Cinematic Animism and Contemporary Southeast Asian Artists’ Moving Image Practices

Flaherty Film Seminar 2024: To Commune
Ingawanij, M.A. 2024. Flaherty Film Seminar 2024: To Commune. 2024

To Live With: A Conversation Between May Adadol Ingawanij, Sorawit Songsataya, and Riar Rizaldi
Ingawanij, M.A. 2023. To Live With: A Conversation Between May Adadol Ingawanij, Sorawit Songsataya, and Riar Rizaldi. Hocken Collections, University of Otago.

Araya Rasdjarmrearnsook’s Relational Tableaux
Ingawanij, M.A. 2023. Araya Rasdjarmrearnsook’s Relational Tableaux. MoMA Post - Notes on Art in a Global Context.

Legacies
Ingawanij, M.A. 2022. Legacies . Artspace Aotearoa 02 Sep - 22 Oct 2022

Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions
Ingawanij, M.A. 2022. Animistic Apparatus screening programme at Yebisu International Festival for Art & Alternative Visions. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus: A Gathering
Ingawanij, M.A. and Ross, J. 2022. Animistic Apparatus: A Gathering . World Records. 7.

Vivre après la catastrophe
Ingawanij, M.A. 2022. Vivre après la catastrophe . in: Maury, Corinne and Zuchuat, Olivier (ed.) Lav Diaz: Faire Face post-éditions. pp. 149-173

Art and Communication: A Regional Genealogy
Ingawanij, M.A. 2022. Art and Communication: A Regional Genealogy. in: Ute Meta Bauer (ed.) Climates. Habitats. Environments. MIT Press.

Philippine Noir: The Cinema of Lav Diaz
Ingawanij, M.A. 2021. Philippine Noir: The Cinema of Lav Diaz . New Left Review. 130.

Stories of Animistic Cinema
Ingawanij, M.A. 2021. Stories of Animistic Cinema . Antennae: The Journal of Nature in Visual Culture. 54 (Summer 1), pp. 84-103.

Ghost Cinema for a Damaged World
Ingawanij, M.A. 2020. Ghost Cinema for a Damaged World. in: Burmester, M. (ed.) Korakrit Arunanondchai & Alex Gvojic: No History in a Room Filled with People with Funny Names 5 Serralves Foundation-Museum of Contemporary Art Fundaçâo de Serralves. pp. 49-57

Animistic Apparatus screening programme: Landscape of Spirits
Ingawanij, M.A. 2019. Animistic Apparatus screening programme: Landscape of Spirits . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus @ Berwick Film and Media Arts Festival
Ingawanij, M.A. 2019. Animistic Apparatus @ Berwick Film and Media Arts Festival . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead
Ingawanij, M.A. 2019. Animistic Apparatus screening programmes: Mud, Drones and Spirits; Between the Living and the Dead. Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus: Screening
Ingawanij, M.A. 2019. Animistic Apparatus: Screening . Berwick Film and Media Arts Festival 19 - 22 Sep 2019

Animistic Apparatus
Ingawanij, M.A. 2019. Animistic Apparatus. University of Westminster. https://doi.org/10.34737/qy152

Comedy of Entanglement: The Karrabing Film Collective
Ingawanij, M.A. 2019. Comedy of Entanglement: The Karrabing Film Collective . Afterall . 48, pp. 26-37. https://doi.org/10.1086/706125

Making Line and Medium
Ingawanij, M.A. 2019. Making Line and Medium . Southeast of Now: Directions in Contemporary and Modern Art in Asia. 3 (1). https://doi.org/10.1353/sen.2019.0001

Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films
Ingawanij, M.A. 2019. Aesthetics of Potentiality: Nguyen Trinh Thi's Essay Films . in: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Bloomsbury Academic. pp. 151-164

Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation
Ingawanij, M.A. 2018. Art's Potentiality Revisited: Araya Rasdjarmrearnsook's Late Style and Chiang Mai Social Installation. in: Teh, David and Morris, David (ed.) Artist-to-Artist: Independent Art Festivals in Chiang Mai 1992-98 London Afterall Books in association with Asia Art Archive and the Center for Curatorial Studies, Bard College. pp. 252-263

Itinerant Cinematic Practices In and Around Thailand During the Cold War
Ingawanij, M.A. 2018. Itinerant Cinematic Practices In and Around Thailand During the Cold War. Southeast of Now: Directions in Contemporary and Modern Art in Asia. 2 (1), pp. 9-41. https://doi.org/10.1353/sen.2018.0001

Forces and Volumes
Ingawanij, M.A. 2017. Forces and Volumes .

Lav Diaz: Journeys
Ingawanij, M.A. 2017. Lav Diaz: Journeys . University of Westminster. https://doi.org/10.34737/qvw88

Fields: On Attachments and Unknowns
Ingawanij, M.A. and Erin Gleeson 2017. Fields: On Attachments and Unknowns.

Lav Diaz: Journeys
Ingawanij, M.A. 2017. Lav Diaz: Journeys .

Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship
Ingawanij, M.A. 2017. Exhibiting Lav Diaz's Long Films: Currencies of Circulation and Dialectics of Spectatorship. Aniki: Portuguese Journal of the Moving Image . 4 (2), pp. 411-433. https://doi.org/10.14591/aniki.v4n2.327

Southern Collectives screening programmes and discussion
Ingawanij, M.A. 2016. Southern Collectives screening programmes and discussion . Buenos Aires 29 Oct - 13 Nov 2016

Long Walk to Life: the Films of Lav Diaz
Ingawanij, M.A. 2015. Long Walk to Life: the Films of Lav Diaz . Afterall . 40.

Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand
Ingawanij, M.A. 2014. Figures of Plebeian Modernity: Film Projection as Performance in Siam/Thailand. SEAP Bulletin . Fall, pp. 10-16.

Comparing Experimental Cinemas
Ingawanij, M.A. and Shai Heredia 2014. Comparing Experimental Cinemas.

Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives
Ingawanij, M.A., MacDonald, R.L. and Clark, G. Ingawanij, M.A. (ed.) 2013. Catalogue of the 6th Bangkok Experimental Film Festival: Raiding the Archives. Bangkok, Thailand Aan Publishing.

Animism and the performative realist cinema of Apichatpong Weerasethakul
Ingawanij, M.A. 2013. Animism and the performative realist cinema of Apichatpong Weerasethakul. in: Pick, A. and Narraway, G. (ed.) Screening nature: cinema beyond the human Oxford Berghahn Books.

Mother India in six voices: melodrama, voice performance, and Indian films in Siam
Ingawanij, M.A. 2012. Mother India in six voices: melodrama, voice performance, and Indian films in Siam. Bioscope: South Asian Screen Studies. 3 (2), pp. 99-121. https://doi.org/10.1177/097492761200300202

Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur
Ingawanij, M.A. 2010. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. in: Harrison, R.V. and Jackson, P.A. (ed.) The ambiguous allure of the West: traces of the colonial in Thailand Hing Kong Hong Kong University Press. pp. 119-134

Nang Nak: Thai bourgeois heritage cinema
Ingawanij, M.A. 2007. Nang Nak: Thai bourgeois heritage cinema. Inter-Asia Cultural Studies. 8 (2), pp. 180-193. https://doi.org/10.1080/14649370701295599

Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema
Ingawanij, M.A. 2007. Hyperbolic heritage: bourgeois spectatorship and contemporary Thai cinema. PhD thesis University of London London Consortium

Un-Thai sakon: the scandal of teen cinema
Ingawanij, M.A. 2006. Un-Thai sakon: the scandal of teen cinema. South East Asia Research. 14 (2), pp. 147-177.

Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur
Ingawanij, M.A. and MacDonald, R.L. 2006. Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur. New Cinemas: Journal of Contemporary Film. 4 (1), pp. 37-54. https://doi.org/10.1386/ncin.4.1.37_1

Transistor and temporality: the rural as modern Thai cinema's pastoral
Ingawanij, M.A. 2006. Transistor and temporality: the rural as modern Thai cinema's pastoral. in: Fowler, C. and Helfield, G. (ed.) Representing the rural : space, place, and identity in films about the land Detroit Wayne State University Press. pp. 80-100

The value of an impoverished aesthetic: the iron ladies and its audiences
Ingawanij, M.A. and MacDonald, R.L. 2004. The value of an impoverished aesthetic: the iron ladies and its audiences. Spectator: University of Southern California Journal of Film and Television Criticism. 24 (2), pp. 73-81.