Trust Me
Pitts, V. 2000. Trust Me. Aotearoa New Zealand
Pitts, V. 2000. Trust Me. Aotearoa New Zealand
| Title | Trust Me |
|---|---|
| Creators | Pitts, V. |
| Collaborators | |
| Producer | James Wallace |
| Description | Short narrative film about how power is negotiated when trust is asked for and given, conveyed through a story involving two sisters on the cusp of teenage-hood and womanhood. |
| Keywords | Short film, dramatic narrative |
| Year | 01 Jul 2000 |
| Files | Media type Video License All rights reserved |
| Place of publication | Aotearoa New Zealand |
| Funder | https://www.nzfilm.co.nz/films/trust-me |
| Web address (URL) | http://www.mudshinefilms.com/trust-me/ |
'Lying Truly' in Autofiction Screenwriting
Pitts, V. 2024. 'Lying Truly' in Autofiction Screenwriting. Screenwriting Research Network Conference 2024 "Conversation Beyond Script". Palacký University, Olomouc, Czech Republic 11 - 14 Sep 2024
Beyond My Brain
Pitts, V. 2016. Beyond My Brain. United Kingdom
Meeting
Pitts, V. 2016. Meeting.
Character, Performance, Dialogue & Structure: a Comparative Analysis of Improvised & Scripted Filmmaking
Pitts, V. 2015. Character, Performance, Dialogue & Structure: a Comparative Analysis of Improvised & Scripted Filmmaking. Screenwriting Research Network International Conference. Macquarie University, Sydney, Australia 14 - 16 Sep 2012
Contestations of Intercultural Collaboration: the Case of Whale Rider
Pitts, V. 2014. Contestations of Intercultural Collaboration: the Case of Whale Rider. in: Nagib, L. and Jerslev, A. (ed.) Impure Cinema: Intermedial and Intercultural Approaches to Film New York; London I.B. Tauris. pp. 43-65
Lost and Found: Musicality and Screenplay Development
Pitts, V. 2014. Lost and Found: Musicality and Screenplay Development. Screenwriting Research Network International Conference. Macquarie University, Sydney, Australia 14 - 16 Sep 2012
Writing from the Body: Kinesthetics and Entrainment in Collaborative Screenwriting
Pitts, V. 2013. Writing from the Body: Kinesthetics and Entrainment in Collaborative Screenwriting. Journal of Media Practice. 14 (1), pp. 61-78. https://doi.org/10.1386/jmpr.14.1.61_1
Beat: Artist's Statement
Pitts, V. 2013. Beat: Artist's Statement. The Soundtrack Journal. 5 (1), pp. 103-105. https://doi.org/10.1386/st.5.1.73_7
Writing from the body: kinesthetic empathy and screenwriting
Pitts, V. 2012. Writing from the body: kinesthetic empathy and screenwriting. Screenwriting Research Network International Conference. Macquarie University, Sydney, Australia 14 - 16 Sep 2012
Technologies of Culture: Digital Feature Filmmaking in New Zealand
Pitts, V. 2011. Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film. 9 (1), pp. 3-17. https://doi.org/10.1386/ncin.9.1.3_1
Beat
Pitts, V. 2010. Beat. Aotearoa New Zealand
From Process to Product: Intercultural Collaboration in the Making of Whale Rider
Pitts, V. 2010. From Process to Product: Intercultural Collaboration in the Making of Whale Rider. Impure Cinema Conference. University of Leeds 02 - 05 Dec 2010 University of Leeds.
Cross-Cultural Filmmaking in New Zealand National Cinema
Pitts, V. 2008. Cross-Cultural Filmmaking in New Zealand National Cinema. PhD thesis University of Auckland Media, Film and Television
Cross-cultural Filmmaking in Aotearoa New Zealand
Pitts, V. 2007. Cross-cultural Filmmaking in Aotearoa New Zealand . MEDIANZ Conference . Victoria University, Wellington, New Zealand 08 - 10 Feb 2007
Intercultural Short Filmmaking in Aotearoa New Zealand
Pitts, V. 2006. Intercultural Short Filmmaking in Aotearoa New Zealand. Metro: Media and Education Magazine. 148, pp. 140-146.
Fleeting Beauty
Pitts, V. 2004. Fleeting Beauty. Aotearoa New Zealand
Form and Politics in Punitive Damage
Pitts, V. 1999. Form and Politics in Punitive Damage. Australian Screen Education. 20/21, pp. 18-23.
From novel to film : Le journal d'un curé de campagne and the art of adaptation
Pitts, V. 1997. From novel to film : Le journal d'un curé de campagne and the art of adaptation. The European Connection. 3, pp. 31-39.
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