Nobody’s Here but Me. Cindy Sherman - ACE285.2

Cindy-Sherman-eye-view of her empty studio. Sherman’s VO musing on its emptiness and what might happen. Central Park, New York. Some of Sherman’s photographs. Sherman in taxi. Sherman in her studio. Polaroid photographs. Commentary describes her work as revealing "an unsettling landscape of solitary women". Full size photographs in galleries, including Untitled #228 (1990). Sherman saying that photography is much quicker than painting, and that a photograph "can make people believe anything". Portrait photographs of herself. She finds it more interesting "to tell lies", to photograph "what’s in somebody’s imagination". Photographs from the Disasters series (1988). Sound over is that of police at crime scene. Sherman walking in dark city streets. VO talking about her reactions to New York when she first arrived there. Sherman talks about needing a "street persona", and how she’s changed her appearance from time to time. Untitled #93 (1990). Robert Longo, Artist, talks about Sherman being afraid to leave the house for some weeks. Photographs from contact sheet of Sherman indoors. Helicopter. One of Sherman’s photographs. World Trade Center and back of nearby buildings.