Nobody’s Here but Me. Cindy Sherman - ACE285.3

Another photograph. Police conversations over. Film of pigeon eating grain on table. Photographs and contact sheets from the late 1970s and early 1980s; includes Untitled Film Still #53 (1980). Her VO describes how the idea for filming herself with changing expressions came about. Sherman’s VO describing her preference for dressing up as more grotesque characters, not as "some pretty role model". Trying on different garments in front of a mirror. Photographs of Sherman and a friend as old ladies. Untitled #282 and others. Sherman says the images are not planned; they suddenly take shape as she tries different things. Various photographs of herself; Sherman talking about working in her own domestic surroundings, not a studio; more photographs. New York scenes; intercut with b&w photograph; other photograph of Sherman. Jamie Lee Curtis talking about the Untitled Film Still series and the impact of the pictures. More images from the series