.1.3.457_5

Motion Capture Apparatus
Sporton, G. Forthcoming. Motion Capture Apparatus. 13145754

The conservative revolution: the Bolshoi archives
Gregory Sporton 2012. The conservative revolution: the Bolshoi archives. Scene. 1 (1), pp. 85-98. https://doi.org/10.1386/scene.1.1.85_1

The Watertower: Gaming for Heritage
Sporton, Gregory 2011. The Watertower: Gaming for Heritage. in: Museums at Play: Games, Interaction and Learning MuseumsEtc.

Natural selection and the audition process: Dance science in context. Monaco Dance Forum/Association Danse Médecine Recherche Colloquium, Monaco, 1-4 April 2010
Sporton, Gregory 2010. Natural selection and the audition process: Dance science in context. Monaco Dance Forum/Association Danse Médecine Recherche Colloquium, Monaco, 1-4 April 2010. Research in Dance Education. 11 (2), pp. 139-142. https://doi.org/10.1080/14647893.2010.488291

Creative identity theft: issues for artists in collaborative online environments
Sporton, Gregory 2010. Creative identity theft: issues for artists in collaborative online environments. Electronic Visualisation and the Arts (EVA 2010) (EVA). London, UK 05 - 07 Jul 2010 BCS Learning and Development Ltd. https://doi.org/10.14236/ewic/eva2010.26

The “e” Prefix: e-Science, e-Art & the New Creativity
Sporton, Gregory 2009. The “e” Prefix: e-Science, e-Art & the New Creativity. Digital Humanities Quarterly. 3 (4).

In the Service of the State
Sporton, Gregory 2009. In the Service of the State. The International Journal of the Arts in Society: Annual Review. 3 (6), pp. 27-36. https://doi.org/10.18848/1833-1866/cgp/v03i06/35535

The active audience: The network as a performance environment
Sporton, Gregory 2009. The active audience: The network as a performance environment. in: Modes of Spectating Intellect Books and Orient Blackswan. pp. 61-72

Design as action: Jean cocteau and the ballets russes
Sporton, Gregory 2009. Design as action: Jean cocteau and the ballets russes. in: Directors and Designers University of Chicago Press. pp. 230-240

The Ballet Called ‘Siegfried’: the Enigmatic Prince of Swan Lake
Sporton, Gregory 2008. The Ballet Called ‘Siegfried’: the Enigmatic Prince of Swan Lake. New Theatre Quarterly. 24 (3), pp. 281 - 293. https://doi.org/10.1017/s0266464x0800033x

Capturing the Space Doppëlganger @ the New Art Gallery Walsall
Sporton, Gregory 2006. Capturing the Space Doppëlganger @ the New Art Gallery Walsall. Body, Space & Technology. 6 (1). https://doi.org/10.16995/bst.181

Power as nostalgia: the Bolshoi Ballet in the New Russia
Sporton, Gregory 2006. Power as nostalgia: the Bolshoi Ballet in the New Russia. New Theatre Quarterly. 22 (4), pp. 379 - 386. https://doi.org/10.1017/s0266464x0600056x

Dance culture and statuary politics: Chiang Kai-Shek and the myth of primitivism
Sporton, Gregory 2004. Dance culture and statuary politics: Chiang Kai-Shek and the myth of primitivism. New Theatre Quarterly. 20 (3), pp. 280 - 285. https://doi.org/10.1017/s0266464x04000168

Dance as Cultural Understanding: Ideas, Policy, and Practice
Sporton, G. 2004. Dance as Cultural Understanding: Ideas, Policy, and Practice. Dance Research Journal. 36 (2), pp. 80-90. https://doi.org/10.2307/20444593

Permalink - https://westminsterresearch.westminster.ac.uk/item/qxq60/reviews-bolshoi-bright-stream-enb-giselle-review-of-agency-a-partial-history-of-live-art


Explore this article

Reviews: Life and Fate, Life is a Dream, New Work/New Music
Gregory Sporton 2018. Reviews: Life and Fate, Life is a Dream, New Work/New Music. Scene. 6 (1), pp. 91-97. https://doi.org/10.1386/scene.6.1.91_5

Reviews: The Nose, The Red Shoes, Les Enfants Terrible
Sporton, G. 2017. Reviews: The Nose, The Red Shoes, Les Enfants Terrible. Scene. 5 (1), pp. 83-88. https://doi.org/10.1386/scene.5.1.83_5

Review: Michael Clark Company
Sporton, G. 2017. Review: Michael Clark Company. Scene. 5 (2), pp. 139-140. https://doi.org/10.1386/scene.5.2.139_5

Reviews: Swan Lake, Swan Lake, Trinity
Sporton, G. 2016. Reviews: Swan Lake, Swan Lake, Trinity. Scene. 4 (2), pp. 173-178. https://doi.org/10.1386/scene.4.2.173_5

Review: Cirkopolis
Sporton, G. 2015. Review: Cirkopolis. Scene. 3 (1 & 2), pp. 149-155. https://doi.org/10.1386/scene.3.1-2.149_5

Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova
Sporton, G. 2018. Reviews: ENO's Luisa Miller/ Pure Dance, Natalia Osipova. Scene. 6 (2), pp. 177-182. https://doi.org/10.1386/scene_00017_5

Share this

Usage statistics

53 total views
21 total downloads
These values cover views and downloads from WestminsterResearch and are for the period from September 2nd 2018, when this repository was created.